thank God they were skipped by Eurovision. they are too good

wowwww...amo esos sonidos superfluos...complementan la canción para hacerla perfecta!

Escucha El momento - La Casa Azul de Rafa en #SoundCloud https://on.soundcloud.com/cPevL

Ay Mamá

Dorian - A Cualquier Otra Parte

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Los Amigos Que Perdí

Los Amigos Que Perdí (feat. Santi Balmes)

15151

Los Días Raros (En Directo)

Aquí va un reprise casero del megahit de La Casa Azul. Para todos que no encuentren "El Momento" de pincharlo. Enjoy it!

Enlace: http://www.mediafire.com/file/pgb980coke3yy6m/La+Casa+Azul+-+El+Momento+%28Suzukid+Edit+Reprise%29.mp3

La Casa Azul - El Momento (Suzukid Reprise Edit)

We have been waiting impatiently for new songs from LA CASA AZUL to arrive. And it clearly wasn’t going to be an easy album. After having reached larger audiences, after having reached mainstream levels with their independent proposal, far from what the mainstream was used to, after having been heard both in small independent festivals as well as the return of Operación Triunfo, after having remixed Camilo Sesto’s “Vivir Así Es Morir De Amor” or having masterfully reconstructed and reinvented Nino Bravo’s whole album. From composing and producing FANGORIA’s latest hits, from writing songs for TV shows and movies, from being a judge on the talent show “Oh Happy Day” on TV3 or the teacher in the Operación Triunfo academy, from continuing with radio collaborations, from writing for different media, from writing and producing five songs for the children’s cartoon show “PINY: Instituto de Nueva York” (which Ali Howard of LUCKY SOUL sings on), from winning a Goya with a rumba, from DJing in the most important clubs in the country or making the latest version of “Sálvame” (made popular in Spain by Bibi Andersen in 1980) to headline the popular show on Tele 5. There have been so many things, and with so much variety, and above all they have all been created from the most independent spirit with the deepest love of music, that Guille Milkyway can be defined as unique and incomparable, and “La Gran Esfera” will be the album that confirmed this, the definitive emergence, eternity.

And the thing is this album needs to be analyzed from two very different angles. First, that of an artist whose discourse faces the facts of time, who maintains his spacey dreams, but whose lyrics are being weighed down with disappointment, reality and the failure of mankind, the pessimism that was hidden in the escapism we saw in “La Polinesia Meridional”. But there is also the angle of an author who is a relentless music lover, an infallible machine for mixing influences, and who takes an unheard of step forward on this new album, crossing boundaries that few have dared to touch: the line that separates commercial music from independent music, a frontier that has so many preconceptions around it that many artists have been forced to go around it without ever being able to look back. On “La Gran Esfera”, Guille Milkyway knocks the wall down, playing with a million references, current and past, greatest hits and underground, tracks for the dance floor and tracks to break our hearts. You can hear hints of LAS AVES, Etienne Daho, Donna Summer, BOY PABLO, THE BEACH BOYS, VIDEO AGE, ROOSEVELT, ROBOTAKI, BLOSSOMS, THE GO! TEAM and ELO. And all of this without losing even a drop of his own personality.

What is “La Gran Esfera”? Is it the awareness of a painful existence? The bittersweet celebration of a planet full of life and pain? A planetary vision of the human condition? We would need a lot more time and space to read into this more deeply, to analyze all the directions this complex, multifaceted album points toward, while still being highly danceable, without any concessions to the mid-tempo, addictive and catchy, like LA CASA AZUL’s best trademark work. That’s where its difficulty lies. That’s where we can begin to decipher the challenge, the incredible proposal that Guille Milkyway brings to the table. Are you ready to look inside “La Gran Esfera”?

La Gran Esfera

Nunca Nadie Pudo Volar

El Momento

Podría Ser Peor

Every time we begin to listen to a new LA BIEN QUERIDA album, we are faced with the question of what we are going to find this time, because we know that it’s going to be something completely new and different from what we have heard up to now. The title of this new release is “Fuego” (fire, in Spanish), which corresponds to the south, to red, to summer, to the heart - the fire of passion, of love and hate, the fire of the spirit and intuition.

It was difficult to think about this album after the masterpiece that was “Premeditación, Nocturnidad Y Alevosía”. But the creative universe of LA BIEN QUERIDA is immense and is used to having to outdo itself, handling a wide range of references and enjoying the process of erasing musical and lyrical limits. And “Fuego” is a kind of self-reconfiguration, a rediscovery, because musically there is a bit of everything we already know, but transgressed: the purity and insolence of “Romancero”, the Latin and tropical fusion of “Fiesta”, the electronic force of “Ceremonia” and the mournful darkness of “Premeditación, Nocturnidad Y Alevosía”. This is all represented on the incredible album cover photo by Pablo Zamora,with the artistic direction of Pepe Leal and most of all an idea from Ana herself based on the “Things Organized Neatly” movement. The photo shows her surrounded by instruments, pencils, paintbrushes, albums, and everything that has led to the creation of her own universe.

Ana explains it so well: “The melancholy that seeps out of my songs always includes a positive side that has allowed me to rely heavily on life, and this album more than ever shows that positive side. I have tried to see the bright side, the glass half-full. This album talks about the desire that defends life, pleasure self-fulfillment, freedom. The process of living through our desires, which are not dark or confusing but light and clear”.

The sacred fire of guilty desires, incomprehensible feelings, of the irrational and the vital. The fire that burns in every note of this album, determined to never burn out. “Fuego” feels like a moment of reflection, of acceptance and reconfiguration, an infinite, limitless look ahead. This is a new step in a journey toward making Ana Fernández-Villaverde’s songs the journey of our lives, told through emotions and feelings.

Fuego

Dinamita

In Spain We Call It Soledad

Spanish pop act La Casa Azul began weaving together the sugar pop sounds of groups like ABBA, the B-52's, and the Beach Boys in the late '90s. Formed by producer/songwriter Guille Milkyway, the band rose from indie pop obscurity to the Spanish Top 40 with the help of niche label Elefant Records. The group initially featured five members -- David, Virginia, Oscar, Clara, and Sergio -- who appeared in the group's popular throwback music videos and on album covers, but La Casa Azul's music is actually created solely by Milkyway. La Casa Azul's debut record, El Sonido Efervescente de la Casa Azul, was released in 2000. Their public recognition continued to swell with television appearances on programs such as Zona Disney and Música Uno. La Casa Azul's hit single and video "Como un Fan" was released in February 2005. The video won the group its largest listening audience thus far, priming Spanish audiences for the 2006 re-release of El Sonido Efervescente. The band's third original release earned a place on the Spanish Top 40 charts following its 2007 release, and La Revolución Sexual quickly became one of Elefant Records' most successful releases. In 2008 a song from the album, "La Revolución Sexual," was a finalist in Spain's Eurovision competition, just missing claiming the crown to become the country's entry that year. After taking some time off and releasing the compilation of singles and remixes La Nueva Yma Sumac: What the Revolution Left Us, Milkyway returned to music and created the incidental music for the popular 2009 film Yo, También. He also wrote and performed the theme song for the film, and was awarded for his efforts by winning Best Original Song at the 2010 Goya Awards. La Casa Azul returned at the end of the year with a new single, "Todas Tus Amigas," then spent 2011 working on a new album. La Polinesia Meridional was released to acclaim and brisk sales in November of 2011. 

Milkyway stayed very busy over the ensuing years writing songs for films, playing the music of Nino Bravo in Las Casa Azul style on the 2013 album En Libertad, acting as a judge on the talent show Oh Happy Day, recording songs for the children's TV show Jelly Jamm (a soundtrack released by Elefant in 2013), and raising his profile through DJ gigs and festival appearances. By the time he released new La Casa Azul music in early 2019 -- an album titled La Gran Esfera -- Milkyway had added more modern sounds like trap beats and radio pop to his sonic arsenal to go along with disco and upbeat pop.

El Momento

La Casa Azul

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