The Strings are just perfect ! Great job !

I wish you one day to find your own orchestra and bring this piece in life because is wonderful 👏👏👏❤️🙂

As with all the songs in this album, the spoken voice snippets are public domain. Cheers to Mrs. Magillacutty!

Glitch in the Dominatrix

Can I Get You

Music To The Matrix

SONGS OF HOPE FOR A NEW REALITY.

This work consists of three songs.
 
The first song is for a baritone voice and represents that it is sung by a character who is a journalist and tries to give an overview of the many global crises and conflicts that are currently haunting us and causing "perplexity in an uncertain world".

The second song, for a contralto voice, represents that it is the reply given by a female character who is an anthropologist, to the previous journalist arguing that we can only save ourselves if we start from approaches based on ethics and anthropology to build a "critical conscience of our species" that allows us to create a new global reality where all human beings have a dignified and comfortable life.

The third song is a fugue for four voices (for soprano, alto, tenor and bass) and represents the well- meaning people who have honestly understood what the situation is: it is only possible to overcome this "perplexity in an uncertain world, creating new global reality for all.

At the end of this introduction I attach a PDF with the lyrics of the three songs. I put the original version in English and also its translation into Spanish.

The music has an initial inspiration in what we could call musical styles of modern popular music, but with the aim of reaching a final composition of a more abstract and artistic nature. Regarding the musical production, as is usual in my works, the score of the different musical parts is performed by computer software, specifically in the instrumental parts I have used the synthesizer (granular and spectral) called Padshop 2 and also samplers from the VSL (Vienna Symphonic Library) that, although in this library the instruments have acoustic timbre, I have given them an electronic music treatment. But the most peculiar part is the one corresponding to the voices in which I have used the VOCALOID 6 software that has a singing synthesis technology that produces singing voices that are very realistic and with the ability to articulate words and that has been, initially , developed to sing in the Japanese and English languages.

As for the textual content of the lyrics of the songs, I have written it myself and I wanted it to start from the current global reality and to have, as far as possible, a projection in the general interest. I have been inspired by various texts that I have read lately and, especially, the book "El porvenir de la humanidad”  written by Eudald Carbonell i Roura, a Catalan archaeologist and anthropologist who has a long and important professional career.


Lyrics of the three songs    /    Letras de las tres canciones:
https://drive.google.com/file/d/1llYNK9VUjN-zuf9jmWaPbnqsQmExWQhR/view?usp=drive_link	



Esta introducción en castellano:
https://drive.google.com/file/d/10da1T3vm8U3H2Eh0AgOBbAwz27Iv4WZp/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1Uaq06MVT-_6ovqsne6KgW-iBGZcT58KZ/view?usp=sharing

Songs of hope for a new reality

Yeah, well, I was pissed off when I wrote this song.

Well, the lyrics are nonsense at times but who gives a f anyway. Listen until the end; it would be a shame to miss the battle :-)

All in my mind

When you try to disappear
There's always something to hide
Day after day, I've looked into fear
That's all there is, you run

Everyone is talking about a small thing
All the fucking day from eve to morning
When I when I think all about it, baby
All in my mind is crushed together

Sitting on my leather sofa
I watch them all wear double mask
And after all the good good bullshit
My mind turns straight to weed

Call and say we are a contiguous disease
I know you know it's the chinese
When I when I think all about it baby
All in my mind is crushed together

All in my mind is
All in my mind is

Call and say we are a contiguous disease
I know you know it's the chinese
When I when I think all about it baby
All in my mind is crushed together
All in my mind is crushed together
All in my mind is crushed together

All in my mind
All in my mind
All in my mind
All in my mind

All in my mind, all in my mind
Mind mind mind mind mind mind mind mind
All in my mind, all in my mind

Mind mind mind mind all in my mind
Mind mind mind mind all in my mind

All instruments & vocals : Christophe

Ah Shit

Acheter sur Bandcamp

All in my Mind

Il n’y a que les ombres sur le gris macadam mouillé
L’orage crie et gronde quelques lumières allumées

Nos indifférences sont malaisées
Toutes les négligences oubliées
A mesure que l’on avance
Nos regards s’égarent
Nous avons laissé les chances
Sur le trottoir

REF

Toutes les vies faciles donnent la chair de poule aux idées
Et les instants graciles sonnent comme des relents d’amitié
Les paroles stériles donnent de fausses vérités
Dans cette noire ville qu’on ne peut oublier.

Le soleil revenu éclaire les ombres barbouillées
De la joie retenue libère les masques émaciés
Halte aux malentendus aux inégalités
Les territoires perdus à réconcilier

Les visages  les visages oubliés

Nocturnes

Mixed and Mastered by Woods Studio
@woods_studio

Lyrics:
Brooding sea, oppressive day, a panorama in disarray,
A resolute light will find the way from a horizon hideaway.
Forever theme, the mystery, the recurring history,
The bitterest veil on what we see becomes a new reality.

All in time, all in time, let the story fully unwind, 
All in time, comes the clue to the riddle of “why”.
All in time, all in time, the biography will fully unwind, 
All in time, see the crack in the cover of the sky.

Climb the mountain, stormy day, broken boulders block the way,
You’re losing your hope, begin to pray, 
- to a summit that’s farther away.
Sudden break reveals a beam 
through the fog blotting out the dream,
It’s guiding the way to the brilliant day, 
that’s just above the grey.

All in time, all in time, let the story fully unwind, 
All in time, comes the clue to the riddle of “why”.
All in time, all in time, the biography will fully unwind, 
All in time, see the crack in the cover of the sky.

Clouded years, distorted fears, oh, no no no.
Waiting ‘til the crack appears, oh, wo-wo-wo.

Instrumental 

All in time, all in time, let the story fully unwind, 
All in time, comes the clue to the riddle of “why”.
All in time, all in time, the biography will fully unwind, 
All in time, see the crack in the cover of the sky.

All In Time

Transitions II

hard rocking guitars as 006 and a half gears up to meet his foe!

Gearing Up

Mixed and Mastered by Woods Studio
https://soundcloud.com/woods_studio

Cavebar - Happy Campers

LYRICS:

Not long ago
The ice and snow
lay in sheets on the ground
But it's too late now
The seeds of doubt
have taken root all around

The air's a little bit colder today
The day's a little bit longer they say
We'll grow a little bit older this way

I'll never run from the fading sun
So move your tired lungs
in inflated tones
and sing for me
When all we've done
is the sum of exactly 1
I'd never number the days
in the month of February

You gotta know how know how to hold it
Know how to hold it in

I'll never run from the fading sun
So move your tired lungs
in inflated tones
and sing for me
When all we've done
is the sum of exactly 1
I'd never number the days
in the month of February

The Sum of Exactly 1

C'est La Vie

"Le Roman d'Elvire" (The Tale of Elvira), an opéra-comique in three acts with music by Ambroise Thomas (1811–1896), premiered in Paris on 4 February 1860. Set to an original libretto by Alexandre Dumas (père), the work was met with anticipation but failed to captivate Parisian audiences. Indeed, the failure inspired Thomas to reassess his compositional style, and his biggest successes - "Mignon" and "Hamlet" - followed some years later. For Dumas's part, he never wrote a libretto for the stage again. Nevertheless, this overture is another unknown masterpiece by a known master; written entirely in 6/8 (though in different tempi), the interconnected themes are distinctly and colorfully set apart, while sonata form is eschewed almost entirely. 

World premiere recording. The orchestral realization was created using Finale 27 and NotePerformer 4.

Ambroise Thomas: Le Roman d'Elvire (1860) - Ouverture


dear scammers, I can spot your lies very easily. so don't bother messaging me.

Composer of theatrical style music with influences from Gershwin, Tori Amos, Max Richter, classical music and movie soundtracks.  Composer and lyricist of SmallTalking - a new musical.  2024 Edinburgh festival fringe.  https://www.youdoyoutheatre.com/smalltalking

Transitions II

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