producer and mix engineer
For beat sales and mix work email zootlab@gmail.com
@maghreban alter ego
STRANGE U producer
@drzygote on Twitter and Instagram
I won 'Soundclouder of the Day' in Spring 2013, thats why I have so many followers..

My new album 'How Were We To Know' is out Nov 17th, featuring two new singles, 'There For You' and the album's title track, which are both out now! ✨
https://emelisande.lnk.to/HWWTK

FOLLOW EMELI SANDE: 
Website http://www.emelisande.com
Spotify http://bit.ly/SpotifyEmeliSande 
Facebook http://facebook.com/emelisande
Twitter http://www.twitter.com/emelisande
Instagram http://www.instagram.com/emelisande
Youtube http://www.youtube.com/emelisande

Musikbloggen som älskar ny musik. 
The Swedish music blog for pop music lovers.

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Lars Wittmann is following