[UNDER CONSTRUCTION]

Minimal tracks series no. 61

You better listen to this now, who knows what the construction will do!

created: 2021/02/11

HK_Minimal_tracks_61

Emma Grace
CRAVINGS OF PEGASUS
The third album, October 2021
A journey between organic and artificial soundscapes,
between verbal and non verbal sounds, with mythological guides and impulsive language. 

“Pegasus is the body that does not follow words, it is the one who doesn’t need to behave, the one who plays hide and seek when you’re not able to fall asleep. It is the urge to speak another language.
It’s there. When you finally trust yourself and the world around you.
It’s that voice that asks you to play in the mud, 
to sing,
and just be. ”

Composed and recorded by Emma Grace
Mastered by Capitano Merletti at Studio Garp
Video by Furio Ganz
Released by Pipapop Records

Album cover by Furio Ganz
Portraits by Alice Malingri
Made in Leccolimoni

PEGASUS

a mix of jazz and hip hop elements with a touch of vaporware and lofi characteristic

Vibe

2TRAP2 (Dark Beat - Freestyle)

Transmuted Bird - Like

rovdyr (peach melba mix)

C'est avec grand bonheur - main sur le coeur, que je vous présente mon premier release faisant partie d'un remix EP.

C'est en fin 2018-2019 que Maximilien aka Karol Chomâge et Guillaume Boulay aka Buisson se sont rencontré à Montréal. Une connexion de bassiste à bassasite mais, surtout l'amour de la vie créa un lien qui résista au retour de Max en terres Française. Le temps passa et ce jeune homme talentueux faisait paraitre l'été dernier (2021) son premier EP intitulé "Télétravail". Quelques cycles lunaire plus tard, Karol Initia la brillante initiative d'un projet de remix du dit EP en faisant appel à plus d'une dizaine d'ami(es) dient "beatmaker".


Buisson fut donc mandaté et eu donc accès au STEMs des morceaux pour élire dans un soucis d'originalité et surtout inspiré par la mélodie de la basse "Masquerade".

iel en échantillonna le kick drum, le clap, une cloche à vache et quelques éléments de voix gracieuseté de Kelly Carpaye. Originalement à 120 bpm, Buisson le tempèra à une vitesse de 114 bpm pour enregistrer ses carillons, batterie acoustique aux ballait, drum machine, clavier rodes II et, une prise de contrebasse.


Ce morceaux fait office de carte de visite pour un style minimal rythmé et jazzy que Buisson cultive à chaque jour.


Enjoy.

Original Track by Karol Chômage
Singing by Kelly Carpaye
Additional Production by Buisson

Télétravail Remixes

Masque de jazz

KAROL CHÔMAGE - MASQUE DE JAZZ (buisson’s mini-maison ré-interpretation)

stella

Premiera w Radio Kapitał!
Kurws wraca z nowym albumem "Powięź - Fascia"! Posłuchajmy premierowo, otwierającego album utworu "Co nas łączy / What unites us". 
Premiera 29 kwietnia w Gusstaff Records (Vinyl, CD), Dur et doux (Vinyl) i Korobushka Records (Kaseta). 

Więcej nowości i przedpremierowych odsłuchów usłyszycie co wtorek i czwartek o 12:00 w audycji Świeżynka > radiokapital.pl/shows/swiezynka

Powięź / Fascia

Powięź - Fascia

Kurws - Co nas łączy / What unites us (Gusstaff Records)

Syntakt Dreamy

play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud!play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud! play it loud!

stealing flowers

One of the best Belgian producers works his magic on this Coburn track. If you don't know him yet , go check his bandcamp or soundcloud. It will be a nice discovery! Promise!

Aggressive Riffage Sk'p Rmx

If you liked it, a like or follow would mean a lot. Oh, and a repost would be amazing too.

FUJIWARP 12

CortexCurl

basstraining

Ear To The Ground

Plattenbau | Under The Light (GD18)

længsel er lyden af forspildte muligheder

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

rovdyr (peach melba mix)

LÆNGSEL

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