🧠 - F L O A T

What Has Happened

Space 1.8

Space 1



These words, simple as they may be, are the essence of everything. They rise up from my heart and return me to a place of stillness, of presence, of truth. They are enough.

I stand here, in the unfolding of my life, and I see how gratitude softens all edges, how it shapes each moment into something luminous. When I whisper thank you, the world reshapes itself — the struggles become teachers, the wounds become openings, and even the silence is filled with meaning.

In love, in loss, in the laughter of my children, in the quiet breath of the morning — thank you. For each meeting, for each parting, for every hand held and every tear shed. Thank you. For the questions I cannot answer, and for the mysteries that need no answer.



Section 2
We live in a world where everything asks us to hurry, to choose sides, to reduce ourselves to labels. But love, true love, is the refusal to shrink. It is the courage to stay open, to stay vast, to stay vulnerable in a world that teaches us to armor ourselves. I have learned that tenderness is a form of rebellion, and devotion is the most radical act of freedom.



Section 3
I believe in presence more than perfection. Presence is when you show up, unarmored, unedited, as you are. That is what makes intimacy possible — not the performance of being flawless, but the offering of being real. It is in our cracks, not our polish, that we recognize each other. It is where we are unfinished that love enters.



Section 4
Fundamentalism, whether in politics, religion, or even relationships, is the opposite of life. It is a narrowing. It fears ambiguity, nuance, the places where contradictions breathe. But we are not meant to be simple, we are meant to be infinite. We are both light and shadow, laughter and grief, certainty and doubt. To love is to hold all of it, without needing to resolve it into something smaller than it is.



Section 5
The more I live, the more I understand that death is not the opposite of life, but its mirror. It teaches us to stop waiting. To pour the wine, to kiss longer, to tell people what they mean to us now, not tomorrow. Mortality is not cruel; it is the teacher that reminds us of the urgency of tenderness.



Section 6
I have hit a confusing problem. I feel inside of me that I live 2 lives every day. I am a Gemini, but so is everyone. You feel 2 things every day — your physical body (food, clothes, exercise, nature, sun) — and you feed your psyche, your brain (radio, book). But most important is that it is not a choice. It is a human breath, a necessity.




Section 7
If I leave you with one truth, it is this: love is not something you find. It is something you choose, again and again, even when it is hard, even when you are tired, even when fear tells you to close. Choose love like a practice, like a prayer. That is the only way to stay free.



Jérémi’s Words

“TURNSTILE” is a dark, satirical hymn to false progress. A revolving door that spins endlessly, promising change but delivering the same polished cage. Grotesque, biting, and strangely hypnotic.

„TURNSTILE“ ist eine düstere, satirische Hymne auf den falschen Fortschritt. Eine Drehtür, die sich endlos dreht, Veränderung verspricht und doch nur den gleichen glänzenden Käfig liefert. Grotesk, scharf und auf seltsame Weise hypnotisch.

Turnstile

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Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient

Side Liner & Kerensa Stephens - Dreamer (Eguana Remix)

"Ur Soul" is from Sejva's debut EP, "Coquet", available now on Company Records.

Company shop - http://smarturl.it/coquet_company
iTunes - http://smarturl.it/coquet_itunes

Check out more from Sejva here: https://soundcloud.com/sejvasound

Sejva - Ur Soul

The third album from Duval Timothy. Released on Carrying Colour 27 October 2017.

Recorded by Duval Timothy
London & Bath, UK
Freetown, Sierra Leone
Kyoto, Japan

Ball.WAV

Vision Songs, Vol.1

I Can Only Bliss Out (F'Days)

Future Disco - A Disco Fantasy

The One to Wait

Anne

I Thought That I Could Get Away with It

Mattson 2 - Naima’s Dream

This is an album that allowed me to let go of my frustrations in life. Working 3 jobs, supporting my friends in their music for the past 5 years, and feeling like I was meant to be in the background just became underwhelming and empty. I needed to make a big change in my life. This is the first step.

Blac DeMarco

All The Same (streets)

Aint Life Grand?

Following 2019’s release of Azymuth’s Demos (1973-75), two more home-recorded demo tracks by the Brazilian psychedelic jazz-funk masters have surfaced from a tape in drummer Ivan ‘Mamao Conti’s private archive. These five-decade old recordings by the young band show the maturity, musicianship and distinctive style that saw Azymuth become one of the most important groups in Brazilian history. 

Featuring an instrumental take on iconic pop song writing team Roberto Carlos and Erasmo Carlos’ 1969 Jovem Guarda hit “As Curvas da Estrada de Santos”, and spacey psych-folk oddity “Ze e Parana” on the b-side, the new 7” release via Far Out Recordings shines yet more light on this critical period for Azymuth.  

As is the case with many of Brazil’s most well-known artists, Roberto Carlos had been backed by Bertrami, Malheiros and Conti either on stage, in the studio, or with compositions (in Bertami’s case) since the late sixties. Conti notes that “As Curvas da Estrada de Santos” was a big hit in Brazil when it came out in ’69 and had already been covered by Elis Regina a year later. 

But where Elis’ version and indeed Roberto Carlos’ original were grand pop-rock ballads, Azymuth’s take is a moody, melodic jazz excursion, featuring Bertami’s incredible Hammond organ, Fender Rhodes and grand piano juggling, Ivan ‘Mamao’ Conti’s distinctively tough drums, and unusually, Alex Malheiros plays a double bass instead of an electric one.

As the title suggests, “Ze e Parana” is guitarist Joao Americo (Parana) playing alongside Bertami’s Rhodes comping, synth embellishments and dreamy wordless vocals. Aside from being credited as the composer and guitarist on “Linha do Horizonte” a track from Azymuth’s debut album which would become the theme tune for a famous novella, Parana has to this day, remained relatively unknown. 

Both tracks were recorded in Jose Roberto Bertrami’s house in Rio de Janiero at some point between 1973-75. These tracks were not recorded in a professional studio, meaning the sound quality differs from other Azymuth releases. At Far Out we take great pride and extreme care in ensuring our releases and reissues are produced to the best possible sound quality. In this case the original source material – the cassette tapes – had not aged well and were considerably damaged. The sound has been restored to the best possible condition but there is still some noticeable tape hiss and slight distortion on ‘Ze e Parana’. For this reason, we strongly advise listening to preview clips before buying this release.

I Can Only Bliss Out (F'Days)

Laraaji

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