Ladat’s Support May’25 vol.2

Free Download

Being There

Starman

If You're Gone

Original composition….Alejandro Gonzalez M.

Bálsamo

Lyrics by Aljaž Holzl - Hozi
CoverArt by Aljaž Holzl - Hozi
Mixded and mastered by A7 Recording Studio

Buy music and support the band:
https://www.facebook.com/spyabuse/

Broken vision

Bloodstains

Spy Abuse - Bloodstains

"Hinter uns das Land" / "Behind Us The Land" - Music from Book 5: (Part 1) A New Beginning

Book 5 of "Hinter uns das Land" / "Behind Us The Land" opens a new chapter: The horrors of war lie behind the protagonists, but the scars run deep. This music collection accompanies the Feyerabend family in the post-war era, a time of rebuilding, hope, and slow healing.

The music of Book 5 is an eclectic mix of styles and eras, reflecting the complexity of starting anew. German Schlager hits of the 1950s and nostalgic chansons evoke memories of the past and a rediscovered joy of life. Acoustic sounds, folk, and jazz symbolize the search for security and a new normal. Brit Pop, Swing, and Rock'n'Roll represent the dawn of a new era, while Indie Pop, Chamber Pop, and even a wedding march musically underscore the hope and the gradual blossoming of new dreams. But the shadows of the past are still present, captured in melancholic ballads, a sad piano piece, psychedelic folk, spiritual hip-hop, and powerful post-rock. Even punk rock finds its place, expressing the regained freedom and zest for life.

This music is a sonic tapestry of the post-war era, a tribute to the will to survive, the importance of family, and the strength of the human spirit. It captures the ambivalence of this epoch: The burden of memory and the simultaneous spirit of optimism, the grief for what was lost and the hope for a new beginning.

Music: A musical journey through time from the 50s to the present day with elements of German Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock, and more.

Discover the musical soul of "Hinter uns das Land" / "Behind Us The Land"!

Follow us for more music from "Hinter uns das Land"!

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"Hinter uns das Land" - Musik zu Buch 5 (Part 1): Aufbruch in eine neue Zeit

Buch 5 von "Hinter uns das Land" schlägt ein neues Kapitel auf: Die Schrecken des Krieges liegen hinter den Protagonisten, doch die Narben sind tief. Diese Musiksammlung begleitet die Familie Feyerabend in der Nachkriegszeit, einer Zeit des Wiederaufbaus, der Hoffnung und des langsamen Heilens.

Die Musik zu Buch 5 ist eine eklektische Mischung aus Stilen und Epochen, die die Vielschichtigkeit des Neubeginns widerspiegelt. Schlager der 50er Jahre und nostalgische Chansons erinnern an die Vergangenheit und die wiedergefundene Lebensfreude. Akustische Klänge, Folk und Jazz symbolisieren die Suche nach Geborgenheit und einer neuen Normalität. Brit Pop, Swing, und Rock'n'Roll stehen für den Aufbruch in eine neue Zeit, während Indie Pop, Chamber Pop und sogar ein Hochzeitsmarsch die Hoffnung und das langsame Erblühen neuer Träume musikalisch untermalen. Aber auch die Schatten der Vergangenheit sind noch präsent, eingefangen in melancholischen Balladen, einem traurigen Klavierstück, psychedelischem Folk, spirituellem Hip-Hop, und kraftvollem Post-Rock. Sogar Punkrock findet seinen Platz, um die wiedergewonnene Freiheit und Lebensfreude auszudrücken.

Diese Musik ist ein Klanggemälde der Nachkriegszeit, eine Hommage an den Überlebenswillen, den familiären Zusammenhalt und die Kraft der menschlichen Seele. Sie fängt die Ambivalenz dieser Epoche ein: Die Last der Erinnerung und die gleichzeitige Aufbruchstimmung, die Trauer um das Verlorene und die Hoffnung auf einen Neuanfang.

Musik: Eine musikalische Zeitreise von den 50er Jahren bis in die Gegenwart mit Elementen von Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock und mehr.

Entdecke die musikalische Seele von "Hinter uns das Land"!

Folge mir für mehr Musik zu "Hinter uns das Land"!

Amidst The Doubts (From the Original Novel Soundtrack)

Verse 1] 
They say love don’t come with eyes  
But baby, yours lit up my skies  
You walked in, and time stood still , 
A silhouette I feel, and yet I feel you still  

Pre-Chorus
They say it's touch, it's trust, it’s soul  
But you got a shine I can't control , 
If I’m supposed to feel, not see—  
Why’s your image burning into me?

Chorus
If love is blind, why do I see you?  
Every move, like a dream come true,  
If hearts don’t need a point of view  
Then why do I see, why do I see… you?  
If love is blind, what’s this light I’m in?  
You're a vision wrapped in cinnamon sin , 
Close my eyes, you still come through—  
So if love is blind, why do I see you?

Verse 2
They say it's more than just the skin  
But baby, your glow pulls me in,  
Your laugh’s a rhythm, sweet and slow  
Like a saxophone in stereo  

Pre-Chorus
They tell me beauty fades away  
But yours gets louder every day , 
If it’s about the heart, not face—  
Then why does yours leave such a trace?

Chorus
If love is blind, why do I see you?  
Every curve in the midnight blue , 
If feelings float, like lovers do  
Then why do I fall every time I view… you?  
If love is blind, what’s this spark I chase?  
You're the moonlight dressed in satin grace  
I close my eyes—you're breaking through—  
If love is blind… why do I see you?

Bridge 
No Braille could trace the story, 
That your body tells in glory  
You’re more than sight, but sight’s the flame  
That called my soul and whispered your name  

Chorus
If love is blind… why do I see you? (Ooh, baby…)  
In every shade, in every hue  
Even when I try not to— , 
Why do I… why do I see you?  
If love is blind… then I must be dreaming  
'Cause your image got my whole heart leaning, 
I don’t need eyes to feel it’s true…  
But if love is blind…  
Why do I see you?

Love is Blind

sex and candy? NO, time to grow up. Sex and Weed

Sex & Weed Remix

Klangmoebel-Soundtracks, Vol. 4: Harry

Your Connection Operates as Your Inner Self

Ce Soir Je Te Suis

All Music Composed and performed by: John Baker
All Leads Composed and performed by: Robert Quinn (Boblivion)
Recorded, Mixed and Mastered by: John Baker

This is a track that I hope takes any old school metalhead back to the early 80's where it all began... Straight up in your face thrash metal exactly the way it is supposed to be. enjoy!!!

Hellfire

Composer : Karl Heimgartner Dat :01.12.2024/ © Copyright
Artist: Carlito Home – by Karl Heimgartner 
Genre: Psychedelice- Rock – Sad 
Single: 2025
Title: Sad Lake
Track : 02
My workstation with: Presonus Studio One 5 Professional and Moises vocals Studio. 
My Vocals generated -  Jim, Julia – Speaking, Harry Moises 
Mixing: Christine  Sampson : Mastering: Alessandro Giordano by MTM Mastering True Music Production/Es
Thank you for the cooperation, Freddie and Team MTM Mastering True Music Production.


https://karl-heinz-heimgartner.jimdosite.com/
https://youtu.be/rsIbpDbOa9s
https://open.spotify.com/track/5Ftfzp1bFzWafXwAPGAkSH?si=82546fe7950548e3


I recorded the lead guitar in 2018; it was 20 minutes long. I shortened it to this track, which is still almost 5 minutes long. The lead guitars still have effects, which I don't mind too much because I like that sound. You can still adjust it with EQ and reverb. I edited my vocals in Moises' studio until I was satisfied.
A female voice can also be heard in certain phrases, which adds a bit more depth.
There are still some deep-side sounds in the vocals. I cut most of them out.
The drums, bass, and piano were recorded with Ujam and had to be adjusted with plugins. You can also hear choir vocals, bells, synths, and water effects.

Sad Lake

Esta composición me llevo el trabajo de tres meses, es una fusión envolvente de emoción y fuerza....La cancion te lleva a un paisaje sonoro cinematográfico y profundo, lleno de matices y texturas orquestales. A esta obra se suma la colaboración especial de Magoelnetcher Illapuwaira en guitarras, aportando un carácter único con su estilo expresivo y evocador. El resultado es una pieza que combina lo clásico con lo contemporáneo, lo etéreo con lo terrenal, llevando al oyente a un viaje sonoro inolvidable.

Symphony of Shadows

Are we all guilty of contributing to global pollution?

Lyrics
Guilty, a crime we  all commit, without thinking  
Poison, the sea, the land, our selves, nowhere to hide

Guilty, as charged, I know I played  my  part 

Throw away, don't do it
Throw away
Throw away, don't do it
Throw away
Don't do it

Drifting, shadows lost and cold, trapped in a  heart of 
Poison, the waves pass round and round, nowhere to hide

Guilty as Charged

Mindless Matter

All I Seen (Arkansas)

Apologize

A hauntingly beautiful composition that unfolds with mournful strings, weaving a delicate tapestry of sorrow and introspection. The arrangement remains minimal, allowing space for each note to breathe, while a subtle ostinato piano motif pulses steadily beneath—a quiet heartbeat of melancholy. The strings swell and recede like distant memories, their bittersweet harmonies evoking a sense of loss, longing, and fragile hope. Perfect for moments of quiet reflection, emotional storytelling, or cinematic scenes heavy with unspoken emotion.

When Strings Break The Silence

Orchids

Original Version from 2014 release as part of "Little Prancer Album"

Been So Long

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.