My set for the 9th birthday of Rebellion der Träumer at Wilde Renate Berlin. All tracks are produced or remixed by myself or in collaboration with incredible artists.

Tracklist:

Odagled - Importante ( Flave Remix ) [ Magican on Duty ]
Flave - Blue Noise
Flave & Urem - Back Together [ underyourskin ]
Max Gaplevski - Inside ( Flave Remix )
Flave - Untitled
Flave - Get Down
Bassara - Let Go ( Flave & Urem Remix ) [ Down. ]
Flave & Ouhana - Milkyways of Skin [ Kata Haifisch ]
Flave - Drop the Heat
Flave & Atric - The Moment [ Tipping Point ]
Flave ft TRuth - Deeper Inhale
Flave - Decode
Flave - Nate Dogg Tribute [ free download ]
Flave - Pink Bass [ free download ]
Seebo & Flave - True Queens [ Tipping Point ]

Liveset | Rebellion der Träumer Birthday

covert by Nadi1-web

Iolanda Cristina Gigliotti, dite Dalida, née le 17 janvier 1933 au Caire (Égypte) et morte le 3 mai 1987 à Paris 18e (France), est une chanteuse et actrice italienne naturalisée française.

Issue d'une famille italienne installée en Égypte, elle participe à des concours de beauté au début des années 1950 et tourne quelques films au Caire. Résidant en France à partir de 1954, elle connaît son premier succès de chanteuse avec le titre Bambino en 1956. Se façonnant un répertoire regroupant plus de sept cents chansons interprétées en plusieurs langues, elle devient une grande figure de la chanson française et bénéficie d'une popularité dépassant la scène francophone.

Parmi ses chansons les plus connues, figurent Come prima, Les Gitans, Gondolier, Bambino, Les Enfants du Pirée, Itsi bitsi petit bikini, La Danse de Zorba, Bonsoir mon amour, Le Temps des fleurs, Darla dirladada, Paroles... Paroles..., Gigi l'amoroso, Il venait d'avoir 18 ans, Salma Ya Salama, Laissez-moi danser, Gigi in paradisco et Mourir sur scène. Embrassant plusieurs styles musicaux, tels que le twist, la pop et le raï, elle est également une des premières artistes françaises à interpréter des chansons disco avec les titres J'attendrai et Bésame mucho.

Souffrant d’une dépression — en raison notamment d'une succession de drames personnels —, elle se suicide quelques mois après avoir été l'actrice principale du film dramatique égyptien Le Sixième Jour. Sa vie privée et sa mort font d'elle une icône au destin tragique.

Unofficial remix
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Free Download

Dalida - Le Temps Des Fleurs (Jack Essek Edit)

FREE DOWNLOAD

Roma VPR – Sentyabr (Max Gaplevski remix) FREE DOWNLOAD

www.beshmusic.com

Supported by DENNIS CRUZ, BEDOUIN, BLACKCHILD, MOOJO, DEMAYA & ARKADYAN
+ many more.
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mastered/ hugomaire x mentaltd.

Desperado (BESH. Remix) [Sup. by Dennis Cruz, Bedouin]

...this mix was recorded @ a private party in chamonix , feb 2025

The Sorry Entertainer ***Live Is A DJ Set*** @ Chamonix Afterhour Sessions 09.02.25

As the newest chapter in the Raw Cuts series, Fab Mayday reworks a true Italian rarity from 1979: Ma Sì... by Franco Tortora.
Unearthed and reimagined with care, this edit shines a fresh light on a hidden gem, weaving together vintage charm and subtle groove. It’s a perfect fit for the Brera Groove spirit: rare, soulful, and timelessly captivating.

Get it on Bandcamp: https://breragroove.bandcamp.com

Follow Brera Groove: www.instagram.com/brera_groove/
Support Fab Mayday: @fabmayday

Franco Tortora - Ma Sì... (Fab Mayday Edit)

Joma Route (live) [ at ] L´A Cultural 2025 [ Live-Special ]

The likeable and extremely ambitious Jose has already caught our attention in several productions, especially those of the label [MuMa], better known as Mutant Magic. His sound captivates with its lightness (organic textures) and deep groove, as well as sensual melodies. So it came as no surprise to us that we liked the live set he submitted. It really puts you in a good mood and has that certain something in the direction of storytelling. Attached, of course, is our interview.

<<< INTERVIEW >>>

✔️ What is your musical background?
R//: My musical background started when one of my best friends introduced me to a music academy where he was taking drum lessons. I was 9 years old, and when I heard a guitar class session, I didn’t think twice before asking my father to pay for lessons. Luckily, he agreed. From there, I learned some music theory and then continued mostly in a self-taught way — along with lots of music listening and record collecting. In 2017, I left Colombia and moved to Texas, where I started producing music. Two years later, I moved to Spain and took an Electronic Music Production course at SAE Institute to develop my skills further. Since then, I’ve been practicing and producing constantly. Along the way, I also learned to mix on vinyl and continue building my collection — I love making mixtapes.

✔️ What makes good “afterhour”?
R//: Mostly outdoor spots and daylight, but a good one for me, is when music coordinate and guide easily and successfully the crowd or the people listening to it at the moment, sounds generic, but when the vibe is subtle people just flow with the atmosphere generated by the music that is playing, also the sun will be doing a lot of work :D but if not sunny or outdoor music will need to be accurate indeed.

✔️ Do you have any thoughts you would like to share about your set?
R//: I feel it is very diverse and has very different moments but it’s changing by a very subtle evolving atmosphere which makes it enjoyable to listen to. Also most of the set 70% it’s music that hasn’t be released, I always try to come up with something new to every new gig I have, I like to feel inspired by the place where, I will play and try to create something according to that visualization, maybe not the whole live but a couple of tracks or so.

✔️ What was your experience of the set you recorded?
R//: It was really interesting how people react to it, it was early noon so, some people were waking up, other were just enjoying after hours, so it may come in a very lucky time for me, they were relaxing and enjoying the vibes of it, some parts more intense than others but in general I felt it as a completely positive reaction, the day was beautiful 15h sun was shining, incredible 28 degrees weather, feeling grateful :)

<<<>>>

Respect-ID-List
1- Seventh - unreleased - 
2- Sun 
3- Come Around - unreleased - 
4- Far away from the Sound - unreleased - 
5- Untitled IV - unreleased - 
6- Wobble Gummies-Sydney Seymour. (Joma Route Remix) 
7- Mulholland lover - unreleased - 
8- Toronto - unreleased - 
9- Surrender - unreleased - 
10- Untitled V - unreleased - 
11- White and Blue-Joma Route. (Sydney Seymour Remix) 
12- Arcaloving - unreleased - 
13-Down 
~~~~~~~~~~~
CREDITS:
🖼 by Jim aka J.WOCKENFUSS (@jwockenfuss)
✍️ by arkadiusz. aka arkadiusz.the.dariusz (@arkadiusz-dmytrow)
~~~~~~~~~~~

____LINKS_______
✘ Joma Route (Barcelona / Spain)
https://on.soundcloud.com/Ht5wSSzmLxyUuejm2u 
https://open.spotify.com/intl-es/artist/7ioKq7T6dkA8SAO4gT2451?si=fAWuE4HYSHakqwNYRW3Orw 
https://www.instagram.com/jomaroute?igsh=dDY0MHE2ZmNmaWlp

✘ L'A CULTURAL
https://lacultural.eu

┋InfoBox Afterhour Sounds┋
@afterhour-sounds
www.instagram.com/afterhoursounds/
linktr.ee/afterhoursounds

Joma Route (live) [ at ] L´A Cultural 2025 [ Live-Special ]

Somewhere between the kick and the delay — at 00:40 hours, 108 BPM — my DJ-MacBook just froze  (I still play on those devices and I most likely always will - although... I am short before investing in some other gear to play a little bit, to be seen). 

Seven seconds of silence. Total blackout.
The crowd didn’t flinch. 
Someone laughed and shouted, “Ma che Tony!”

Next day I opened the session, found the gap, stitched the groove, dusted it clean.

Now it sounds right — tunes I truly feel.

The beauty of a simple editor cut. 

Enjoy and thanks to the wonderful crowd and - always in my heart - Kauz Zürich and crew!

w i n t e r p o o l

la-mood