NEW MUSIC - Part 1

Brainfeeder - part 3

house/Edm

sick beats

'Faith In Strangers' is the title track from Andy Stott's forthcoming album, due for release via Modern Love on November 17th/18th.

Andy Stott - Faith In Strangers

Flosstradamus feat. GTA & Lil Jon - Prison Riot ($unday $ervice & 2Fly Remix) [TRAP]

Alesso's version of the Maroon Summer Anthem 'This Summer'

Out now on iTunes (US, Mexico, Canada): http://smarturl.it/ThisSummerAlesso

Coming soon to Beatport
Follow Alesso Online:
www.alessoworld.com
www.facebook.com/AlessoOfficial
www.twitter.com/Alesso
www.instagram.com/alesso
Snapchat: alesso

BUY NOW

This Summer's Gonna Hurt Like A Mother F****r (Alesso Remix) [Radio Edit]

You may have heard our new song ‘Leave it all behind’ being played out recently. Well now you can give it a proper listen here. Part of our EP ‘UR LUV’! 
Out 7th August, pre-order here hyperurl.co/URLUViTunes

DISKORD Socials:
Facebook: on.fb.me/1rvIDGc
Twitter: bit.ly/1ptM6zz

Circus Records:
Facebook: on.fb.me/10lDbce
Twitter: bit.ly/XJaMIo
Soundcloud: @circusrecords
YouTube: bit.ly/15FnucI
Instagram: bit.ly/1mNkBmY
Tumblr: bit.ly/1bxBtaS
Beatport: btprt.dj/1p670qf

Leave It All Behind (Circus Records)

Been playing this out for a while now so we figured we'd give it to you guys <3

Skrillex - Scary Monsters And Nice Sprites (YOOKiE's 'This Kills it Live' Edit) CLICK BUY 4 FREE DL

Official remix for Calvin Harris & Disciples "How Deep Is Your Love"

DOWNLOAD on
iTunes: http://smarturl.it/HDIYLremixes
Beatport: http://btprt.dj/1PbgDRE

How Deep Is Your Love

Beatport

Calvin Harris & Disciples - How Deep Is Your Love (Chris Lake Remix)

I Can't Feel My Face... 

<3 on HypeM - http://awe.sm/cMVyy

The Weeknd - Can't Feel My Face (Martin Garrix Remix)

KSHMR & BASSJACKERS feat. SIRAH - Memories is out now on Beatport: http://btprt.dj/1KnkPzn 

Memories 

Download on Beatport

KSHMR & BASSJACKERS feat. SIRAH - Memories (Original Mix)

Made with Max/Msp, Logic

Samples used from:
Junior Senior
The Weekend
Joni Mitchell
Frou Frou
Stereolab
Nelly
Steve Miller Band
YG Feat. Tory Lanez
Drake
The Beach Boys
Aaliyah
The Doobie Brothers

Cybele's Reverie, Stereolab (DJ Recut)

4B x AAZAR - POP DAT

Free Download: http://bit.ly/4BAazarPopDatDL

Follow DJ 4B 
twitter.com/DJ4B
www.facebook.com/LIKE4B
@dj4b

Follow Aazar 
twitter.com/whosaazar
www.facebook.com/whosaazar
@whosaazar

Follow Thissongissick
twitter.com/thissongissick_
www.facebook.com/thissongissick
@nickraymondg

Free Download

4B x AAZAR - POP DAT [Thissongissick.com Premiere] [Free Download]

Andy Stott - New Romantic

Move D - Eastman

The Worry

Another

The Light Brigade

Country of Conquest

Pre-munitions

Belonging (feat. Amir Yaghmai)

Shot and Shell

When You're Gone

Yellow 90's

Ex-Aquarium

Cut It Upwards

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Yellow 90's

Lapalux