Meditation

The Sound of Free Jazz

Fintan's favorite jazz songs

Touching Bass w/ Errol & Alex Rita - NTS - 2

Ultimate jazz playlist for spotify from the Guardian. This playlist is the best jazz playlist as chosen by Guardian Music.

Ultimate jazz playlist - Guardian Music

The 200 Greatest Songs of the 1960s

The age of New Orleans

Livery Stable Blues

Icaros Shipibo written by Alexander Han Stickler, Singing by Tal Arnon
Music producing by Sheer Sofer and tibitien bowls, bells, and electronic insturments and Guy Cohen, Recording by Yayehe Mehari and Amit Pit Barkan. 

Doma Cano Abano X2 
Tobacito Canobo X2
Netanyabi Que Pen Quin
Nijue Yabi Que Pen Quin
Joe Yabi Que Pen Quin
Senon Pada Mayonne

Neti ibo di osquin
Mapen aca tanada 
X2

Matoyora Zoa Youn X2
Zoa Zoa Bayingin
Senen Pada Mayonnen X2
Acon nquin Shamana X2
Matoyora Shamana
Puntey Mayo Shmangy X2

I call you energy tabcito
Open the world 
Open the wind
Open the light
Give harmony to all things
Calling the work of God
Connect Powerfully 
To clean our body
Clean Clean
To give Harmony
To give power with the intention to Harmoniz

Doma Cano Abano Shipibo Icaros

Chilled out piano covers of well known love songs and rock songs.

God Only Knows - The Beach Boys (Instrumental Piano)

The Tunnel Riff (Live)

ICAROS HOMENAJE A LA AYAHUASCA HILARIO CHIRIAP CURANDERO SUHAR

Lonely Woman

Ragtime Piano

The Entertainer

The Bob Dylan Experience, live in action at Golddust Studios, Bromley, UK.

Like A Rolling Stone

If you like this edit don't forget to tag me in your insta story using @prodbymattia
Respect to the original artist and producer.
This bootleg is for entertainment purposes only.
Copyright by: The Jackson 5. 
All rights reserved ®.

Free Download

The Jackson 5 - I Want You Back (MATTIA Remix)

Albert Ayler - Summertime

Bonjour à toi voyageur(se) du temps ... Quelques saisons se sont passées depuis "Eternal place"... Une nouvelle ère musicale est née, les aspirations, elles... ont beaucoup évoluées. Des choix ont été fait et aujourd'hui... Je suis très content de partager avec vous la deuxième version d'un track qui a bercé cette fin d'été pour moi.
Après deux années d'introspections, de découvertes musicales, d'acharnement, de passion et beaucoup d'autres choses qui font parties d'un parcours de vie et.. artistiquement parlant, je me sens prêt à remettre ma musique sous le grand jour !

Moon rock the Stone 
Une DA bercée par plusieurs influences musicales, lorsque la Terre, la Lune et le Soleil s'alignement subtilement entre eux. Cette musique raconte une histoire de progression profonde, où les rythmes et les textures nous transportent vers un paysage rêveur ...

Mastering : @omnysphere 
Cover : @traveler_rave

Moon rock the Stone

Support on Bandcamp

The Sounds of The Miles Davis Quintet

It Never Entered My Mind

Hummingbird

Doctor Jazz, Jelly Roll Morton

Black Bottom Stomp

Jazz Music

West End Blues

The Classic Albums

Port Of Call

Lars Larsson-saxophones
Niclas Rydh-tuba
Göran Kroon-drums

Ghosts (Albert Ayler)

The Collection

St. Louis Blues (Album Version) [feat. Louis Armstrong]

Mashav (J.Zorn)

The Best Of

A Change Is Gonna Come

Webster Lewis - Do You Believe (alt. take)

Download/Stream FEVER album here: https://BlackMilk.lnk.to/Fever

Acclaimed Detroit-born producer/rapper Black Milk released FEVER, a politically charged collection of genre-bending hip hop, via Mass Appeal Records on 2/23/18. The album features vocals from Dwele, Aaron "Ab" Abernathy, Sudie and contributions from all-star musicians Chris "Daddy" Dave, Daru Jones, Malik Hunter, Ian Fink and Sasha Kashperko. 

http://twitter.com/black_milk
http://instagram.com/black_milk

Black Milk - Will Remain

The first solo production from @max-graef in 2018 sees him taking on 
@oscarjerome, one of London's brightest songwriting prospects. A dub-infused, percussive workout, layered with tape textures and only the faintest hints of the original instrumental.

Read more & check Oscar's upcoming European tour: http://www.stampthewax.com/2018/04/23/premiere-oscar-jerome-where-are-your-branches-max-graef-remix/
Listen on Youtube: http://bit.ly/oscar-max

Listen on Youtube

Oscar Jerome - Where Are Your Branches? (Max Graef Remix) (STW Premiere)

LISTEN / BUY - http://www.austinpsychfest.com/store/the-ufo-club-st-lp/

The UFO Club - Be My Baby (The Ronettes)

Madison McFerrin - Try (Radu Guran Edit)

"There is complexity in simplicity, and Sparrow Nights is Peter Brötzmann and Heather Leigh's most enduring record to date, and their first studio album. A series of emotionally rich and boldly elucidated tonal and timbral exchanges played like compositions on pedal steel and reeds, the tracks (released as a 6 track LP and 10 track CD) are cold-forged minimalist blues motifs dragged from instrumental laments.   

After three years playing together Brötzmann/Leigh's connection and understanding is by now both cerebral and deeply invested in the physical and sensory possibilities of their combined sound, while retaining a melancholic distance. Within this duo there is fluidity – neither is the anchor – and these recordings sound with as much variety as the sea. At times Sparrow Nights carries the clarity and poeticism of still water and open horizon ("This Word Love"), and at others it contains the elemental and ferocious roar of white water breakers on black rocks ("This Time Around").     

On their previous three live albums (Ears Are Filled With Wonder, Sex Tape, Crowmoon) the duo have developed an intimate and intense language that manifests here as a focus on power and control, where figures blasted of unnecessary decoration are drawn from the shadows and smoke of collapse. The studio setting also allows Brötzmann to bring a broader range of reeds than in live scenarios: where previously he has played primarily tenor, clarinet and tarogato with Leigh, here he delivers the heat of alto and the low pressure of bass saxophone and clarinet.  

Brötzmann’s duo with Leigh continues to trace a fresh new arc in his trajectory, and this release also falls at a time when Leigh releases Throne, her most song-based record to date. Here as a studio duo they play a new-old blues for times of complexity, noise and chaos, continuing to redefine and re-sound possibilities for improvised music."

TR180 - Brotzmann / Leigh "Summer Rain"

Hat and Beard by Eric Dolphy, arr. by Lisa Dowling. Live recording by KontraPhonixxx, New York's badass bass and bassoon duo at The Tank, September 28, New York.


Eric Dolphy: Hat and Beard (arr. Lisa Dowling)

Piano Solo, Berlin 2009

Photowork: Bogdan Zwir - Dina (2005)

Keith Jarrett -  My Song

One of the most formidable fretless electric bassists in the post-Jaco Pastorius era, Texas native and current Barcelona resident Gary Willis joins forces with Catalan keyboardist Albert Bover and Budapest-born drummer Gergo Borlai on this exhilarating take on the electric piano trio. Co-founder (with guitarist Scott Henderson) of the premiere fusion band Tribal Tech and former member of Wayne Shorter’s band, Willis and his highly interactive crew shift deftly from slamming funk (“Old School”) to percolating fusion (“Disconnectivity”) to aggressive swingers (“Change Agent,” ”Move”) while embracing quiet ballads (Paul McCandless’ “Amaryllis,” Milton Nascimento’s evocative “Tarde” or Willis’ aptly-titled “Dream”) with uncommon sensitivity and a lyrical touch. They also turn in expressive interpretations of the Lennon-McCartney classic “Norwegian Wood” and Bill Evans’ “We Will Meet Again.” And the album closes on a poignant note with Willis’ tasty, subtly reharmonized rendition of the Depression era standard “For All We Know,” a tune famously covered by the likes of Billie Holiday, Nat King Cole, Nina Simone and Donny Hathaway.

Says the great bassist of his impressive sidemen on Retro: “Gergo is an incredible drummer. I had done some playing with him in Budapest, and since he moved to Barcelona Albert and I have been able to work up some nice chemistry as a trio with him.
This new record is about us playing together. It’s not about big productions or anything, it’s just Rhodes, bass and drums. It’s a totally different direction from what I did last time (on 2007’s Actual Fiction, also on Abstract Logix). It shows what can happen when you just make it about the interpretation of the material and how we play together. And for that reason it’s maybe more personal than anything I’ve done before.”

From the modal opener “Change Agent” to the bubbling “Old School” (which recalls the old school funk-fusion of Herbie Hancock’s Headhunters) to the atmospheric “Tarde,” these three kindred spirits demonstrate a remarkable capacity to groove in loose-tight fashion throughout Retro. They collective burn through a labyrinth of chord changes on the uptempo romp “Move,” which is fueled by Willis’ urgent walking bass lines, and settle into on mellow accord on Oregon’s floating “Amaryllis” and a chill 3/4 take on the Beatles’ “Norwegian Wood.” Bover proves to be both a consummate accompanist and accomplished soloist from track to track while Borlai’s crisp, polyrhythmic pulse and supple brushwork fuel the proceedings. Willis’ virtuosic solo contributions here, particularly on “Disconnectivity” and “Move,” show why he is regarded as one of the most outstanding bassists on the scene today.

“I just wanted to feature the fun of playing together and the expression that comes out in this stripped-down setting,” says Willis of his fifth album as a leader overall and second for Abstract Logix. “Whatever direction it’s going, we’re going to try to get into it pretty deep.”  They’ve succeeded in brilliant fashion on Retro.

 

02 Amaryllis

Pitched down yet not slowed - perfect blend.

(Sorry for the ending, but I needed to add it not to get a copyright claim)

2 The Music (Pitched Down) - Kaytranada feat. Iman Omari

Canto a los ancestros. Icaro para las ceremonias de Natem (Ayawaska) en la selva amazonica del Ecuador. Taita Hilario Chiriap.