Infinite Late Junction by BRITify.com - 10

Collective Rest

Meditate With Laraaji

Laraaji – Celestial Music 1978 - 2011 2

Stuart Maconie's Freak Zone 🔊 (BBC 6 Music) - 9

Inspired by the long-running radio program series

Musical Starstreams I_part3

'mint choons' - 7

healing ritual early morning

https://soundcloud.com/kromestar

Digital out August 6th, Vinyl late September.
Pre-Sale here: https://deepheads.bandcamp.com/album/my-sound

Please note that if you order Deep Heads Dubstep Vol.3 on Vinyl as well as this on our Bandcamp, we won't be able to accept the order, unless you late until September for both items to ship. 
Many thank in advance for your understanding.

Our Bandcamp & Red Eye will be the only places to order Vinyl.

Deep Heads in association with Dubstar records are proud to present the 2021 Remaster, Vinyl edition special, of the seminal album ‘My Sound’ by Dubstep legend Kromestar.

Originally released in 2009, with high critical acclaim, the record is no doubt one of Kromestar’s most celebrated and recognised albums he’s ever created. An absolutely timeless collection of music, the album was groundbreaking at the time and still holds up as a quality album from start to finish in 2021.

This is golden era Dubstep at its best and the Dub in the step is ever-present throughout. You can hear Kromestar poured his heart and soul into this album and understandable it’s such a well-known record.

The original pressing was a sell-out and a very sought-after record going for some very high prices on Discogs.
This re-master and pressing are extremely limited edition and no doubt will be another total sell-out.

The whole vibe of this album was made for Vinyl and bass frequencies are cut to absolute perfection by the wizard known as Beau Thomas @ Ten Eight Seven. The re-mastering shines a light on these beautiful sub-low offerings and the pressing will be immaculate.
All pressed at MPO France & presented on 4x12 inch slabs of wax in a beautiful gatefold sleeve. It's going to look insane!

On this special vinyl edition are 2 bonus tracks included on the last plate. First, there is ‘Jasmine’ which is another classic Kromestar recording that is VINYL ONLY. No digital on this. Then there is unreleased ’Shakras’ that is a brand new Kromestar production that is a fresh 2021 Krome piece of music that is simply incredible.

The Vinyl should be ready to ship in late September 2021 depending on vinyl manufacturing.

Big love to everyone supporting.

Pre-Sale Here

Kromestar A1 'Galaktic War' 2021 Re-Master [Pre-Sale Bandcamp]

Again

Mending

Hauntingly delicate music collaboration of artist/singer Meghan Currie and sound engineer/producer Nenad Radosevic’s ‘The Blend Orchestra'. It blends poignant lyricism, seductive vocals and adventurous sound exploration to create a deeply meditative soundscape, inspired by nature, the elements, and intimate moments.

Chasing Light

We Breathe In

A Colour For Autumn is the second in a series of editions from Australian sound artist Lawrence English that trace the experience of seasonal transit. Following on from For Varying Degrees of Winter (published by Baskaru), A Colour For Autumn reflects on and explores the transitory nature of Autumn - counterpointing the uniformity of the ‘term’ with the varied qualities expressed by landscapes in different countries.

Like all environmental phenomena, seasonal variation is highly localised, and expressed not only visually through vegetation etc, but also sonically as insect life, leaves under foot and fauna all change in response to the climatic shifts. Northern and southern hemisphere experiences of Autumn are strikingly different and it’s also this contrast which rests at the very centre of A Colour For Autumn.

Recorded between 2007-2009, this series of pieces acts almost as small auditory portraits of given spaces in the often gentle throes of Autumn - ‘Droplet’ for example features field recordings gathered in Notre-Dame De La Garde in Marseilles, capturing the infamous ‘Mistral’ wind as it blows the first cooler breezes of Autumn into the city in 2007. By contrast ‘Watching It Unfold’ measures a more Australian experience of Autumn - a series of open static phrases, shifting ever so slightly - a reflection of the slow changes of the season around English’s home of Brisbane.

Working with a range of analog approaches, A Colour For Autumn is a tonally rich affair, sourcing much of it’s sounds from a mixture of instruments, field recordings and assorted electronics. A Colour For Autumn also features contributions from New Zealand’s Dean Roberts (whose vocals adorn the opening moments of the album) and Viennese musician Christian Fennesz, who offers intricate clusters of electronics in ‘The Surface Of Everything’.

This is an album of subtle variation, graded hues and tonal warmth, all of which act as an invitation for the listener to consider their own localised transition of Autumn.

A Colour For Autumn

Watching It Unfold

3. We Rise - Batya Levine

Talkie Walkie

Alone in Kyoto

Celestial Music 1978 - 2011

Rhythm'n'Bliss

Lotus Collage

Quiet Space Pt.2

Unicorns In Paradise

Quiet Journey

Bring On The Sun

Introspection

I Am Ocean

Flow Goes The Universe

Space Choir

Vision Song Suite

Prana Light

Lifting Me

available as vinyl lp for the first time 10/16

loscil 'rorschach'

Rumours

The Chain (2004 Remaster)

Shades of Deep Purple

Hush (1998 Remaster)

Playlist: The Best Of Sharon Tandy

Daughter of the Sun

Avec Laudenum

I Will Surround You

Argentinian musician Federico Durand returns with his 2nd full length album on 12k following 2016’s A Través Del Espejo (12k1085). Taking his already minimalist composition style Federico challenged himself by using only one synthesizer for this beautiful album of sparse, hypnotic dustiness. His talent for creating works of so much emotion out of so little attest to his concentration when working and his passion for the craft. La Niña Junco is a handwoven gem. Music with a humble origin and a deep resonating soul.  Famed Argentinian artist Lola Goldstein graciously illustrated the album cover, caputuring the idea of memory and object that is so infused with Federico’s work.

“Immersed in the beauty of the very moment, the songs for La Niña Junco were recorded in one take during two days, in a rush of inspiration. I used a small sound palette: one instrument, a Crumar Performer synthesizer along with two looping pedals and Roland Space Echo RE-201. The Crumar was my first synthesizer. I bought it many years ago and then gave it to a friend, who later lent it to my brother. After a very long time, I got it back when we moved to La Cumbre, a small town in the central mountain area of Argentina. As this instrument has a very limited but beautiful oscilator, it was rewarding to make small melodies using only its almost magical sound. I was enchanted to have the chance to play with my Crumar again: in many ways this album feels like returning to an early home. The electric noises of my old, broken keyboard, were an unexpected and musical gift and a humble proof of the passing of time.”

– Federico Durand, La Cumbre, 2017

La Niña Junco

Lluvia de estrellas

Northbound - Music for Season One

Cloud Cover

Plume

Steam

Zephyr

Motoc

Art by Brandon Boyd in Support of Standing Rock

Voice Memos

May I Be Empty/Full

Advaitic Songs

Sinai

Saltwater For Strings (reimagined by @petraleksander) is out now!
Listen, stream and save: http://smarturl.it/saltwaterforstrings

Saltwater is taken from our debut album, Great Big Blue, also out now: http://smarturl.it/greatbigblue

Follow us:
- Twitter: https://twitter.com/geowulfmusic
- FB: https://www.facebook.com/geowulfmusic/
- Instagram: https://www.instagram.com/geowulfmusic/

Saltwater For Strings (reimagined by Pêtr Aleksänder)

The Colour of Poison

Blade The Soundtrack

Dig This Vibe (feat. Dj Krush)

Shawnee, Ohio

Neva

Jungle Brown are set to release their second full-length LP, ‘Full Circle’, on the Mr Bongo label in September 2019. 

The first single from this new project, ‘Keep It Movin’, will be released on the 3rd May – perfectly timed for summer. The single fuses a Tribe Called Quest-esque sound with future rap, adorned with a smooth sax line from UK jazz all-star, Ayo Yung Afrika Pyoneer, and backing vocals from Jungle Brown’s own producer, Tony Bones. 

The trio – Ric Flo, MAEAR & Tony Bones – have spent the last two years redefining soulful hip-hop – the sound is bigger, more thought-provoking, and it has matured with a rich soulful underpinning. They have also entered territories fans are yet to hear from them as they glide effortlessly over Tony Bones’ productions that introduce trap and house into their repertoire. The project is an eclectic array of their influences, twisted and blended together to create a ground-breaking release for UK music.
credits

Stream/DL

Jungle Brown – Keep It Movin

This House is Haunted

The Epicentre

Taken from the album 'Pyramid', out now on Brainfeeder: https://jagajazzist.lnk.to/pyramidSo

Follow Jaga Jazzist -
Spotify: https://found.ee/jaga-sp
Apple Music: https://found.ee/jaga-am
Instagram: https://found.ee/jaga-ig
Facebook: https://found.ee/jaga-fb
Twitter: https://found.ee/jaga-tw
Youtube: https://found.ee/jaga-yt
Bandcamp: https://found.ee/jaga-bc
Soundcloud: https://found.ee/jaga-sc