Jocelyn Pook is a music composer for film, television, theatre, dance & the concert platform.

Replikas comprises Gökçe Akçelik, Barkın Engin, Orçun Baştürk, Selçuk Artut and Burak Tamer.
Their debut album “Köledoyuran” (2000) and second album “Dadaruhi” (2002) were released by the Ada Music label.  The band’s third album “Avaz” was produced by Wharton Tiers who is known for his work with bands such as: Sonic Youth, Helmet and Dinosaur Jr. The album was released in May 2005 by Doublemoon.
 Replikas has also written film scores. The first soundtrack by the band was in 2001 for the movie “Maruf” by Serdar Akar. In 2005, the band composed music for Kutluğ Ataman’s movie “İki Genç Kız” which won them the best film music award by SİYAD in 2006. The soundtracks were collected into an album named “Film Müzikleri” which was released by Pozitif in October 2006. Replikas also took part in Fatih Akın’s documentary “Crossing the Bridge”. 
The band recorded their fifth album Zerre in a complex that they transformed into a studio environment, formerly a prison located in the Gökçeada Island. Peyote Music released “Zerre” in November 2008. The sixth album “Biz Burada Yok İken” consists of covers from the 1965-75 Anatolian Pop period and was released by Ada Music in April 2012. Since March 2013, the band started to share unreleased previously recordings on Soundcloud audio archive page. "EP No: 1", containing seven new instrumental tracks, was released in May 2013. A box set, including remastered versions of "Köledoyuran" and "Dadaruhi" and also "EP No: 1" was released by Ada Music in May 2013.  "Alfred Hitchcock's Blackmail - Live at Istanbul Modern" was released in February 2014 from band's Bandcamp page.

رَنـــــدومْ‌نویـــــز*
Post-Rock / Ambient Project
by: Amir Darafsheh
Based in Tehran, Iran

🥁Drummer
🎶Cajon / Handpan / Timpani Player
🎹Musician
🎵Composer

With multi-fold projects in his music archive, El Far3i is a Palestinian and Jordanian songwriter, rapper, drummer, and producer from Amman, Jordan. Known for his dichotomous solo act El Far3i/ Far3 El Madakhil, he enmeshes Arab acoustic folk and hip-hop and continues to experiment sonically, evolving into the more recent forked axis, El Far3i Flux.
This brand encapsulates the essence of both the versatility of styles and the complexity of ideas. It is a space within which a sense of freedom exists, enabling experimentations with different tools, instruments, and writing techniques... A vision rooted in the ideals of independence, yet branches out to reflect the journey. Those concepts race between censorship and exaggeration, concealing at times, and pushing hard at others.

Deep lyrical capabilities and versatile flow styles, have allowed El Far3i to homogenize Arabic vocals with rap, to create a native Arab sound in the vast world of acoustic and electronic pop. His vocal inspiration sediments deep into the high mountains of Palestine, down to the Jordan Valley. It derives from global hip-hop techniques, while preserving the power of simple grooves, and floating, yet daring, ghost notes in the background.
His songs come from his region’s subconscious, with lyrics that archive the socio-psychological, political and personal subtexts of Arab daily life, extending to the diaspora. Themes of love, borders, spirituality and identity manifest. El Far3i’s ever reflexive raw rapping style contrasts his soulful melodies, creating chantable anthems and craved earworms.

In 2008, El Far3i first started performing songs and rap on his guitar at local venues in Amman. At the time, he was in the middle of producing his first hip-hop release under the name “Far3 El Madakhil”. A year later, his first demo collection of acoustic songs was released, and shortly after, other rap tracks saw the light on the Internet.
2012 was a witness to El Far3i’s two albums, both his debut acoustic “Soat Min Khashab”, and Arab Rap album “Far3 El Madakhil”. Since then, he has released an Arabic sample-based boom bap album, Kaman Dafsheh (2014), and the defining acoustic record, El Rajol El Khashabi (2017).
He is currently working on combining new melodic skills and rap with latest production trends as his fans await upcoming music that touches on new hip-hop styles. He is also carefully ‘engineering’ a project that weds Arab sound with electronica… Flux.

El Far3i’s grass-roots approach to music projects, and his belief in the importance of solidifying, growing and evolving different independent scenes, has resulted in numerous collaborations with the Arab World’s top rappers, songwriters and producers. 
Such versatility and vision had also translated into him co-founding two of the biggest Alternative bands in the MENA region; El Morabba3 and 47Soul. El Far3i still does occasional live collaborations with El Morabba3, and continues the journey he started with 47Soul in 2013.
Over the past decade, El Far3i has played hundreds of memorable shows and has whisked the audience away with live performances in the Arab world, and Worldwide. He continues to tour and take the stage in festivals as a Solo Artist, and with his band, 47Soul.
His media archive is rich with interviews with various Arab and International news outlets from TV, to Print to Radio. He has also been featured for his knowledge on the Arab alternative scene in documentaries and lectures. 
El Far3i has a vast loyal following from different parts of the World. His social media platforms have hundreds of thousands of followers, and his tracks on YouTube have received millions of views. At this very moment, his music is being streamed on one of the digital platforms by a listener looking for sonic solace.

Kiosk is a pioneering Iranian rock band (The Berlin Daily Newspaper) founded by Arash Sobhani in Tehran in 2003. After censorship and restriction by Iranian authorities, its musicians immigrated to the U.S. and Canada. The band has since toured throughout the world and released 10 albums. Kiosk is known for its satirical lyrics, which provide a socio-political commentary of life in Iran, as well as its blend of several music styles, from Iranian folk to gypsy jazz to rock. Kiosk's music has been described by BBC World as "songs that speak to a generation...Kiosk's stinging political satire is hidden within its blues and folksy sound." Haaretz has referred to Kiosk as the most popular Iranian rock band in the Iranian diaspora, while Ahram Online describes how the band gives a voice to their generation. Kiosk's live album "Triple Distilled," recorded at Yoshi's Jazz Club, was chosen by presenter Mark Coles from BBC World's "World of Music" as one of the ten best world music albums of the year, alongside such artists as Paolo Conte and Ali Farka Touré. TIME Magazine has called Kiosk "a band that can criticize the Iranian government without retribution," while Frontline PBS has praised their "eclectic sound that incorporates a multitude of instruments and styles." Current Kiosk members include Ali Kamali (bass, recording engineer), Arash Sobhani (lyricist and songwriter, guitar, vocals) and Shahrouz Molaei (drum).

من روسپیِ آتنی
که بیم‌اش نیست بهـر چون تویی باشد
تو بهـر آتن اما 
کاش سقراط باشی…

Egyptian music producer who hopes to make it one day.

https://play.anghami.com/artist/12231224?adj_t=dgl0aa8_64v1dnl&adj_campaign=web&adj_adgroup=artist&adj_creative=12126892

lanakh is following