Played it on "Fiery" from Recondite. Awesome, but very spoocky...

TRACKLIST :
- Pahaliah
- G.d.F
- Les Nus de Gicquel
 - 2_10 EA
- St Anne_s Asylum
- Dubh_Unzelh
- Bélmez
- Transmutation 1
- Qhapaq Hucha
- Tartare
- Transmutation 2
- Ascèse
- Myxines
- Transmutation 3 
- Kininsi 
- Transmutation 4
-  Ako Tropique
- Acide  Géopoétique

HSS 004 - GIL.BARTE - TRANSMUTATION LP FACE B - TAPE

Perlas 002 - VNZO

Brazilian composer, musician and sound artist CARLA BOREGAS debut LP for iDEAL is called "Pena ao Mar". Maybe a deeply personal meditation on the artist's love for the ocean. Carefully composed electronic music that is warm, sometimes rough but always capturing. First solo one since a limited 2016 cassette. Its pressed onto deep blue semi transparent vinyl at Grama in Porto in 300 copies. Cover is designed by our dear friend Philip Marshall and it is no doubt a strong, massive debut.

CARLA BOREGAS - CORRENTES & VENTOS (iDEAL230 LP)

Настроение Gescom

Sound collage using overdubed and slowed cassete recordings 

First Released at https://unrealexpect.bandcamp.com/album/unrealistic-electronics-vol-1

From Nothing Was There. - 'Nothing Was There EP'

Nothing Was There - Other People Sounds [UNEX002]

Dead Man

DEAD MAN

Tuk Tuk

after their highly acclaimed debut album »decadent yet depraved«, berlin and LA-based producers belief defect invited a variety of artists to join their »remixed« project. the following 12” EP is a first four-track release of this project.

the original tracks of the album are only an approximate starting point for »remixed«. in contrast to »decadent yet depraved«, largely conceived in song structures, this EP is about transferring the pieces back into abstract space, and each remixer does it in his very own way. alessandro cortini’s one-take live recording is a lesson in classical ambient music. telefon tel aviv’s remix is timelessly modern and extremely delicate sound design. rather opposite concepts are coming from surachai’s brutal pattern design and kangding ray’s expressive and analogously saturated repetitions for the dance floor.

»remixed 01« will be released on february 08, 2019 on vinyl and digitally, further releases will follow. as with »decadent yet depraved«, the cover photo was created by sarah sitken.

Remixed 01

belief defect »disembarking horizons (alessandro cortini version)« taken from »remixed 01«

Written Produced Recorded and mixed by Entro Senestre
Mastered by Dietrich Schoenemann
Contains excerpt from Cienfuegos - Slipping Venus off Lost In God's Country --> find it here --->  https://bank.bandcamp.com/album/lost-in-gods-country

Cienfuegos - Slipping Venus (ENTRO Remix) BNK-RMX-01

Artist: Kӣr https://soundcloud.com/k6r
Track: Akrasia
EP: Balčak
Label: Disk
Release: 01 01 2020
Cat No: DISK21
Format: Vinyl/Digital
Preorder: TBA

DT PREMIERE: Kӣr - Akrasia [DISK21]

Ancient Indonesian tradition meets doom metal in profoundly Ur ways on Stephen O’Malley and Senyawa’s collaborative commission for choreographer Gisèle Vienne, highly recommended if you’re into Sunn O))), Keiji Haino, Nazoranai, Phurpa, KTL.

Following a decade of creative bonds forged between theatre director and choreographer Gisèle Vienne and doom sayer Stephen O’Malley that spans multiple soundtracks (solo and with Peter Rehberg in KTL) and visual artworks, the pair travelled to Indonesia on a commission to explore the country’s rich culture in 2018. They immersed in a magical world of performative rituals where they encountered Wukir Suryadi, an experimental musician and instrument builder whose acclaimed releases both solo and as half of Senyawa have invigorated the avant and experimental rock scene over the past decade. 

The six tracks of ’Bimi Sakti’ document groundbreaking ventures between Senyawa and O’Malley, yielding an incredibly powerful mix of electric guitar and bass guitar amp worship blended with the remarkable range of tonalities from Senyawa’s custom-built bambuwukir, plus traditional pipes and possessed vocals. Practically without precedent in the modern musical sphere, the 44’ release speaks to a resounding mutuality and common musical philosophy between two musicians who are usually geographically separated by a hemisphere. Slow to start, but culminating in a wholly dilated musical vision, the performance effectively collapses eons of musical practice and thought into a singular yet timeless expression of beauty and anguish that transcends the sum of its parts. 

Fleshing out the frequency spectrum between flighty, avian flutes and sprawling subharmonic bass riffs, they come to inhabit a thrilling mid-ground over the course of the album as O’Malley moves up the registers to thrashing mid-range riffs while Suryadi invokes a range of demonic voices and unearthly tones from his bamboo instrument. The results come to prod the pineal like little else beyond, say, O’Malley’s Nazoranai trio with Keiji Haino and Oren Ambarchi, or the first Phurpa album on his Ideologic Organ label, and we reckon should be hailed among the boldest and most astonishing records of 2020.

SENYAWA & STEPHEN O'MALLEY "Dewi Hera, Part I" (from "Bima Sakti" iDEAL198 LP)

Electronic duo from Dublin, Ireland. Based in Berlin.

ALL INQUIRIES: lakkermusic [at] gmail.com

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