SunnyDay

Dazed's The Only Tracks You Need To Hear

Warp Selections – A Weekly Mixtape

MAVOY MUSIC FRIDAY - 3 JULY 2020

Dekmantel Selects - New Music Every Week

🗝️ IF U PLZ  🗝️

Ruth Is Stranger Than Richard

Solar Flares

Demis Roussos

End Of The World

Drexciya - Andreaen Sand Dunes

Produced by Sun Runners 女神の恋人達  & Lord Tusk 2018 ¥®¥

Always be your G

@jjjacob
"A mythology of bewinged souls, protecting and defending our realms.
Archangels falling as freezing rain, in their struggles with themselves.
Saving the soul from sin and fear, cleansing away your inner disgusts.
Your spirit is ripe for the second coming, tribulation is close at hand.
The Deluge is coming and who will be saved, what becomes of Angelic Hostility."

Artwork by jjjacob
Mastering by Lorenzo Targhetta

Angelic Hostility

The Rapture

Watch

jjjacob - The Rapture

Elli - Rosebush

Injury Reserve

Best Spot in the House

Break

Lengua

At First Light

Move

4 DA TRAP (SenseiATL)[VIDEO IN DESCRIPTION]

Many artists have famously spoken out about the importance of owning their masters and have also equated elements of the music industry to slavery such as Prince and Nipsey Hu$$le. These artists are depicted on the peak of the mountain in the end sequence of the video, which I climb to join them. The story is an adaptation of my own experience in the music industry. In 2019 I bought back my own masters, which was my mountain to climb.
Duval.

Music written and performed by Duval Timothy
Vocals performed by Ibiye Camp
Guitar by Twin Shadow

Produced and mixed by Duval Timothy and Rodaidh McDonald

Engineers, Michael Harris and Chris Cerullo

Mastering and cutting by Noel Summerville

Published by Decca Publishing, a division of Decca Music Group Ltd., George Lewis Jr. (SESAC) / Zapata Zabala C/O BMG Rights Management LLC (SESAC) 

P&C 2020 The Vinyl Factory under exclusive license from Carrying Colour

Slave

Slave ft. Twin Shadow

Ugandan rapper MC Yallah joins Phantom Limb for the release of her blistering new 12” Mama Waliwamanyii. Produced by Irish electronic artist Eomac (one half of R&S Records’ Lakker), the EP fuses Yallah’s breakneck Luganda language rapping with Eomac’s powerful, purposeful beats.

Formed remotely between Dublin and Kampala, Mama Wailwamanyii represents several months of work, sending beats, loops and song-stems back and forth until the results boiled down to the two vital cuts of exhilarating, experimental, unpredictable hip-hop that make up the EP. 

Opening with urgent descending synth lines, ‘Mama Waliwamanyii’ rushes Yallah’s rhythmic vocal style to the forefront, bristling with kinetic energy. The song references her mother - its title translates to “Mama, you were strong” - and a sense of fierce, feminine intensity pervades throughout, a deep personal meaning that kicks as hard as the beats. The track is destined to intoxicate dancefloors across the world, perfectly sculpted by Eomac to rise and fall with breathless ecstasy one moment and send the heart racing with expectation the next. Yallah wrote the track after losing her mother, who raised her and her siblings alone following their escape from the domestic violence of their home life in Kenya. She writes that the studio session evoked floods of tears. That raw, expressive power shines through.

On the flip, ‘Kakana’ is darker, more patient. Eomac’s spacious, creeping synth lines burn and glower with simmering anticipation, while Yallah’s delivery fills in the percussive gaps with machine-gun poetry. It acts as a neat foil both to ‘Mama Waliwamanyii’ and to Yallah’s previous material, positioning her contribution to the collaboration as a colourful, flowing solo over the greyscale, psuedo-industrial sonics laid down by Eomac. A call to arms, the title translates to “calm down” in response to the criticism Yallah has faced as an outspoken, independent MC in her local scene.

The EP also features extended mixes of both tracks as instrumental versions specially created by Eomac, transforming them into a mutant, warped techno with entirely different personalities to their vocal takes.

MC Yallah is Kenyan by heritage, but born and raised in Kampala, where she is a key member of the much-celebrated Nyege Nyege crew. Her debut release - a collaboration with French producer Debmaster - surfaced in 2018 on Nyege’s Hakuna Kulala imprint. Björk recently picked up on the Yallah phenomenon, spinning her tracks in DJ sets and mixes.

Eomac (Dublin-based producer Ian McDonnell) is one half of Phantom Limb favourites Lakker, whose pitch-black avant-techno graces both dancefloors and experimental music venues the world over. His solo records - including the vital 2016 album Bedouin Trax LP of Middle Eastern samples, released on the UAE’s Bedouin Records - are favourites of Phantom Limb’s A&R team.

The EP is released on highly limited purple vinyl and digital formats on July 3, 2020.

MC Yallah & Eomac - Mama Waliwamanyii

Written & performed by Azekel & @Oyinda
Produced by Azekel
Guitar by Luigie Nunez
Mixing by Azekel
Mastering by Kevin Tuffy

Thrills Featuring Oyinda

You, at the End

Ginger Me

@thirdworldlabour


Time passed by so quickly...one year ago our previous sampler / compilation showed up. Meanwhile many things have changed, releases have been made, friends came and went, climates are morphing within our fuzzy circle – the world outside is flippin’ as well and always has surprises down pat.
We got to know many people, artists, likeminded ones, and friends all over the world (-wide-net).
Talented creators, ambitious rookies, prolific professionals... they all contribute to the form of co-laboration in the context of sound as an including, non-exclusive medium and workflow.
Embracing divergent characters, scenes, styles and means of expressions to build up a wide network of asymmetry is our goal and ideal. Contrast, diversity, anomaly and variance are words that seem congruent with our mode of interest in the world of sound and expression; thus 76666 must be seen less as a label, than as a linking parque. Recollecting polyamorous habits is what we can learn from music by meditating on its communicative force.
Not being slave to the rave whilst not sliding into academical creeds, but trying to ride the Qi...
We want to thank all participants, supporters and friends who constantly give advice and reinforcement to the process of  finding common-isms in the love of peculiarities and frictions!
It’s not about making monetary profit; the revenue lies in the state of the interworld, in being connected and sharing energy, motivation and to exchange possibilities. To emphasize and transform this idea, all the revenues from this compilation will be shared to SeaWatch to particularly support the people in need on the greek islands and the Mediterranean Sea. We‘d like to keep this approach: to share at least a part of the revenues with those, who can’t afford our privileges. We wish to be a profit-organization, when it comes to incorporating or affiliating. Consistency means death - grinding keeps us alive*. (there are at least 76666 shades of grey)
*This Release brings together 25 tracks, ranging from bridge trap, broken club, post-post rock, sounds of silence over outsider house, liquid wave, aether hymns to klassisk klubmusiek.
+
technical ambient, non ideologica, lol ‘o byes, eclectro, unspecified prayers, hoodstep, haus musique, drum & based, meow romantic, obviously: world, dungeon synth, critical pop, neo balançe, wrong folk, post-new H-ism, korrekt riddim, legal trance, aurora dance, lo-fly....

download

nomorelabour – Totem (The Revolution Will Not Be Streamed)

Written and performed by Nia Wyn
Produced by Pat McManus
Trumpet - Igor Grabez
Keys and bass - Pat McManus
Vocals and guitar - Nia Wyn

Ghosted

s/o Darkstar for the OG

follow my main account @QUARRY

Darkstar - Wolf (QUARRY Bootleg)

BLACK PARADE

Bashiri

Stream/Download: https://Burna.lnk.to/Wonderful

Wonderful

Secondary Actor (demo)

A Place I'd Rather Be

Mastered by Nate Campisi at Mr. Small's Recording & Mastering

Girls In The Hood

Safe Haven EP

Safe Haven

Wash Us In The Blood

Wash Us In The Blood (feat. Travis Scott)

When an electronic dance music producer and jazz guitarist get together, the first thing you'd expect is a fusion of furious dance rhythms and complex lightning-fast solos. But with producer Ilija Rudman and guitarist Joe Pandur you couldn't be more wrong.  

Even though their project is entitled Young Men Drive Fast, this collection brings relaxing yet far from anaemic numbers. In fact, they all showcase a stylistic subgenre the authors call "Cinematic Jazz Surf".  

At first glance any of the numbers of this musical adventure could recklessly be labelled as lounge or instrumental easy listening were it not for that certain flesh and bone quality. True, the groove is lazy, and the Metheny or Di Meola-like guitar harmonies and solo phrases are soft and gentle, but every theme has a sturdy rhythmical skeleton that beckons the listener to take the road. ‘Southbound’ is a great example of that, and we’re very happy to premiere this special vocal version featuring Private Agenda that will be a bonus on the album.

The album, Young Men Drive Fast, sees release on 7th August

Young Men Drive Fast

Pre-Order

Exclusive Premiere: Y.M.D.F. "Southbound Cruising" ft. Private Agenda (NuNorthern Soul)

https://lafawndah.bandcamp.com/track/the-dawn-of-everything-jin-jiyan-azadi
Management: amaury.archipel@gmail.com
Agent: katty@triangleagency.com

You, at the End

LAFAWNDAH