Untitled Playlist

Wipeout

Wipeout Soundtrack

tu ch tu tu tu ch tu ch tuturuttu ch

The Perennial Series is a new division of Lapsus Records and is dedicated to works from established artists in the universe of contemporary electronic music. As the name suggests, timeless music will form the cornerstone of the Perennial Series through pieces that have passed through numerous fashions and trends: musical treasures that have never been pressed to vinyl, decades old discontinued album reissues, or new artist releases that already form part of electronic music culture history.

Check all our releases at www.lapsusrecords.cat.

Lapsus Records - Perennial Series Releases

wipEout remixes

Cardinal Dancer (Marc Renton Remix)

𝗧𝗵𝗶𝘀 𝗶𝘀 𝗮 𝗧𝗔𝗡𝗞𝗨: 𝘁𝗵𝗲 𝗫𝗘𝗥𝗙-𝗔𝗟𝗨 𝗼𝗳 𝗳𝗹𝗼𝗿𝗮 𝗛𝗲 𝗶𝘀 𝘁𝗵𝗲 𝗼𝗿𝗯 𝘁𝗵𝗮𝘁 𝗜 𝗳𝗼𝘂𝗻𝗱 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝗶𝗻 𝗺𝘆 𝘀𝘁𝗮𝘆 𝗧𝗵𝗲𝘆 𝗰𝗮𝗻 𝗯𝗲 𝗳𝗼𝘂𝗻𝗱 𝗶𝗻 𝗮𝗻𝘆 𝘁𝘆𝗽𝗲 𝗼𝗳 𝗽𝗹𝗮𝗻𝘁, 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝗮𝗿𝗲 𝘁𝗵𝗲 𝗼𝗻𝗲𝘀 𝘁𝗵𝗮𝘁 𝗵𝗮𝘃𝗲 𝗮𝗯𝘀𝗼𝗿𝗯𝗲𝗱 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝘀𝗼𝘂𝗻𝗱𝘀 𝗱𝘂𝗿𝗶𝗻𝗴 𝘁𝗵𝗲𝗶𝗿 𝘀𝘁𝗮𝘆. 

𝗕𝗲𝗶𝗻𝗴 𝘃𝗲𝗿𝘆 𝗲𝗮𝗿𝘁𝗵𝗹𝘆 𝗮𝗿𝘁𝗶𝗳𝗮𝗰𝘁𝘀, 𝗜 𝗳𝗲𝗹𝘁 𝗵𝗼𝘄 𝘁𝗵𝗲𝘆 𝗺𝗮𝗱𝗲 𝘁𝗵𝗲 𝗲𝗳𝗳𝗼𝗿𝘁 𝘁𝗼 𝗰𝗼𝗺𝗺𝘂𝗻𝗶𝗰𝗮𝘁𝗲 𝗯𝘆 𝗶𝗺𝗶𝘁𝗮𝘁𝗶𝗻𝗴 𝗮 𝘃𝗼𝗶𝗰𝗲, 𝗮𝗹𝘁𝗵𝗼𝘂𝗴𝗵 𝗜 𝗰𝗼𝘂𝗹𝗱𝗻'𝘁 𝘂𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱 𝘄𝗵𝗮𝘁 𝘁𝗵𝗲𝘆 𝘄𝗮𝗻𝘁𝗲𝗱 𝘁𝗼 𝘁𝗲𝗹𝗹 𝗺𝗲. 𝗧𝗵𝗲 𝗿𝗮𝗿𝗶𝘁𝘆 𝗼𝗳 𝘁𝗵𝗲 𝗳𝗹𝗼𝗿𝗮 𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝗼𝗿𝗯 𝗶𝘀 𝗳𝗼𝘂𝗻𝗱 𝘄𝗶𝗹𝗹 𝗱𝗲𝘁𝗲𝗿𝗺𝗶𝗻𝗲 𝘁𝗵𝗲 𝗰𝗼𝗺𝗽𝗹𝗲𝘅𝗶𝘁𝘆 𝗼𝗳 𝘁𝗵𝗲 𝗽𝗶𝗲𝗰𝗲 𝗼𝗳 𝗺𝘂𝘀𝗶𝗰 𝗶𝘁 𝗵𝗼𝘂𝘀𝗲𝘀. 

𝗜𝗻 "𝗖𝗶𝗰𝗹𝗼 𝗫𝗲𝗿𝗳" 𝗵𝗲 𝘀𝗵𝗮𝗿𝗲𝘀 𝟰 𝗿𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀 𝗼𝗳 "𝗫𝗲𝗿𝗳-𝗔𝗹𝘂𝘀", 𝗼𝗿𝗯𝘀 𝗽𝗿𝗼𝘁𝗲𝗰𝘁𝗲𝗱 𝗯𝘆 𝘀𝗶𝗹𝗸 𝗴𝘂𝗮𝗿𝗱𝗶𝗮𝗻𝘀 𝘁𝗵𝗮𝘁 𝗹𝗶𝘃𝗲 𝗶𝗻 𝘁𝗵𝗲 𝗽𝗹𝗮𝗰𝗲 𝗮𝗯𝗼𝘃𝗲 𝘁𝗵𝗲 𝗰𝗹𝗼𝘂𝗱𝘀 𝘁𝗵𝗮𝘁 𝗵𝗼𝘀𝘁 𝗱𝗶𝗳𝗳𝗲𝗿𝗲𝗻𝘁 𝗺𝗲𝗹𝗼𝗱𝗶𝗲𝘀 𝗮𝗰𝗰𝗼𝗿𝗱𝗶𝗻𝗴 𝘁𝗼 𝘁𝗵𝗲𝗶𝗿 𝗵𝗮𝗯𝗶𝘁𝗮𝘁.

 𝗣𝗼𝗻𝗱𝘂𝘀 𝗶𝘀 𝗮𝗻 𝗲𝗹𝗲𝗰𝘁𝗿𝗼𝗻𝗶𝗰 𝗺𝘂𝘀𝗶𝗰 𝗽𝗿𝗼𝗱𝘂𝗰𝗲𝗿 𝗳𝗿𝗼𝗺 𝗕𝘂𝗲𝗻𝗼𝘀 𝗔𝗶𝗿𝗲𝘀, 𝗔𝗿𝗴𝗲𝗻𝘁𝗶𝗻𝗮. 𝗧𝗵𝗿𝗼𝘂𝗴𝗵 𝗵𝗶𝘀 𝘀𝗼𝗻𝗴𝘀 𝗮𝗻𝗱 𝗶𝗺𝗮𝗴𝗲𝘀, 𝗵𝗲 𝘀𝗲𝗲𝗸𝘀 𝘁𝗼 𝗶𝗻𝘃𝗶𝘁𝗲 𝘁𝗵𝗲 𝗹𝗶𝘀𝘁𝗲𝗻𝗲𝗿 𝘁𝗼 𝗮 𝘄𝗼𝗿𝗹𝗱 𝘄𝗵𝗲𝗿𝗲 𝗵𝗲 𝗰𝗼𝗲𝘅𝗶𝘀𝘁𝘀 𝘁𝗵𝗲 𝗼𝗻𝗲𝗶𝗿𝗶𝗰 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝘁𝗮𝗻𝗴𝗶𝗯𝗹𝗲. 
𝗣𝗼𝗻𝗱𝘂𝘀'𝘀 𝘀𝗼𝗻𝗴𝘀 𝗼𝘀𝗰𝗶𝗹𝗹𝗮𝘁𝗲 𝗯𝗲𝘁𝘄𝗲𝗲𝗻 𝘁𝗵𝗲 𝗳𝗿𝗲𝗻𝗲𝘁𝗶𝗰 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗺𝗲𝗱𝗶𝘁𝗮𝘁𝗶𝘃𝗲, 𝘄𝗶𝘁𝗵𝗼𝘂𝘁 𝗹𝗼𝘀𝗶𝗻𝗴 𝗳𝗼𝗰𝘂𝘀 𝗼𝗻 𝗳𝗮𝗻𝘁𝗮𝘀𝘆 𝗮𝗻𝗱 𝘀𝗲𝗻𝘀𝗶𝘁𝗶𝘃𝗶𝘁𝘆 𝘁𝗼 𝗹𝗶𝗳𝗲 𝗮𝘀 𝗮 𝗺𝗲𝗿𝗲 𝗵𝘂𝗺𝗮𝗻. 



𝗔𝗹𝗹 𝘁𝗿𝗮𝗰𝗸𝘀 𝗯𝘆 𝗣𝗼𝗻𝗱𝘂𝘀. 

"𝗖𝗶𝗰𝗹𝗼 𝗫𝗲𝗿𝗳" 𝗮𝘃𝗮𝗶𝗹𝗮𝗯𝗹𝗲 𝗼𝗻 𝗮𝗹𝗹 𝗱𝗶𝗴𝗶𝘁𝗮𝗹 𝗽𝗹𝗮𝘁𝗳𝗼𝗿𝗺𝘀 𝗻𝗲𝘅𝘁 𝗔𝘂𝗴𝘂𝘀𝘁 𝟱𝘁𝗵. 

© + ℗ 𝗜𝗻𝗳𝗶𝗻𝗶𝘁𝗼 𝗔𝘂𝗱𝗶𝗼 𝗡𝗲𝘁𝘄𝗼𝗿𝗸 
𝗶𝗻𝗳𝗶𝗻𝗶𝘁𝗼𝗮𝘂𝗱𝗶𝗼.𝗯𝗮𝗻𝗱𝗰𝗮𝗺𝗽.𝗰𝗼𝗺 
𝗜𝗔𝗡𝟭𝟬𝟰 / 𝗦𝗰𝗹 𝟮𝟬𝟮𝟮

https://www.instagram.com/infinitoaudionetwork
https://www.instagram.com/pondus.xolar

Ciclo Xerf

Tanku

𝗣𝗢𝗡𝗗𝗨𝗦 - 𝗧𝗮𝗻𝗸𝘂

wipE'out'' - The Zero Gravity Soundtrack

Cold Comfort (2023 Remaster)

Cardinal Dancer (2023 Remaster)

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.

wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.

wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka @coldstorage, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.

These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

CoLD SToRAGE - Trancevaal / wipE'out'' - The Zero Gravity Soundtrack [LPS-PS14]

The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed video games industry. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt. 

The second single of the timeless wipE'out'' - The Zero Gravity Soundtrack presents two of the most iconic tunes of the score, the original intro track of the video game and the speedy 'DOH-T'. The package is completed with two masterful remixes by Planet Mu's founder μ-Ziq, aka Mike Paradinas (@mikep), and the braindance producer @wordcolour.

------------------

General Blurb:

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.

wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.

wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka @coldstorage, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.

These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

CoLD SToRAGE - DOH-T / wipE'out'' - The Zero Gravity Soundtrack [LPS-PS14]

CoLD SToRAGE - WipE′out″ Intro (µ-Ziq Remix) / wipE'out'' - The Zero Gravity Soundtrack [LPS-PS14]

The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed video games industry. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.

The closing single of the timeless wipE'out'' - The Zero Gravity Soundtrack shares a special lineup. Brakbeat takes control on 'Hakapik Murder' track and 'Cairodrome' reveals the hypnotic trance sound that was key for the score success back in the mid 90s. In addition, two amazing remixers are on board: the elusive and mysterious @brainwaltzera and the Bristol based synth wizard @surgeonsgirl.

------------------

General Blurb:

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.

wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.

wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka @coldstorage, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.

These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

CoLD SToRAGE - Cairodrome / wipE'out'' - The Zero Gravity Soundtrack [LPS-PS14]

AWA - OJOS COLORADOS (Nightmarecorrido Mix)

Although 30 years after its birth this fundamental electronic gem called 'Reflections' has achieved cult status, it is worth remembering that it all started in 1993 in a small apartment in Waterloo, London, with the help of a mixer and a bunch of hardware synth and drum machines of hardware, with the mastodontic Oberheim OB-8 synthesizer as the main partner.

While in the UK the vast majority of kids showed a certain rejection of what came from North America in the form of electro, Kirk Degiorgio, under his alias As One, embraced it openly and incorporated it into his productions along with influences from other genres that he had already adored since he was young, such as jazz, soul or funk, thus becoming one of the true early adopters of Detroit techno in the UK.

If we look back, 'Reflections' is a challenge in itself, and even more so considering what the consumption pattern of electronic music was in the early 90s. This timeless album fits into the delicate border between being enough club to work on the dance floor, and still being musical and cerebral enough to be listened to at home. A milestone that, whether premeditated or not, Degiorgio more than achieved.

Three decades later Lapsus Records has been able to access the pre-masters extracted from the original DATs to build a special 30th anniversary edition within its Perennial series. For the occasion, this reissue not only offers the tracks included in the first edition, it also adds the songs 'The Priestess' –never released on vinyl before– and Forgotten Memory –until now unreleased and rediscovered in one of the DATs dating back to 1992 from the 'Reflections' recording sessions. We are therefore facing the definitive edition of an album that, despite coexisting with the explosion of the rave movement, would pave the path for the UK-Detroit connection.

All tracks written, mixed and produced by Kirk Degiorgio.
Published by Bucks Music Group, UK.
Mastered by Pedro Pina.
Artwork update by Basora.
LPS-PS15.
© 1994 ART Records.
℗ 2024 Lapsus Records.
www.lapsus.cat

Recorded 1992-1994 at ART Studios, London, UK - using Kurzweil K2000, Oberheim OB8, Oberheim Matrix 1000, Roland R8, Roland TR-808, Roland TR-909, Akai S950, Yamaha DX100, Yamaha SPX 900, Kawai K3.

Reflections (30th Anniversary Edition)

As One - Mihara (2024 Remaster) | Reflections (30th Anniversary Edition) [LPS-PS15]

'When Can' is a journey through the realms of musical serendipity, an ode to the unexpected twists of collaborative intuition. Conceived in the spring of 2012, this masterpiece is the culmination of a decade-long friendship between Reimer Eising aka @kettelmusic, and Lennard van der Last aka Secede, two of the most talented electronic music producers from The Netherlands.

'When Can' is not just a collection of songs; it's a seamless continuum where each track breathes life into the next. As the listener delves into the sonic story, the music leads to uncharted territories, incorporating ambient and cinematic sounds and blending them with reminiscences from Renaissance to Baroque music. Far from a preconceived plan, the album organically unfolded, capturing the essence of the musical exploration from these two brilliant minds.

More than a decade after its birth, Lapsus is proud to release 'When Can' for the first time on vinyl. For this meticulously curated deluxe edition all the tracks have been remastered, and the artwork has been updated by Basora studio. And there's much more inside: two lithographic prints featuring original paintings by Jeroen Advocaat plus an extra 10" including the unreleased tracks 'Zipvanes' –a 10 minutes alternative cut of 'Ringvanes'– and 'Spoonful'.

When Can (Deluxe Edition)

Kettel & Secede - Zipvanes | When Can (Deluxe Edition) [LPS-PS16]

Onetake using a digitaktII and sampled some records, enjoy!

Download

wach auf bitte

HUGE thank you to everyone supporting my music, 6k is mad. 💙

To celebrate I'm giving away this bootleg of an absolute classic and one of the first jungle tunes I ever remembered hearing (this version is actually the remix) and I've given it my jump up flavour, yes it was a brave move picking this to bootleg!! Enjoy 🙏🏼

Free Download

THE GANJA KRU - SUPER SHARP SHOOTER (DECRYPT BOOTLEG) (6K FREE DOWNLOAD)

lapsus.bandcamp.com/album/science-art-and-ritual-30th-anniversary-edition

'Science, Art And Ritual' is a story of ‘process'. Growing up in Harrow (a then quiet suburb of London) in the 70’s and 80’s from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80’s dub via David Rodigan’s Roots Rockers shows was the first prominent influence he received, and with punk roots —and his burgeoning record collection— became exposed to the breathless post punk experimentation that followed in the early 80’s sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent’s house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby’s Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers —punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane.

At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, TR-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we’d now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn’t yet plugged into the global conversation.

'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before —'SAR' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too.

Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean III", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80’s soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70’s MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines —TR-808, TR-707 and R-8— is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul.

Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" —regularly performed live at that time and produced in the same period as the album sessions in 1993.

'Science, Art And Ritual’ may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey. 

Buy link

Bedouin Ascent - In the Clouds - 2024 Remaster | Science, Art And Ritual (30th Anniversary Edition) [LPS-PS17]

Bedouin Ascent - Ancient Ocean III - 2024 Remaster | Science, Art And Ritual (30th Anniversary Edition) [LPS-PS17]

Originally recorded in the Dutch towns of Ureterp and Groningen between 2003 and 2005, 'Through Friendly Waters' marks a pivotal moment in Reimer Eising’s —better known as Kettel— journey through melodic braindance and ambient electronica. With his classical training on piano and a refined sensibility for gentle electronic textures, Kettel weaves together shimmering piano motifs, warm ambient textures, playful breakbeats, and pastoral atmospheres that shimmer with emotional resonance.

First released in 2005 via his own label Sending Orbs, the album soon achieved cult status among IDM fans, celebrated for balancing playful compositional elegance with heartfelt sonic depth. TFW still remains as a timeless soundtrack that perfectly encapsulates why Kettel remains a key figure of electronic music enthusiasts two decades on.

To honour its twentieth anniversary, Lapsus Records presents 'Through Friendly Waters (20th Anniversary Edition)', marking the album’s debut on vinyl within the Perennial Series. This edition has been remastered by Alex Ferrer and redesigned by Basora, resulting in a deluxe version that also includes the tracks "Unistar" and "Toen", which were originally released only on CD by the Timothy Really label back in 2007.

· Buy link (Bandcamp): kettel.bandcamp.com/album/through-friendly-waters-20th-anniversary-edition

Written and produced by Reimer Eising. Recorded in Ureterp and Groningen 2003-2005
Remastered by Alex Ferrer.
Original artwork by Jeroen Advocaat.
Artwork update by Basora.

LPS-PS18.
www.lapsus.cat

© 2005 Sending Orbs
℗ 2025 Lapsus Records

lapsus.bandcamp.com

Buy Link (Bandcamp)

Kettel - Pinch of Peer - 2025 Remaster [LPS-PS18]

Exit Planet Dust

Chemical Beats

Body Rock

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Leviticus - The Burial (Serial Killaz Remix) - Philly Blunt

Heaven - Single

Heaven

Check Intr0beatz record 'Crucial Catering' 
https://smarturl.it/LAGAFFE006

Its time to give back once more as we warm up for the 6th LAGAFFE vinyl series with a free track from the one of the biggest in the local Reykjavík scene, https://soundcloud.com/intr0beatz. Just Feel should get you going for this next release where we have 4 tracks lined up from this talented producer/DJ. 

Spread the word if you like it

xx Viktor & Jónbjörn

Just Feel

Intr0beatz - Just Feel - FREE TALES 008

New Forms

Matter Of Fact

Leftism

Afro Ride

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Premiere: DJ Hybrid 'Raggamuffin' T>I Remix [Natty Dub Recordings]

Run by @wooky
www.lapsus.cat

Record Labels: Lapsus Records, Balmat & C.E.E.
Distribution by !K7 (www.k7.com)

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CoLD SToRAGE - Trancevaal / wipE'out'' - The Zero Gravity Soundtrack [LPS-PS14]

Lapsus / C.E.E.