DJ Set - 18 March 2020 at 22:02

nonbeat - Part 1

尽量蹦迪 20200820

A SELECTION OF TRACKS FROM THE FMB <a href="http://www.feelmybicep.com/">BLOG</a>, GIG'S, FMB EVENTS, RADIO SHOWS AND BEYOND. <a href="https://www.facebook.com/feelmybicep/?fref=ts">FACEBOOK</a> // <a href="https://www.instagram.com/feelmybicep/?hl=en">IN

FEEL MY BICEP PLAYLIST

FEEL MY BICEP PLAYLIST - Part 1

Sounds and beats released from Barcelona.
www.lapsus.bandcamp.com
www.lapsusrecords.cat

Buy link (Bandcamp)

Lapsus Records - Releases

doma

+ambién

Andy Stott - Florence

Tony Watson and Rollmottle as Project Sandro for Sentrall Records Los Angeles, Calif.

Project Sandro "Blazer"

From "Road To Incursio" Mixtape out NOW:

https://softwarelabel.bandcamp.com/album/road-to-incursio

~

Zebra appears on the debut @oneohtrix-point-never release for Warp, 'R Plus Seven', released September 30th 2013.

~

Napolian's new album Incursio, available NOW on Software Recording Co.

Purchase via Software: http://bit.ly/sftIncursio
Purchase Incursio via iTunes: http://smarturl.it/NapolianIncursio



Oneohtrix Point Never - Zebra (Napolian Edit)

Philip Cohran and the Artistic Heritage Ensemble – Malcolm X

Jonny Nash returns to Melody As truth following his " Phantom Actors" EP.  "Exit Strategies" puts Nash's layered guitar textures at centre stage, further demonstrating his ability to draw emotion from the simplest of elements. 

Release date: March 2015

A1 - Exit One

Monne Automne - Automne

Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and 80s synthesizer music, and cinematic soundtracks, his work often evokes a sense of eerie futurism.

Lapsus Records is proud to present Where Things Are Hollow: No Tomorrow, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes the first two volumes—with Volume 2 featuring an unreleased track—and two additional chapters that further enrich the series’ narrative. Once again, Pye Corner Audio delivers innovative soundscapes, drawing inspiration from ambient techno, foggy electronica, and experimental slow disco.

The third installment unveils a constellation of entirely new tracks, weaving the ambient, synthwave, and retro-futuristic textures that define Jenkins' work. Meanwhile, Where Things Are Hollow 4 amplifies this universe, incorporating reinterpretations by some of today’s most visionary artists: Alessandro Cortini, Kaitlyn Aurelia Smith, Lord Of The Isles, and Surgeons Girl, alongside the popular 2020 John Talabot remix of "Resist".

As with previous entries, the visual identity of Where Things Are Hollow: No Tomorrow is a striking collaboration between Basora Studio and renowned illustrator Alex Trochut, offering a visual counterpart to the series' otherworldly audio.

With all tracks remastered for the occasion, Where Things Are Hollow: No Tomorrow is a testament to Jenkins' enduring influence and creative evolution, cementing Pye Corner Audio as a key figure in modern electronic music. 

Written and produced by Martin Jenkins.
Additional production and reinterpretations: A1 by Alessandro Cortini, A2 by Neil McDonald, B1 by Oriol Riverola, B2 by Sinead McMillan, and B3 by Kaitlyn Aurelia Smith.
Artwork by Alex Trochut & Basora.
Mastered by Pedro Pina.
LPS41.
©️ & ℗ 2025 Lapsus Records.
www.lapsus.cat

lapsus.bandcamp.com

Buy Link: https://pyecorneraudio.bandcamp.com/album/where-things-are-hollow-no-tomorrow

Buy Link (Bandcamp)

Pye Corner Audio - After Effects [LPS41]

Pye Corner Audio - Underneath [LPS41]

Pye Corner Audio - Trust The Process [LPS41]

Gradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.

The first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.

The second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.

The final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal.

The album artwork for Gradually is a conclusive visual representation of this journey, captured in the final frame of an analog film roll that began in the Netherlands and concluded with an image of the streets of Sydney, Australia—a perfect metaphor for the album’s narrative of gradual transition and discovery.

For Julien, this new album marks a deeply personal return to his roots, is the culmination of six years of growth—both personal and artistic, and the first release under his real name during this period. Free from conceptual or genre limitations, the album is an intimate statement.
While releasing music as santpoort on the LA label Friends of Friends allowed him to explore a narrative, lo-fi identity, this release reconnects with the detailed, exploratory sound design that first put Julien Mier on the map. 

All music written and produced by Julien Mier (julienmier.bandcamp.com)
Recorded on unceded land of the Gadigal people of the Eora nation, on whose land we meet sonically.
Additional performance by Daisuke Tanabe on track B3.
Mastered by Jack Prest.
Artwork by Aleix Font.
LPS42.
©️ & ℗ 2025 Lapsus Records.
www.lapsus.cat

lapsus.bandcamp.com

Buy link: https://julienmier.bandcamp.com/album/gradually

Julien Mier - Scrap (ft. Daisuke Tanabe) [LPS42]

Julien Mier - Ciel [LPS42]

I'm In Love

Jealous Love

Lifeforms

Cascade

Flux

Where Is Home? (Burial Remix)

And Their Refinement of the Decline

Articulate Silences, Pt. 1

Tomorrow's Harvest

Reach For The Dead

Black Sea

Jonny Nash & Lindsay Todd - The Gecko That Wore Its Skin Inside Out

The Perennial Series is a new division of Lapsus Records and is dedicated to works from established artists in the universe of contemporary electronic music. As the name suggests, timeless music will form the cornerstone of the Perennial Series through pieces that have passed through numerous fashions and trends: musical treasures that have never been pressed to vinyl, decades old discontinued album reissues, or new artist releases that already form part of electronic music culture history. 

The first release in this new series will be from none other than Kettel, one of our favourite artists, and an integral piece of work in understanding IDM over the last 20 years. Reimer Eising needs no introduction. The well-established producer based in Groningen (Holland) has been releasing music for nearly two decades on respected labels including Planet Mu and Clone. 

In 2008 he released the spectacular "Myam James Part I" on Sending Orbs, the record label he has consistently worked with since its inception. The album -which left electronica "headz" speechless- is, in our humble opinion, a masterpiece replete with acid, electro breaks and the purest braindance style. Lapsus will help celebrate its tenth anniversary by having the honour of pressing this work to vinyl for the first time. The release will take the form of a limited edition double LP re-mastered by Xavier Alarcón that will also include "Mukudori", an unreleased track that Reimer composed during the same period, which was discarded for the final album version. 

You cna order your copy at www.lapsusrecords.cat

Myam James Part I (10th Anniversary Edition)

Kettel - Myam James Part I (10th Anniversary Edition) | Perennial Series #01

Original: https://soundcloud.com/crosbystillsandnash/helplessly-hoping

Crosby, Stills & Nash - Helplessly Hoping (Baru Edit)

Beirut - Nantes

02 Zoroxxe - Paisaje Oblícuo

Available on Digital / Vinyl 
14.12.2018

Download // Buy: https://shikashika.bandcamp.com/album/camino-de-flores
Spotify: https://open.spotify.com/album/54RG3zzcA9TCMyrBmIicdu

On Camino de Flores, his second full-length album, El Búho reimagines electronic music through the lense of the natural world and its rich soundscapes. 

Drawing on the inspiration of traditional rhythms and sounds, notably from Latin America, Camino de Flores is an album that transports you to another place. Following the success of his first LP, titled Balance, El Búho is back and takes us on a journey from high mountains to cascading waterfalls, from a dusky rainforest to a crackling fire beneath a clear, star-filled sky. The album charts a pathway between traditional rhythms, the sound of the natural world, IDM electronica and a deep, enveloping dancefloor sound. 

With rhythms, instruments and effects built from field recordings or “found sound”, on Camino de Flores it is often hard to distinguish between synths and drum machines, from birds, water, rain or crunching leaves.

El Búho - Mirando El Fuego Feat. Joaquin Cornejo & Minük

Introduction to a Concert in Ëkero, Sweden, August 2018

ANCIENT SPIRIT - INTRO LIVE

[ESP] Esta es la primera producción de una nueva etapa en la vida de Pasaje Universo, ahora junto a Andi.Andean como nuevo integrante a cargo de los beats, producción y percusión.
“Diamandino” refleja la búsqueda que define al trio: tradiciones populares de tierras andinas y afro-brasileras integradas al beat electrónico.
Lanzado por el sello Nómade Records, e inspirado en la naturaleza de los Andes y de la Chapada Diamantina brasilera, los escenarios biográficos del grupo.
Arte gráfico: Manu Ela

[ENG] This is the first production of a new phase of Pasaje Universo’s life, now together with Andi.Andean as a new member in charge of beats, production and percussion.
“Diamandino” reflects the investigation that defines this trio:  popular Andean and Afro-Brazilian tradition mixed with an electronic beat.
Inspired by the nature of the Andes and of the Brazilian Chapada Diamantina, the album has been recently released by Nomade Records.
Cover art: Manu Ela

[POR] Essa é a primeira produção de uma nova fase da banda Pasaje Universo, com a chegada de Andi.Andean no comando dos beats, percussão e produção.
"Diamandino" reflete a busca que define o trio: tradições populares de terras andinas e afro-brasileiras integradas ao beat eletrônico. 
Lançado pelo selo Nómade Records, o projeto foi inspirado pela natureza selvagem dos Andes e da Chapada Diamantina, no Brasil, os cenários biográficos dos integrantes da banda.
Capa: Manu Ela

Descarga

Pasaje Universo - Tan alta que esta la Luna

Romance (Joaquín Cornejo Remix)

Original song by ASA-CHANG & 巡礼, from the album "花".<br />Created with <a href='http://the.wubmachine.com'>the Wub Machine</a>, the automagic online remixer.

花 (Wub Machine Remix)

Please Let Me Go Round Again

Artist: Smagghe & Cross 
Title: 1819
Label: Offen Music 
Release date: 27.01.2020 
Format: 12“ LP

This second Lp on Offen is an ajar window overlooking the phantasmagoric world of Smagghe & Cross, a remembrance of days that never were. The music is sparse, the past is forever : ghosts of industries are conjured through the English countryside, fading memories play static with an idea of romance, the sun breaks through the iron clouds. A record free of uncouth nostalgia but laced with ethereal melancholia.

1819

A1 Monody - OFFEN 012

From its creation in the late 90s until its closure in 2009, the Toytronic label witnessed a digital revolution that transformed the record industry, turning glitch into a production tool for a whole generation heir to the of bleep ‘n’ bass sound.

Thanks to their impeccable A&R credentials, its head honchos, Martin Haidinger and Chris Cunningham, created an incredible IDM label catalogue, as well as producing their own material under pseudonym Abfahrt Hinwil.
 
Their only album to date ‘Links Berge Rechts Seen’ [Toytronic, 2002] was released as a compilation featuring tracks from their brief career that over the years has become a benchmark for the Toytronic sound. This album included their first –and only– three releases signed to Expending Records and Toytronic, and also included two previously unreleased songs: ‘Planquadrat’ and a hidden track at the end of the CD version.

Lapsus proudly presents ‘Links Berge Rechts Seen’, which will be released on vinyl for the first time as part of our 'Perennial Series'. The collector’s format marbled 2LP will be accompanied by a double-sided lithographic print, which includes a unique and exclusive interview from Martin and Chris, talking to prestigious electronic music journalist Philip Sherburne.

Links Berge Rechts Seen (Deluxe Edition)

Abfahrt Hinwil ‎– Links Berge Rechts Seen (Deluxe Edition) | Perennial Series #05

Long Weekend EP

Wednesday

I Love The New Sky

The Mall

'Ecce Reverie' by Steve Hauschildt is the second advance single of the upcoming Lapsus Records compilation 'QUINZE', an experimental and constantly mutating ambient work of art.

Lapsus celebrates its fifteenth anniversary with the launch of 'QUINZE' –"fifteen" in Catalan–, a new compilation comprised of today’s most compelling, experimental and ground-breaking electronic music.

"QUINZE" will be released in March 20th and two different versions will be available: A standard double LP edition, and a collector's edition LP packaged inside a bespoke cement case of which only fifteen units will be manufactured. Reserve your copy now at www.lapsusrecords.cat.

More info: www.lapsus.bandcamp.com/album/quinze

Fifteen unreleased songs from artists that best define the Lapsus sound:

1. Johanna Knutsson - For Gwendoline
2. The Belgium - Sleep Will Do
3. Ylia - Regen
4. Leif - nq6
5. Steve Hauschildt - Ecce Reverie
6. Telefon Tel Aviv - The Means Whereby Lovers Are Waylaid
7. Gacha Bakradze - Martivi
8. Attraktta - Closer
9. Pye Corner Audio - I Follow You
10. Patricia - Low And Slow
11. Karen Gwyer - Mahler's Heartbeat
12. Chevel - Slip
13. Gábor Lázár - Wubs And Wahs
14. Machine Woman - Technoo
15. RRUCCULLA - Hielo Helio

QUINZE

Ecce Reverie

Steve Hauschildt - Ecce Reverie // 'QUINZE' compilation [Lapsus Records]

Martin Jenkins, more commonly known as the artist @pye-corner-audio, epitomizes Lapsus' commitment to cutting edge sound experimentation. In 2017, he beguiled the electronic music community by releasing the 'Where Things Are Hollow' EP, on Lapsus Records. Now we are delighted to announce the release of ‘Where Things Are Hollow 2’, consisting of three brand new original cuts and a breath-taking remix from none other than John Talabot.

'Where Things Are Hollow 2' explores a spectral and hypnagogic terrain, establishing an electronic sound that at times invokes Jenkins’ more dance friendly facet -'Self Synchronize', 'Weather The Storm'– while also offering his familiar iridescent dreamlike ambient textures –'Phase B'– that featured prominently on his first EP.

This second EP also includes a remix from John Talabot, unquestionably one of Spain’s most internationally recognised names over the last decade, who exquisitely reimagines 'Resist' -a song from the first EP-, transforming it into a cross between EBM and hypnotic techno.

From a graphic design perspective, renowned artists Alex Trochut and Basora have once again collaborated on this project, repeating the formula that made the artwork for "Where Things Are Hollow" such a collector's item.

Where Things Are Hollow 2

Pye Corner Audio - Where Things Are Hollow 2 [LPS23]

A Story of Italo Disco, Indie Dance, Slow Motion, New Wave, Breakbeat ...is now starting.

INCOMING : Pye Corner Audio - Resist (John Talabot Remix) #LapsusRecords

Martin Jenkins, more commonly known as the artist Pye Corner Audio, epitomizes Lapsus' commitment to cutting edge sound experimentation. In 2017, he beguiled the electronic music community by releasing the 'Where Things Are Hollow' EP, on Lapsus Records. Now we are delighted to announce the release of ‘Where Things Are Hollow 2’, consisting of three brand new original cuts and a breath-taking remix from none other than John Talabot.

'Where Things Are Hollow 2' explores a spectral and hypnagogic terrain, establishing an electronic sound that at times invokes Jenkins’ more dance friendly facet -'Self Synchronize', 'Weather The Storm'– while also offering his familiar iridescent dreamlike ambient textures –'Phase B'– that featured prominently on his first EP.

This second EP also includes a remix from John Talabot, unquestionably one of Spain’s most internationally recognised names over the last decade, who exquisitely reimagines 'Resist' -a song from the first EP-, transforming it into a cross between EBM and hypnotic techno.

From a graphic design perspective, renowned artists Alex Trochut and Basora have once again collaborated on this project, repeating the formula that made the artwork for "Where Things Are Hollow" such a collector's item.

The pre-order for "Where Things Are Hollow 2" is now available in two different formats: digitaland a coloured vinyl version.  Reserve your copy now at www.lapsusrecords.cat

Release date : 2020-06-26

☎ Connect ☎

SC :
@lapsus-records
@pye-corner-audio
@john-talabot

FB :
https://www.facebook.com/LapsusBarcelona/
https://www.facebook.com/pyecorneraudio/
https://www.facebook.com/JohnTalabot.JT/

INSTA:
https://www.instagram.com/lapsus_barcelona/
https://www.instagram.com/dystopian_vectors/
https://www.instagram.com/john_talabot/

INCOMING : Pye Corner Audio - Resist (John Talabot Remix) #LapsusRecords

Growing up in Milton Keynes, the largest of the "new towns" outside of London designed and built in the 1960s, perhaps explains why producer Nicholas Worrall is subconsciously drawn to clearly delineated sonic structures and flawed techno utopianism, two concepts that are ever present in both his sound and aesthetic approach to music.

Wordcolour (@wordcolour) was formed just two years ago, at a time when Worrall was habitually cutting up and splicing human voice samples ripped from YouTube memes, film dialogues and musique concrète tapes.

The first artistic demonstration of these ideas arrived in 2019 via his mixtape “I Want To Tell You Something” for the Blowing Up The Workshop platform. This unique set immediately grabbed the attention and support of the specialized music press and media, including Pitchfork and Resident Advisor.

“Tell Me Something” is Wordcolour’s official debut EP and heads straight for the dance floor. It is comprised of an unusual melting pot of influences that fuse the UK club sound, post-dubstep and a style akin to Paul Lansky's ‘90s musique concrète. “Tell Me Something” offers a vibrant leftfield, avant-garde techno and edgy electro, all immersed in the vast cosmos of the human voice.

“Tell Me Something” will be released at the end of July on vinyl and all digital formats. Reserve your copy now at www.lapsusrecords.cat.

Tell Me Something

Wordcolour - Tell Me Something [LPS24]

Labyrinth EP

Planet X (feat. Samurai Breaks)

READ > https://inverted-audio.com/premiere-lcy-milan

Los Angeles collective and radio show Sisters Of Sound gather a selection of some of the most vital and innovative names in dance music right now to form their new label, @sistersofsoundsos.

SOS Music Vol 1

LCY - Milan [SOS Music]

Taken from the album 'Isles', released 22 January on Ninja Tune: https://bicep.lnk.to/islesSo

Follow Bicep -
Spotify: https://found.ee/bicep-sp
Apple Music: https://found.ee/bicep-am
Instagram: https://found.ee/bicep-ig
Facebook: https://found.ee/bicep-fb
Twitter: https://found.ee/bicep-tw
Youtube: https://found.ee/bicep-yt
Bandcamp: https://found.ee/bicep-bc
Soundcloud: https://found.ee/bicep-sc

Isles

Apricots

BICEP | APRICOTS

Terminus - EP

Curved Path

Run by @wooky
www.lapsus.cat

Record Labels: Lapsus Records, Balmat & C.E.E.
Distribution by !K7 (www.k7.com)

Weekly podcast Lapsus Radio co-hosted by @wooky and @psherburne.
Support: www.patreon.com/LapsusRadio
Listen: www.mixcloud.com/Lapsus_Radio

Booking and Management Agency: www.lapsusagency.com

Steve Hauschildt - Ecce Reverie // 'QUINZE' compilation [Lapsus Records]

Lapsus / C.E.E.