chants

Gregorian Chants

Gregorian

Morning Coptic Hymns

Gregorian chants

Edskis Gregorian Chants playlist

relaxation

chants grégoriens

Adam Aspasmos - Rejoice O Mary

Thomas Tallis: In Ieiunio Et Fletu sung by members of Armada Consort directed by William Drakett.
Thomas Jordan, countertenor
Thomas Brooke & Timothy Burtt, tenor
Danny Purtell & Alasdair Forbes, bass

Thomas Tallis: In Ieiunio Et Fletu

"Cantus, Gregorian Chants" is an upcoming sample library featuring a true Gregorian Choir. Deeply sampled, true gregorian legato (melisma), a powerful word builder with 24 words and up to 120 elements...
Available Q1 2014 at www.bestservice.de

Gregorian Dreams by Eduardo Tarilonte

Alma Redemptoris Mater from Gregorian Chant, Christmas Chants by the monks of the abbey of Einsiedeln

Alma Redemptoris Mater from Gregorian Chant, Christmas Chants

Recordings concert June 2nd 2013, Amsterdam

Thomas Tallis: Te lucis ante terminum

"Cantus, Gregorian Chants" is an upcoming sample library featuring a true Gregorian Choir. Deeply sampled, true gregorian legato (melisma), word builder...
Available Q1 2014 at www.bestservice.de

The Name of the Light by Fran Soto

"Cantus, Gregorian Chants" is an upcoming sample library featuring a true Gregorian Choir. Deeply sampled, true gregorian legato (melisma), word builder...
Available at www.bestservice.de

Seeds of Life by Mateo Pascual

Performance of the Gregorian Salve Regina coupled with Josquin DesPres's cantus firmus motet in my own performance edition. 

The motet is a marvel of musical craftsmanship: not only does it utilize the Gregorian chant in its entirety in the Alto voice, but its structure is a strict double canon throughout: Soprano/Alto sing one strict canon; Tenor/Bass sing a different strict canon. Performed by Voces Novae et Antiquae under my direction May 16, 2004, in Philadelphia, PA.

The performing edition is also available from me directly: <info@robertamross.com>

Background from Wikipedia:

The *Salve Regina,* also known as the "Hail Holy Queen," is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Roman Catholic Church. The *Salve Regina* is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. "Hail Holy Queen" is also the final prayer of the Rosary.

The work was composed during the Middle Ages by German monk Hermann of Reichenau and originally appeared in Latin, the prevalent language of Western Christianity until modern times.

(Premier pars:)
Salve, Regina, Mater misericordiæ,
vita, dulcedo, et spes nostra, salve.
Ad te clamamus exsules filii Hevæ,
Ad te suspiramus, gementes et flentes
in hac lacrimarum valle.
Eia, ergo, advocata nostra, illos tuos
misericordes oculos ad nos converte;

(Secunda pars:)
Et Jesum, benedictum fructum ventris tui,
nobis post hoc exsilium ostende.
O clemens, O pia, O dulcis Virgo Maria.

Hail, holy Queen, Mother of Mercy,
hail our life, our sweetness and our hope.
To thee do we cry, poor banished children of Eve;
to thee do we send up our sighs,
mourning and weeping in this valley of tears.
Turn then, most gracious advocate,
thine eyes of mercy toward us;
and after this our exile,
show unto us the blessed fruit of thy womb, Jesus.
O clement, O loving, O sweet Virgin Mary.


Wikipedia link

Salve Regina (Gregorian chant & Motet by Josquin DesPres; ed. Robert A.M. Ross [1984; rev. 2004])

Crux Fidelis
Gregorian Chant (Sacred Scripture)
Consortium Vocale / Alexander Schweitzer

Gregorian chant, in its all-embracing spirituality and poetry, appeals to the deeper levels of the human heart. Monks in the Middle Ages composed and performed this music as an integrated part of their daily occupation with Sacred Scripture. Throughout the centuries Gregorian chant has enriched and deepened the liturgy of the church, and has been a source of inspiration in every period of European music history. Under the leadership of Alexander M. Schweitzer, Consortium Vocale presents chants from the five Sundays of Lent, Palm Sunday and Good Friday, recorded in the medieval church at Ringsaker in Norway.

Album: EXAUDIAM EUM - Gregorian Chant for Lent and Holy Week (2L43SACD)
Recording venue: Ringsaker Church, September 2006
Original source: DXD (352.8kHz/24bit)

Consortium Vocale: Crux Fidelis (gregorian chant)

This music is free to use for non-commercial and commercial enterprise. Should you use this, please credit me as "Darren Curtis." Thank you!

Support The Creation Of Royalty Free Music On My Patreon: https://www.patreon.com/darrencurtismusic
Get This Track And All My Other Free Music Here: https://www.darrencurtismusic.com/


A peaceful Gregorian chant paying homage to Arthur's deeds and feats.

"Camelot Monastery" Gregorian Chant Royalty Free

Inviolata Integra Et Casta Es Maria (Gregorian Chant By Chant Group Psallentes)

This track is from the album Chant: World's Top Gregorian Chants for Meditation, Relaxation, Healing, And Quiet Time and is available on Spotify:
https://open.spotify.com/album/2UdVnnvhUuSsQU1hcqpaKl

Gregorian Chants of the Monks

Gregorian chants-Regina caeli-www.mrtzcmp3.net

15 Puer natus (Gregorian Chant)

These Gregorian Chants were found on CNET as a free download some time ago. I don't know who sung them only that I know they would want their songs to ring out to their Lord and to His people.

Gregorian Sense-Sanctus - Requiem v.01

Gregorian Sense-Adoro te devote - Spanish - v.01

Gregorian Sense-Agnus Dei - Requiem v.01

Gregorian Sense-Pregon Pascual breve v.01

Gregorian Sense-Requiem - Lux aeterna - v.01

Videte miraculum - Thomas Tallis

Gloria (Gregorian Chant)

Gregorian Chant - Benedictine Monks - Church Music

Schola Magdalena (Toronto, Canada) This Gregorian chant is from our first CD "O Gracious Light." Visit us at www.scholamagdalena.ca or www.stephaniemartinmusic.com

Ave Maria, Gregorian chant sung by Schola Magdalena

03 GREGORIAN ORIGINAL 2

07 enigma Start - to - end

14 "GREGORIAN" - Aethera et terra

gregorian's horal original 4

Recording of the world premiere of the "Salve Regina" by Timothy C. Takach, commissioned by the University of Notre Dame's Debartolo Performing Arts Center, featuring Cantus and the Notre Dame Glee Club. This commission made possible by the Teddy Ebersol Endowment for Excellence in the Performing Arts.

Salve Regina featuring Cantus

Ola Gjeilo’s (1978–) music occupies similar territory to that of Whitacre and Lauridsen, nonetheless displaying considerable harmonic individuality and variation. Tota pulchra es is a fifth-century Roman Catholic prayer venerating Mary as innocent and free from sin. The piece opens with a plagal cadence and after a few bars begins to twist kaleidoscopically through several keys, lending the music energy and momentum. Gjeilo avoids an over-obvious reading of the text; a passage describing Mary’s clothes as white as snow and her face as radiant as the sun, for example, is set in A flat minor.

SCHOLA CANTORUM / Tone Bianca Sparre Dahl: Hymn to the Virgin (2L-095-SABD)
Thomas Aquinas writes in the Summa Theologica: "Music is the exaltation of the mind derived from things eternal, bursting forth in sound." The quotation most aptly describes the repertoire on the Norwegian chamber choir Schola Cantorum's recording of hymns to Mary, the Mother of God, in which tranquillity, eternity and ‘bursting forth into sound’ are encountered in many different guises.

The composers represented here have often chosen to allow their music to evolve in stable structures and remain within static harmonic spaces even when the music becomes expressive and dramatic: Benjamin Britten, Francis Poulenc, Maurice Duruflé, Eric Whitacre, Morten Lauridsen, Martin Ødegaard, Kjell Mørk Karlsen, Anton Bruckner, Sergei Rachmaninoff, Arvo Pärt, Ola Gjeilo, Andrew Smith and Trond Kverno.

Throughout its existence the chamber choir Schola Cantorum has had high ambitions. The choir has built up an international reputation and has made it a trademark to include newly written music in its programmes. This is thanks to the work of Knut Nystedt (1915–), organist, composer and conductor, who returned to Norway in 1964 after studying in the USA and started a choir at the music department of the University of Oslo. The choir continues to recruit members from the department of music, as well as from the Norwegian Academy of Music in more recent years.

Tone Bianca Sparre Dahl trained as a singer and pianist and specialized in the Kodaly method in Hungary before taking her diploma exam in choral conducting at the Norwegian Academy of Music. She has directed Schola Cantorum since 2002.

Gregorian Sense-Agnus Dei - Requiem v.01

Larry Slater