Very well done performance. so amazing bluesy guitar in here indeed.

Always enjoy your posts, and what leads up to it.

really like the harsh rock guitar sound and melody..nice lyrics. what a paradox humans are

Oh, this is rough! Great guittar work. Beautiful dirty tune!

Classic Lammbone,entertaining and involving always.

Oh man, 60's Kinks ain't got nothin' on Mr. Bone!!  And love the "drums".....how the hell you keep steady time I don't know....

Produced by Clay Young
Inspired by Edgar Allan Poe's short story (1839)
Video by Becky Coleman https://youtu.be/GSV75BkQbqA

The Fall Of The House Of Usher

Fake Paradise Redux feat. Emily Coy
Vocals Emily Coy
https://soundcloud.com/stemstore/emily-coy-fake-paradise-redux-gg-vocals
Paploviante: Music, E Bass, Synth, Mix and Mastering


Fake Paradise Redux feat. Emily Coy

Amber Galactic

Composed, written and vocals by Mizero 2024
Lyrics:
how do you know
if anything is real?
or are all
the memories 
just surreal?
all time can do 
is take
and steal
all you can do is
feel

look outside your door
what is it all for?
what's the meaning 
at the core?
is there something more?

something more

68_ Lebenssequenzen (Cosmic Baby Tribute) - released on 05 November 2024

Inspired by "Sequenz des Lebens" I pay homage to Cosmic Baby, pioneer of trance! With a hard ending! ;-) #electronic #trance #liverecording

(produced with BlocsWave & LaunchPad)

Lebenssequenzen (Cosmic Baby Tribute)

Live Reflexion#011-2

JE REGARDE LE MONDE

Ah…. So human. That’s me. This song comes from a poem I wrote with a newly penned second verse. And aren’t you lucky there is some more homemade percussion. Ha. (I need to learn bass guitar too…) Hope you like the song. In outdoor news: Many birds like waxwings and robins that make this place a migration stop, to feed on the berries, are long gone as they continue on their migration routes... It is so funny, these chickadees are all over the yard now, so I have been whistling their 'wood pewee' birdcall when I see them. And a downy woodpecker has been relentlessly pecking on the side of my house as there are tiny bees that have burrowed into the wood, leaving eggs, and then other insects take up residence there too. A culinary feast for the woodpecker. There's spots where that woodpecker has hammered several holes. Luckily not very deep. A couple years ago, I recorded another woodpecker hammering and used that as percussion for a song. Ha. So now, I am scrambling to get the last of the autumn chores done before winter hits. Collecting seeds, winterizing perennial beds, adding compost to the vegetable garden, and mulching around all the trees, shrubs and raspberries, while harvesting the last of the kale, leeks, cabbages, and whatnot, that can survive in these freezing temps now. Hope you’re all enjoying life. Thanks for dropping by, Mark

So Human

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

'ex-love' 

I'm such a fuckin' fool
to have fallen for you.
You act like everything is cool,
but your words don't match what you do. 

I caught you in the act.
And how did you react?
You placed the blame right back
on me. Claimed I used the key misappropriately. 

But you're the liar and the cheat, ex-love.
So, why the fuck did you give me a key, ex-love?
If you knew you're gonna fuckin' cheat on me, ex-love?
Then turn it around, place the blame upon me, ex-love.

We're through.
Because of you.
Not me.

ex-love

“Music in the soul can be heard by the universe.”

Forbidden Funk

Hey. I am a late bloomer musically. Initially I started on acoustic guitar, then within the last 4 years: Banjo, slide guitar, dobro, recorder, harmonica and singing.  Most of my songs are rough, unpolished, unpracticed, recordings made on an old laptop. Thank you for the love and support, the insights and ideas, the camaraderie and fellowship, Lammbone

So Human

Lammbone

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