LISTEN / BUY • http://bit.ly/ollietiv

OLLIE WRIDE, is an English singer/songwriter fusing innovative elements of modern alternative pop with the nostalgic hallmarks of synth-pop. The artist found a platform to hone his unique blend of songwriting and showmanship working with San Francisco based producer FM-84, penning some of synth-wave’s most popular tracks including "Running in The Night", leading to 2 North American sold out tours in 2018 / 2019. 

Following this popular collaboration, provided opportunity for Wride to explore a more personal approach utilising his melodic sensibilities and character driven lyrics, quickly attracting a new audience with the release of his debut solo album, "Thanks in Advance” on NRW Records. Widely praised by fans, the album became their fastest selling debut record to date, charting on Billboards Top 10 Electronic charts as well as No. 1 on iTunes' Electronic charts. Followed by sold out headline shows at London's Camden Assembly and Lafayette.

2020 saw the release of the deluxe repress, featuring the cult hit “Stranger Love”, featured on Channel 4's Made in Chelsea. In 2021 during the pandemic, catalysed Wride’s creative output, producing a one-off live stream concert, Directed by concert cinematographer Steve Price (Queen) culminated in the vinyl pressing “Once In A Lifetime” featuring the latest single “A Matter of Time”.  Wride is now working on his highly anticipated second album with renowned producers: Chris Zane (St. Lucia) Arcades (BTS) James F. Reynolds (Sigrid)

The boogeyman is real and you found him! French/German synthwave project inspired by horrorfilms and the occult. Awakens once a year for Halloween.
Get our debut EP 'Witchwaves' today!
https://theneosatanicacidcult.bandcamp.com/album/witchwaves-2

Please update your RSS feeds, the show has moved to: https://pcr.apple.com/id1088864895

Mgmt: Mouna@kompassmg.com

👩🏻‍💻✖️ House music producer & DJ.
https://xie.komi.io

I love music🎵
https://sikdope.komi.io

Management: Jacob.m.gitt@gmail.com

Bookings: robb@supermodifiedagency.com, sam@supermodifiedagency.com

Don’t sleep on Sikdope; he’ll make sure it costs you. The young Polish beatsmith has built a reputation as a chameleon in the studio — from vicious bass-house to radio-ready progressive cuts and futuristic trap sensibilities — with an uncanny knack for keeping everyone guessing. Sikdope’s brand of merciless festival ammunition would go on to catch the ears, and co-sign, of Calvin Harris on his breakout hit, “Snakes,” essentially lighting a fuse that just continues to burn. Now the tenacious young producer has one hand firmly gripping the wheel and a lead foot flooring the gas, steering the direction of electronic music’s most exciting new sounds. When he’s not relentlessly canvasing club and festival circuits across the world, the “My House” producer is usually buried under headphones in the lab, tampering with dangerous new club-primed sonics, building an endless catalog of blistering original works and head-splitting remixes. With a decade of classic musical training at one of Europe’s top production schools fueling his creative process, Sikdope constantly has an arsenal of new projects ready to be loaded into the chamber at a moment’s notice. Simultaneously pressing his brand of punishing trap products to innovative new limits and helping pioneer a colossal bass-house swell, Sikdope is an ever-increasingly menacing force, both behind the console and the decks. A growing legion of fans all over the world, from Los Angeles to Sydney with a massive movement forming in Asia, know one thing is certain, “music is the cure,” and Sikdope consistently proves to have the remedy. Having dominated festivals across four continents —from Belgium’s Tomorrowland to EDC Orlando’s Main Stage — with releases on Spinnin, Fly Eye, and now Tiësto’s legendary Musical Freedom powerhouse, Sikdope is positioned as one of today’s most explosive talents, and he’s dead set on taking over the game.

Top label. Promoting Synthwave / Retro Electro/ Dreamwave/ Spacesynth artists. Since 2013.

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