JBRH 027

[UNDER CONSTRUCTION]

Fantaisies tracks (courtes) series no. 251

creation: 2022/06/05

These tracks were uploaded to SC between 04/2022 and 06/2022,
except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_251

KR12

KR17

Conçu pour whyLd

NOTENSCHRIFT

to a god unknown

admoto "paratum"

live recording of the Swiss premiere on Nov 22, 2021 in Grosser Saal, Musik Akademie Basel

flute – Phoebe Bognár
bass clarinet - Ábel Fazekas
cello – Caspar Johannes Walter

Outside (2021) | for flute, bass clarinet, and cello

A mix of old samples of mine and the Sounscaper app and using BLEASS Slow Machine - all mixed in AUM

Radioland  II (Teufelsberg 394 MHz)

Splendor Solis ("The Splendour of the Sun") is a version of the illuminated alchemical text attributed to Salomon Trismosin. This version dates from around 1582.

The earliest version, written in Central German, is dated 1532–1535 and is part of the Kupferstichkabinett Berlin collection at the State Museums in Berlin. It is illuminated on vellum, with decorative borders like a book of hours, meticulously painted and highlighted with gold. The later copies in London, Kassel, Paris and Nuremberg are equally fine. Twenty versions exist worldwide.

The original of Splendor Solis, which contained seven chapters, appeared in Augsburg. In miniatures the works of Albrecht Dürer, Hans Holbein and Lucas Cranach were used. The author of the manuscript was considered to be the legendary Salomon Trismosin, allegedly the teacher of Paracelsus, though the name is believed to be a pseudonym. The work consists of a sequence of 22 elaborate images, set in ornamental borders and niches. The symbolic process shows the classical alchemical death and rebirth of the king, and incorporates a series of seven flasks, each associated with one of the then-known planets. Within the flasks a process is shown involving the transformation of bird and animal symbols into the Queen and King, the white and the red tincture. Although the style of the Splendor Solis illuminations suggest an earlier date, they are clearly of the 16th century.

Splendor Solis

Source sounds: 
A beautiful field recording of a gate in the forest: https://freesound.org/people/DrGoldbach/sounds/590173/

A short excerpt of 'Surabaya Johnny' by Kurt Weill: https://archive.org/details/lp_the-two-worlds-of-kurt-weill_morton-gould-and-his-orchestra/disc1/02.03.+Surabaya+Johnny.mp3 

Image by <a href="https://pixabay.com/users/fotobox_petra0107-52422/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=206898">Petra Söhner</a> from <a href="https://pixabay.com/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=206898">Pixabay</a>

Before Dawn

for the 50th anniversary of the Schuke-Organ
Composition : Malika Kishino
Score : EDIZIONI SUVINI ZERBONI MILANO
Commissioned by Evangelische Kirchengemeinde 
am Weinberg for the 50th anniversary of the Schuke-Organ

Anna-Victoria Baltrusch (Organ)

17.10.2021 in Sophienkirche Berlin (Live Recording by Malika Kishino)

Air Song for Organ (2020)

Lost

Reveal

Interpolation [apex]

Interpolation [flutter]

if not when, how?

Altar Terrenal

🕉 Tibetan monks chanting Ohm as part of intro provided under creative commons.

The Way Through

You From The Yew (electronica)

hyperreal

2022-04-18

NLS - 2022 - 04 - 18

Note de programme :

Les promenades le long de l’océan, façonné par des vagues, mêlées aux oscillations de la houle, nous invitent à plonger dans notre imaginaire et nos rêves. Quelle image mentale et sonore nous faisons nous des paysages qui nous sont familiers et que l’on découvre ? Est-ce qu’un rivage ou un bord de mer vous évoque des souvenirs ? Des émotions liées à des moments de vie ? Ou encore à des références écrites ou cinématographiques ? Notre conscience et notre imaginaire allie souvent un ensemble d’informations répertoriées sur un même sujet, pour nous y familiariser et nous l’approprier.
Rivage est une interprétation personnelle de ce qu’est un environnement sonore de bord de mer, à partir du modèle naturel des mouvements de vagues. Embarquez dans un voyage introspectif et immersif aux champs des possibilités infinies.

Pour en savoir plus:

https://yougmusic.com/2022/03/30/rivage/
https://soundcloud.com/youg_msc
https://www.instagram.com/youg_msc/?hl=fr

Rivage

Lullaby 0-37

Plasma Mirror + Ambient + Delay Vol.2

for nothing to happen takes forever

Fight For Freedom

track from Humanfobia EP: "Ritual Lights"(2022) in collaboration with IDTAL.

 FREE DOWNLOAD THIS TRACK AND THE FULL EP FROM 4 ALTERNATIVE LINKS: 

- https://archive.org/details/idtal-humanfobia-ritual-lights-ep
- https://humanfobia-official.bandcamp.com/album/ritual-lights-ep-2022
- https://hearthis.at/humanfobia/set/2022-ritual-lights-epwith-idtal/
- https://new-age-vapor-witch.bandcamp.com/album/ritual-lights-ep

RITUAL LIGHTS

Humanfobia x IDTAL - AN2O13NA /free download link on description

Secluded Retreat

Garbled tapes, space echos, portastudios and Sanyo Voice Activated Recording system feedbacking through MS10 and KM-60. 

Main samples from my recording of Morten Michelsen at the Kværner Iron Foundry - https://soundcloud.com/locomofon/sets/crane-room-recordings

As flesh is harnessed onto tape (Take 3)

Almares

Yuragi for double string quartet (2016)

Words, vocals & vocal mix Mariam Zohra D : Myrh @myrhyum @tariqa-kali @myrhyummy
Sonic structures & audiable fragments Lars Björk: @larbjo

...then you thought it was in the making [a Myrh & Larbjo collab]

Biased Fate

Sociology Of Scientific Ignorance

Night Excursion

piano & wind chimes

Sound fragments, field recordings, radio transmissions and the secret soundscapes of machines and building structures are taken apart and reconfigured. The work presented here is the result of such explorations into the sonics of analogue and digital materiality. The music takes the listener on audiological expeditions into uncharted territories. I’m interested in all kinds of collaboration, get in touch if you would like to exchange ideas and/or praxis.
... and thanks for listening!
Lars Björk