Ladat's Support Dec'22 vol. 3

L'épéiste Noir

Orchestre Sentimental - L'épéiste Noir

Hello! this is my new song ''I'm Fine'' is a song which I wrote and composed last year. It reminds me of when we were kids and wished for dates like Christmas, Birthdays and even Halloween. Those dates which made us feel happy and unique. The phrase ''You made me feel like the one'' makes reference to the above mentioned. Finally, I think that when we grow up we miss being kids again. I hope you like it!

********

Available on Spotify!!
https://open.spotify.com/track/2iQu2mqaEt0N6LNC9Ro6yO?si=f012a92c29924f9b

Key: E Major
Genre: Rock/Pop

Produced by:
Vocalist: Axel Fadel
Music: Paris Looky

🎧 Stream: https://fanlink.to/fine-again

Follow Me On:
Personal Instagram: https://www.instagram.com/axel_fadel
Facebook: https://www.facebook.com/ParisLookyOfficial

Lyrics:
Today is a very special day
I can't 
I can't feel you now
I feel like
I feel like I'm free

You made me feel like the one
I thought it was true
I feel like
I feel like I'm free

But I'm Fine again
I don't want to see you anymore

Fine Again (Original Mix) [ON SPOTIFY]

Broken chains 2

pack your shit and run

STREAM HERE - linktr.ee/skari0
FHO Foundation of Human Origins // Progress update *7783 - CE Year 3303 
There are desperate attempts on the metal-rich planet to find evidence of life before the exodus on Earth.
Footage was uncovered today to display life within the namesake of our home planet over one thousand years ago. This is Denver’s legacy, but a shard of the larger history and landscape that made us who we are. We once thrived, ran, and breathed without the interference of this machinery. This historical planet was built for us to live unaided, or we were built to live on it. Now it is nothing but history books and memories now. Oh how forgone we have become

NEW DENVER // 3303

Another surefire chart-topper from Brahms' 3rd Racket...

Sum You Up

Nebula

Finally done with this one. Took a good bit longer than I anticipated, but the time was necessary as I couldn't quite figure out how to end the piece. I think my solution is rather elegant and smooth, here's hoping it's not only me thinking that :P

All in all, I am much happier with this second entry to Horizon compared to the first. I really tried keeping this piece as consistent and thematically / melodically / sonically tight as I could without sacrificing variety.
For the most part I'd say that I succeeded, here and there maybe not so much. But I have to look at the big picture to not go utterly insane as is my nature.

That's also why I will stop trying to fix tiny issues that I am hearing now (but maybe imagining, would not be the first time...) and force myself to be content with what I have, cause the more I listen and the more I look out for mistakes, the more I'll hear (imaginary or real) - drives you nuts.

Again - all in all, this is the best thing I have done to date, in my opinion at least. Maybe not the most bombastic, maybe not the most intricate, but certainly what I wanted to end up with from the get go.

This obviously does not mean that I think this is as close as I would like it to be to the standard that I am setting for myself - but closest out of all the things I've done so far. 
And that's an improvement I am happy with.

I hope you can find enjoyment and maybe some peace of mind in this piece of music (if you read this far that is, if not.. well, doesn't change anything).

Cheerio,
Cedric

HORIZON - A Skyrim Soundtrack Expansion Project

Frozen Meadows

HORIZON - Frozen Meadows

Andromeda

December

The Attic

On again, off again for 6 years. It produced a lot of music. This being one of them.

Scream my Name Out Loud

Scream My Name Out Loud by Dave Hanrahan Music

Particles

Have Some Laughs

Suicide Queen

Freddy Moore - Outlaw.mp3

My Head

Barnyard Burner - Collab w/ Kenna-Rae

Based on events of a long gone era and how those with a different point of view were treated at the time.


Tar and Feathers

Winter Songs (for Bass-Baritone and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. Icicles filled the long window (Wallace Stevens)
II. Dark Day, Warm and Windy (A. R. Ammons)
III. The Snow Man (Wallace Stevens)
IV. Boy at The Window (Richard Wilbur)
V. Old Story (Robert Creeley)
VI. Neither Snow (Billy Collins)

Performers: American Modern Ensemble; David Neal, Bass-Baritone
For More Information: https://robertpaterson.com/winter-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1357
Online Perusal Score: https://issuu.com/robertpaterson/docs/winter_songs_perusal_score


PROGRAM NOTES
The idea for Winter Songs occurred to me after I wrote a short song based on the sixth poem from Thirteen Ways of Looking at a Blackbird by Wallace Stevens for a group composition project at Cornell University. The original idea was to have each student in the department set a different poem in this work, culminating in an evening long song cycle. There are many compelling settings ofThirteen Ways, so instead of trying to contribute yet another, I decided to compose a song cycle using winter-themed poems by a variety of poets. David Neal, the bass-baritone who sang my initial song, Icicles Filled the Long Window, liked the idea so much that he asked me for a complete cycle. I spent months collecting and reading as many poems about winter as I could find. Winter-themed poems seem to fall into two categories: those that are playful and fun, and those that are quite serious. I chose to set six serious poems, including another one by Wallace Stevens, and one each by Robert Creeley, Richard Wilbur, A.R. Ammons and Billy Collins.

Winter Songs was commissioned by David Neal and The Arts at Grace through the New York State Music Fund and was premiered by David Neal and the Society for New Music in April 2008.

ARTISTS:
Robert Paterson, Conductor
'David Neal, bass-baritone
Sato Moughalian, flute
Benjamin Fingland, clarinet
Matthew Ward, percussion
Blair McMillen, piano
Robin Zeh, violin
Robert Burkhart, cello

The Four Seasons

Winter Songs - IV. Boy at The Window (Text by Richard Wilbur)

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.