Time bends a little when you travel, or at least this selection makes that feeling more vivid.   

‘I made it before I went away for a holiday at my parents. I wanted to make a mix for a road-trip and I think that’s how it turned out. And we were listening to this sort of music a lot in my dads car when driving around that week’. 

Artur Strekalov a.k.a mu tate (@mutate3k), is a UK-based ambience producer, original from Latvia. He’s the mind behind ‘Let me put myself together’, a notable record published this year on @triplexlarge, and also the host of the mix series ‘Inexact’ on @radiosygma.

This mix was recorded in September of 2021.

Artwork x @iq94

FR077 mu tate (Riga, Latvia)

A Year Ago

From the forthcoming album SG - For Lovers Only / Rain Suite (Faitiche 33)

SG - Western Affect

Glimpses of Infinity

Kalimba 1 (Glimpse)

Time is Away is the London-based duo of Elaine Tierney and Jack Rollo, renowned for their exquisite sound curation that touches on a deep variety of styles.

"turn on arabic radio oscura" is an edit we've been playing for a while, blending the works of Muslimgauze and SSIEGE to create a new contextualisation of both worlds.

We've produced a limited edition of 60 transparent dubplate vinyl records, each with handmade flower design covers.

All profits will be donated to the Delia Arts Foundation, which is dedicated to supporting children and musicians in Gaza and other conflict areas around the world.

Free Palestine!

Time Is Away - turn on arabic radio oscura (Muslimgauze & SSIEGE)

The intro track off the forthcoming album, 'Me, With You' by @jonnnah – a gentle collaboration with Pavel Milyakov (@buttechno)

Still Here, Playing Gtr (feat. Pavel Milyakov)

"Forget My Name" slips into a deep-house groove. Silky female vocals drift through dim neon, while a thick, understated bass hum keeps the room breathing. Mysterious, minimal, made for late nights.

forget my name

Artist: Jan Jelinek & Computer Soup
Album: Improvisations And Edits, Tokyo 26.09.2001
Label#: Faitback10
Release date: May 4th 2018

Faitiche is happy to be releasing the album Improvisations And Edits, Tokyo 26.09.2001 on vinyl for the first time. For the original 2002 CD on Soup-Disk and Sub Rosa (Audiosphere), Jan Jelinek and the Japanese trio Computer Soup (Satoru Hori – trumpet, Osamu Okubo - toys & electronics, Kei Ikeda - toys & electronics) presented eight tracks all recorded one afternoon in the trio’s living room in Tokyo. They are excerpts from a joint group improvisation that subsequently underwent rudimentary editing, on which Jelinek and Computer Soup worked separately.

Jelinek met the three musicians at his first concert in Japan in 2001, at Tokyo’s Yellow club, where Computer Soup performed as the support act. Delighted by their free improvisation on pocket-sized electronic toys, trumpet and oscillators, he arranged to meet Hori, Okubo and Ikeda a few days later for a session at their apartment. The resulting three-hour recording, made on their living room floor, formed the basis for Improvisations and Edits. A few days later, Jelinek returned to Berlin. Over the following months, they separately chose passages from the recording that were then edited and assembled into an album.

Formed in Tokyo in 1996 as a quintet (including Shusaku Hariya and Daisuke Oishi), Computer Soup began by performing with acoustic instruments on the streets of Shibuya. Ikeda und Okubo soon switched instruments, and from then on the group’s minimalistic but densely woven sound was defined by electronic toys, oscillators and Satoru Hori’s trumpet. Their first album was released in 1997 on the Japanese label Soup Disk. Eight further releases followed.
 

From the reviews of Improvisations and Edits, Tokyo 26.09.2001 in 2003:

The mind-blowing first track "Straight Life" is perhaps the best example of what the album has to offer. Jelinek's trademark smears and washes occupy the midrange, like ghosted images of Joe Zawinul's electric piano floating quietly in the wind. DSP jazz modes are set against a walking bassline (possibly computer generated) and a gently tooted trumpet complete with Harmon mute, a dead ringer for Miles Davis' Prestige-era ballads. The effect is something like a three-dimensional film, with different realities on each layer; images of what jazz was manage to interact with a real-time demonstration of all it could be.
pitchfork.com
“Improvisations and Edits” is a warm and mellow Ambient release with beautiful glitch fragments, static noise bursts and real trumpet intersections. However, there are times where it is the exact opposite, mainly effect-laden, overdriven and bouncy with a lack of melodies and focus, so be aware of these specific tracks.
ambientexotica.com
Often deliciously dreamy and hazy, “Improvisations and Edits” is like listening to an exceptional instrumental jazz performance while half-conscious or under some sort of chemical influence. Computerised blips and bleeps, loops and treatments and murky sonic skips curl up around desolate horn notes and scattered instrumental noises that culminate in elegant music.
exclaim.ca

Jan Jelinek & Computer Soup: Straight Life

One-take synth improvisation, taken from 'All In The Same Room'.
Buy tape + digital at nicemusiclabel.bandcamp.com/album/020-all-in-the-same-room

All In The Same Room

Grapefruit

ME 
(Felicia Atkinson & Jefre Cantu-Ledesma)

From 'Comme Un Seul Narcisse'
Shelter Press / SP070

https://shelterpress.bandcamp.com/album/comme-un-seul-narcisse

Comme Un Seul Narcisse

ME (Felicia Atkinson & Jefre Cantu-Ledesma)

This is track ONE on THE BLACK BOOK which is a 3 LP comp of stuff we love, and compiled to celebrate 20 years of iDEAL, ok? Its here rather soon. But we needed to share this with you tonight. Cover design by Philip Marshall.

Kalimba 1 (Glimpse)

Laraaji

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