Elektroniskt i P2 - 4

Inner Journey

Jon Hopkins: Quiet

Flow : Breathe - Ambient _ Dream

trip

healing ritual early morning

Holes to Heavens Playlist - 2

Music for The Task at Hand

Wintergreen

Piano Versions

Modern Driveway

Dawn Chorus

Heron

1979

Selected Ambient Works Volume II

Yaima's first album "Pellucidity" is a beauteous and bewitching collection of stories that seem to lead the listener on a journey through enticing soundscapes and floating melodies. Sustained by biological beats and engaging world rhythms, "Pellucidity" will soothe the savage and move the peaceful being in all of us.... 

Pellucidity means- to allow the maximum passage of light, to see clearly, as fresh water in a mountain lake...

Gajumaru

A Colour For Autumn is the second in a series of editions from Australian sound artist Lawrence English that trace the experience of seasonal transit. Following on from For Varying Degrees of Winter (published by Baskaru), A Colour For Autumn reflects on and explores the transitory nature of Autumn - counterpointing the uniformity of the ‘term’ with the varied qualities expressed by landscapes in different countries.

Like all environmental phenomena, seasonal variation is highly localised, and expressed not only visually through vegetation etc, but also sonically as insect life, leaves under foot and fauna all change in response to the climatic shifts. Northern and southern hemisphere experiences of Autumn are strikingly different and it’s also this contrast which rests at the very centre of A Colour For Autumn.

Recorded between 2007-2009, this series of pieces acts almost as small auditory portraits of given spaces in the often gentle throes of Autumn - ‘Droplet’ for example features field recordings gathered in Notre-Dame De La Garde in Marseilles, capturing the infamous ‘Mistral’ wind as it blows the first cooler breezes of Autumn into the city in 2007. By contrast ‘Watching It Unfold’ measures a more Australian experience of Autumn - a series of open static phrases, shifting ever so slightly - a reflection of the slow changes of the season around English’s home of Brisbane.

Working with a range of analog approaches, A Colour For Autumn is a tonally rich affair, sourcing much of it’s sounds from a mixture of instruments, field recordings and assorted electronics. A Colour For Autumn also features contributions from New Zealand’s Dean Roberts (whose vocals adorn the opening moments of the album) and Viennese musician Christian Fennesz, who offers intricate clusters of electronics in ‘The Surface Of Everything’.

This is an album of subtle variation, graded hues and tonal warmth, all of which act as an invitation for the listener to consider their own localised transition of Autumn.

A Colour For Autumn

Watching It Unfold

Ryuichi Sakamoto - meditation app  - Be-minor Remodel

Bring On The Sun

Ocean Flow Zither

Introspection

I've seen this all before...

Credits:
Violin: Megan Li
Mastering Engineer: Joel Hastat

Spotify

Seen This Before (feat. Wrenn)

The Revenant (Original Motion Picture Soundtrack)

The Revenant Main Theme

Talk To The Sea

Still (Original Mix)

Talk To The Sea (Original Mix)

Ambient 1: Music For Airports

2/1 (Remastered 2004)

1/1 (Remastered 2004)

Apollo

An Ending (Ascent) (Remastered 2005)

Let go...

Featuring vocalist @BryanRucker
Website: www.bryanruckermusic.com
Facebook: Facebook.com/bryanruckermusic
YouTube: YouTube.com/bryanruckermusic
Twitter: twitter.com/bryanrucker
Instagram: instagram.com/bryanrucker

Artwork by Ryan Yee

Let Go (feat. Bryan Rucker)

Roberto Musci - Nexus On The Beach (06:10)

Kani

Kani (Day)

Avec Laudenum

I Will Surround You

Anilah - Medicine Chant

Argentinian musician Federico Durand returns with his 2nd full length album on 12k following 2016’s A Través Del Espejo (12k1085). Taking his already minimalist composition style Federico challenged himself by using only one synthesizer for this beautiful album of sparse, hypnotic dustiness. His talent for creating works of so much emotion out of so little attest to his concentration when working and his passion for the craft. La Niña Junco is a handwoven gem. Music with a humble origin and a deep resonating soul.  Famed Argentinian artist Lola Goldstein graciously illustrated the album cover, caputuring the idea of memory and object that is so infused with Federico’s work.

“Immersed in the beauty of the very moment, the songs for La Niña Junco were recorded in one take during two days, in a rush of inspiration. I used a small sound palette: one instrument, a Crumar Performer synthesizer along with two looping pedals and Roland Space Echo RE-201. The Crumar was my first synthesizer. I bought it many years ago and then gave it to a friend, who later lent it to my brother. After a very long time, I got it back when we moved to La Cumbre, a small town in the central mountain area of Argentina. As this instrument has a very limited but beautiful oscilator, it was rewarding to make small melodies using only its almost magical sound. I was enchanted to have the chance to play with my Crumar again: in many ways this album feels like returning to an early home. The electric noises of my old, broken keyboard, were an unexpected and musical gift and a humble proof of the passing of time.”

– Federico Durand, La Cumbre, 2017

La Niña Junco

Lluvia de estrellas

async

Life, Life

Northbound - Music for Season One

Cloud Cover

With Re.Generations, producer Amani Friend re-envisions his earlier Liquid Bloom music into 9 fresh immersive tracks. The album dances the listener across eclectic soundscapes, drawing on Peruvian songs, Armenian Duduk, Spanish flavors, classical cello, nature spaces, and lyrical meditative guidance. Innovative collaborations with artists Poranguí, Deya Dova, Arsen Petrosyan, Ixchel Prisma, Rara Avis, Shamans Dream, Numatik and many others seamlessly transport you to healing, to feel a primal connection to Earth – and be inspired to dance, meditate, practice yoga, do shamanic ceremony, or be in your creative flow.

liquidbloom.com/releases/re-generations/

Purchase

Sacred Blessing (Re.Generations Mix)

Clouds

Impossible Island

Myth of the Cave Remixes

05 Deya Dova - Return Of The Bird Tribes (saQi Remix)

The second volume of 'Soundscapes' comes with tracks by Steve Pacheco, Tone Color, Hotel Neon, Shuta Yasukochi, SineRider, Hilyard, Slow Clinic, Gallery Six, Hakobune and SVLBRD.

Written and produced by Steve Pacheco, Tone Color, Hotel Neon, Shuta Yasukochi, SineRider, Hilyard, Slow Clinic, Gallery Six, Hakobune and SVLBRD. 
Mastering by Rob Small. 
Archives42 // ArchivesCD23 
Archives / 2017

Buy CD/Digital

SineRider - The Snow Turned To Rain

Lunar Phases

Monster Skies

The Lantern Story

Anna Homler & The Pylon King (Voices Of Kwahn) – Almost Beautiful

Glass

track 4 from “Forest in Full Bloom” by Koen Daigaku

stereoscenic.bandcamp.com/album/forest-in-full-bloom

Forest in Full Bloom

Koen Daigaku - Forest in Full Bloom

Beaches

Merry Christmas, Mr. Lawrence

Merry Christmas Mr. Lawrence

Meditations

1/1 Singing Bowl (Ascension)

The hunter gathers code of ten as lived and pronounced by the legendary elder VCJ of the Santa Barbara hills.  Track 1 from The Education Of The Individual Soul by East Forest, entire album (including this track) available as a downloadable gift at http://music.eastforest.org.

More free music

10 Laws

Ocean Flow Zither

Laraaji