Wonderfully subtle and engaging song. Love those vocals and excellent production.

🌙 This track wraps its message in layered beauty, a richly textured instrumental full of detail, movement, and restraint. The vocal delivery floats like a whispered warning, repeating lines that land deeper each time. “The truth sure likes to sneak up on you” becomes a quietly devastating refrain, drifting through shimmering chords and pulsing textures like headlights catching something you didn’t want to see. It’s poetic, immersive, and sharply human. 💨 The kettle hissed thoughtfully and said, “This track smells like memory and moonlight, warm, eerie, and impossible to ignore” 🧊 The fridge whispered, “That instrumental, it’s precise, every layer placed with care, like emotion arranged in sound” 🧂 The salt grinder raised an eyebrow and muttered, “Darling, those lyrics walk barefoot across your conscience, soft but unforgettable” 🌀 A beautifully constructed soundscape where clarity arrives slowly, wrapped in echo, tension, and truth.

wonderful job. exceptional vocal skills great collaboration.

Daily Drops

Listen to my song 'echoes' in which a trumpet, trombone, tuba and baritone sax react to eachother on a funky base of drums and dry finger bass!

echoes

Tenor sax duel - trading over bass, beats and drones.

Outside Peering In (blow for blow)

Piano drops

at the disco
goin’ all the way
with a speedball
on an empty day

i wonder if i stopped my cryin’
i wonder if i stopped now

crooked halo
all you’ve got today
your dependents
better back away

i wonder if i stopped my cryin’
i wonder who i’d be now

in the moonlight
goin’ all the way
to the river
gonna watch for day

i wonder if i stop my crying’
i wonder what i’d see now

------------------------------------------------------------------------------------------

Thanks to Cheesemont Paisely-Paisely, Jacques DiCroce, Janine Levinson, David Weiss, and Wheelwright for encouragement and the fine tooth comb.

Pity Party

Dynomus (2025)

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

Tonight

Dreaming in Colour

So the bones of this came from Mobygratis.com. I changed it a good bit, there were no chords, so I added some and gave it a structure. I took away some things and added 3 guitars, some synths and percussion, and a fender rhodes. I could have stripped Moby out of it completely but I didn’t so now I have a collaboration with Moby! lol. I had a lot of fun with it, I’ve already picked out our next collaboration lol.

The original file was <<1960s house 2 at Mobygratis.com>>if  you want to check it out

i’m not the one, no  i’m not the one
i’m not a child of god, i’m a son of a gun 
there ain’t no halo on my head
i go where angels fear to tread
the fate of the world ain’t in my hands
i’m just an ordinary man

i’m not the one, baby, i;m not the one
It was a twist of fate, twists like a knife to the bone
i ain’t the light that leads the way
i’m the dark where your deepest fears are made
go lay your sins on some other man
i’m not your sacrificial lamb
  
lost in the shadows i came undone
then i woke up in the blinding sun
now the veil it feels so thin
was i redeemed or was i condemned

i’m not the one, just leave me alone
i’m not the one now go on home
just let me be
baby i’m not the one just set me free
there’s nothing that i can do
let me break it down for you

Not the one

Not The One

Sailing Away

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

Where's My Campfire?

Cast of Characters:
Didier Burli-- @didierburli — acoustic guitar, main vocals, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom organ, Roland piano, Paul Reed Smith cutom SE electric guiar, Warwick four string fretless bass, vocal harmonies
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar

This song began with Didier coming up with it on his acoustic guitar. However, when he first sent it to Josh, he had played electric guitar, bass, keys, and drums on it, because he is a very talented multi-intrumentalist. This song passes the stool test, though, which is the question of whether it sounds good with someone just sitting on a stool with a guitar, playing and singing it. So, when we asked him to give us a version that we could add to, it was already a great song that he sent us with just him singing over his acoustic guitar. 
  Tez was the first one up on this one, adding the fiery fills throughout, as well as the co-solo at the end. Ken entered the fray next, adding his rock solid, dynamic drums. Once the drums were down giving him something to play against, Josh added his fretless bass to the song. Being very excited about this one, he also added piano, organ, and eventually the lead guitar solo at the end. He also went in and added all the vocal harmonies throughout. Stephen then brought up the rear with some really cool textural guitar throughout. 
  Once we had it in the bag, we asked Tez to produce and mix it for us, which he did in his usual expert fashion. 
  This is our first song with Didier, but we hope it's just the beginning of his new inclusion into the Eclectic Collective family. He has a lot of great music on his page, which is worth checking out, too. We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Didier Burli:
I wish I could stay awake but I need to sleep
Thunder is on it's way but I don't hear it
I don't fear the ghouls, and I don't fear the creeps
And with this dancing zombie, I don't know what to do with it
And I just get too much information....
in the middle of the night, when everything is silent....

(chorus) And the noise rises up
From all those things, that mankind does, that makes you want throw up

(chorus) And the noise rises up
From all those things, that mankind does that makes you want dream of

(chorus) And the noise rises up
From all those things that makes you scared of

(chorus) And the noise rises up
From all those things that mankind lost

And I just get too much information....
in the middle of the night, when everything is silent....

The Noise Rises Up-Didier/Eclectic Collective

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

Spending summer by the lake in the forest


Forest Lakeside

a-promise-carved-in-heaven

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Recommended, use 🎧 to listen to my songs

⚠️  Another new bug on my SoundCloud page 👀 
display problem, sorry friends, I must be missing some of your new songs but scrolling through the news feed is complicated



https://www.instagram.com/larengonat/

THE TRUTH. 🎧. Feat Ashes and Dreams

LARENGONAT.

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