This is a page showcasing unreleased music from Ya Boy Ju & Indi Label Fade Life Music Group. All released music is on all streaming services.

I'm here on a mission to change the world one note at a time. Inhale the Good, Exhale the Bad.

Anthony Hill also known as Axis Thrill, has spent the past 35 years in the music industry as a songwriter, producer, manager, and promoter. After moving to the Washington D.C. area in 1988, he joined forces with D.J. Hassan to begin his professional career as a producer/songwriter creating remixes for L.A. female rapper M.C. Smooth. This led him to work with legendary songwriter Vaughn Mason (Harold Melvin and the Blue Notes/ Bounce, Rock, Roll, Skate) where he was introduced to Eugene Hanes of Mass Order (Adina Howard, Jahiem, Elusion) with whom he worked with periodically until 1995. Also during this time, Anthony Hill worked with Kevin Jackson (Tonya Blount, Stacy Lattisaw, Phajja ) on various projects. In 1991 Anthony Hill was signed to a New Jersey based independent record label owned by Michael K. Jackson (music director for Stacy Lattisaw). Following this accomplishment, Anthony decided to take on the role of manager/producer for a Washington D.C. area rap group called The No Description Given and Da Major League which included the likes of Rich "Nieze" Shelton (Ice Cube, Keisha Cole, Mya, Sisco), Steph Lover (HOT 97, NY/MTV2), and Big Tigger (Rap City, BET). In 1995 Anthony Hill relocated to Atlanta where he worked as promotions representative for Priority Records. During his two year tenure with Priority Records he was instrumental in establishing the Atlanta area presence for acts like Ice Cube, Mack 10, Rass Kass, and Lil' Half Dead. Eventually, in 2002, establishing MainStreet Productions, in Atlanta, Georgia where he has written, composed, and produced, artist of local, regional, and national levels.

In 2004, Anthony established a new launch-pad designed label along with DJ Mike Swift for new, up-and-coming, and seasoned artists resurging career aspirations. Providing major record label service and support for artist on any platform. Established in the city called the MOTOWN of the SOUTH, Atlanta, Georgia. Working with artist of all genres and all influences. Having guided the careers of Jahalla of Ceelo Green's label (Gnarls Barkley), Caron Morman, inspirational R&B artist from Canada, Robert Terrell, an adult contemporary R&B from Austin, Texas. Also numerous local and regional rap and urban music artist. Currently representing the likes of Andrae Alexander music director and producer with clients such as Raheem DeVaughn, Common, Jill Scott, Erykah Badu, Chrisette Michele, as well as many others.
Anthony Hill is a force in the music industry to be reckoned with and he is providing support for those who are desirous of successful music career.

Anthony decided in 2011 to focus on remodeling the business structure to provide music publishing services to artists, singers, songwriters, and production companies. Along with developing a new brand sound called Future R&B/Soul Jazz combining rhythms of R&B and Hip-Hop with the harmonics tones of Soul and Jazz music.

Stay positive put it all in the hands of God, Been in and out of the music game since the late 80's, worked with many artist over the years, writer, producer arranger musician artist promoter manager

Sech: You said your music varies on the way you feel,would you say life experiences also affect what you compose?Have any pieces directly inspired another piece?
Cameron: Yes life experiences can most definitely alter your work performance; for example if you go through a hardship in your life such as a break up with a significant other or experience the loss of a love one then you will be more likely to create Moody music. That’s why it is best to leave all of your problems at the door when creating music, because you want music people can dance to and be joyful whenever they hear your music no matter what state they may be in.
Sech: How do you go about approaching the hindering, daunting writer’s block that many musicians face?
Cameron: Whenever writers block does occur I just take a break because you can always come back later and work. During the break I make sure I relax, listen to some other music, grab a bite to eat, or drink.
Sech: Where do you see yourself as an artist/producer in five years? Ten years?
Cameron: Probably on stage performing, having tour dates, or even on stage receiving an award in front of millions for my hard work.
Sech: You started recording and composing at what some would say is a young age–around the age of 14 or 15–when many teens were just trying to keep up in school or adjust to new responsibilities while struggling with their own identities. You must have a huge variety of songs under your belt! Over the past 4-5 years or so, have you been able to tell a difference in your growth as a musician? Have you broadened your scope in what you write or have you narrowed down what direction you’d like your music to go into?
Cameron: I never try to narrow or limit myself , some say the sky is the limit but I want to go beyond the sky and broaden my musical skills. No matter how many mix downs I do of a song I always feel like it could be bigger, better, and use something else. Although at the same time I can tell there has been a drastic change in my music since I first started out as a novice. For instance, I tweak all of my instruments using Pro Tools so I can receive a unique sound that no one has heard before. And because of this, I have basically a vault full of beats that I am just waiting to mix and match with the right artists.
Sech: What do you feel sets you apart from other artists and producers?
Cameron: What sets me apart is that I am always evolving and inventing new sounds so that I won’t just fall in place with other competing artists and producers. Even if I do use a sample for a song I try to tweak it and put my own twist on it; for instance you will probably never hear me make a beat like Kanye’s and Jay Z’s, “Uncle Ottis” and “Paris”. I couldn’t picture myself just dragging out a couple of plain voice samples as a complete beat. The listeners deserve more than that.
Sech: What song of yours was the most challenging to compose thus far? Any favorites or stand out songs that had/have a huge significance on your life?
Cameron: There have been a couple; for example, I am working on a song called “Here We Go” that would fit the classic Justin Timberlake and Lil Wayne [feel] but I am still tweaking the sounds for perfection.
Sech: Are you currently writing anything?
Cameron: Yes I always have several projects I work on at one time so if I get stuck on one song I can always come back to it later.
Sech: Any words (or advice) for your fans?
Cameron: If you find something you are good at–that is legal–continue doing it and don’t let anybody stop you. Don’t let a hater ever keep you down like the lead in bullets, just do it.
Check out more on Cameron Rooks and his music: www.reverbnation.com/cameronrooks , www.beats4tracks.com/CameronRooks// , follow him @cameronrooks

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