ambient

I had the pleasure of making this track for the Naviar Haiku challenge for the haiku below.

This was recorded in preparation for the https://soundcloud.com/naviar-records curated Naviar Haiku Fest at Cafe Oto, London, on 7 December.
More details here: https://www.cafeoto.co.uk/events/naviar-haiku-fest/

Music inspired by this haiku:

The spring sea:
all day long
undulating, undulating.

One of the four great haiku masters, Yosa Buson studied both Japanese and Chinese poetry. He was also an accomplished painter, and most of his poems were accompanied by paintings, resulting in a more diverse and individual set of works than the one by his main historical influence, Basho.

Haiku by Yosa Buson www.poetryfoundation.org/poets/yosa-buson

More about the Naviar Haiku: https://www.naviarrecords.com/about/naviar-haiku/

The Spring Sea [Naviarhaiku456]

Dronarivm sums up the year 2013 with '15 Shades of White' CD compilation.  15 tracks that are different in atmosphere and sound are united by a common winter mood.  Winter is a favorite season of philosophers and introvert dreamers, a territory of remembrances and quiet reflections, where nonlinear time allows to bring together the disparate fragments of memories and create a multi-layered collage of pieces of the future, present and past.  Neoclassical pianos, hypnotic strings, light strokes and soft undertones leave a quirky musical pattern on the glass of eternity.  Following is the list of the artists involved in the order it will be heard: Anne Chris Bakker, Talvihorros, Kreng, Ben Lukas Boysen, Aaron Martin & Christoph Berg, Sophie Hutchings & Peter Hollo, Jacaszek (Pleq remix), Marsen Jules, Ian Hawgood & The Green Kingdom, Orla Wren, Kaboom Karavan, Marcus Fjellström, Strië, The Frozen Vaults, Olan Mill

+ 2 digital bonus tracks by Tobias Hellkvist and Zvuku.

Released December 24, 2013
Compiled by Bartosz Dziadosz (Pleq)
Product Manager Dmitry Taldykin
Mastered by Jason Corder (offthesky)
Cover art by Staszek Sokołowski

http://aaronmartin.bandcamp.com/album/15-shades-of-white-3

Until Tomorrow Then (Aaron Martin & Christoph Berg)

122622004 Dax Enner Cosmos Syntrx Buchla 208c

Taken from a series of ambient works from The Unloved album

Heat (Part 1)

This is a one-pass guitar improv from last night, with no post-editing or mixing whatsoever. I feel the flow works really nicely so decided to post it. Enjoy!

The pic was taken in Stratford, East London, sometime before the Olympics.

Wednesday 11.44PM

Dawless generative Ambient with eurorack modular system

Underwater Radio

STREAM

Negative Influence - She Was Heaven

Alyas - Fallen Leaves

Track 3 from Seafaring, released May 19th 2017.
https://n5md.com/discography/254/Last-Days-Seafaring

Fading Shore

Not Home may seem an unusual choice of single from Anne Garner’s upcoming album Lost Play but there’s precious little that is conventional about this singer-songwriter. Fans of her strange, seductive melancholy will be beguiled once again by the song’s signature union of disembodied sadness and reassuring intimacy. Warm waves of electric guitar and synthesiser cradle glitchy, restless percussives, the soaring silvered pedal steel of Jack Hayter (Hefner, Dollboy) and a lyrical message both beautiful and hard to hear.

Not Home and Porya Hatami's remix are available across all major platforms and in lossless 24bit audio exclusively from Slowcraft Records.

Written by Anne Garner
Produced by James Murray with Anne Garner
Artwork by Bobbie Russon
Mastered by Dean Honer
_____

annegarner.com
poryahatami.com
jackhayter.com
bobbierusson.com

slowcraft.info

https://slowcraft.bandcamp.com/album/not-home

Not Home

11th May 2018

Composed, performed and recorded by Ben Crosland
Mastered by Ben Wiffen

Songs From Rainbow Hill

Rainbow Hill

Ben Crosland - Rainbow Hill

From the album 'This Earth To Another' available now //

www.umber.bandcamp.com

From This Earth to Another

By popular demand, I made a longer version of https://soundcloud.com/encymlll/33a. 

Basically, this one takes more time developing things, discreetly adding select guitar/OBNE Dark Star sounds while keeping true to the essence of the original recording.

Featured on Resonance FM London: https://www.mixcloud.com/Resonance/sonic-imperfections-25th-march-2019/?fbclid=IwAR2X0iKykGsyyIofsfWA09Q43j3pjJ1oPKlrh8JZMAPC2BS-UYDx1VYsy40

Both tunes are now available as name your price downloads through the "Buy" link above.

Enjoy!

3:3 (pillow mix)

Anemone
Music Composed & Produced by Brock Hewitt

Download

Anemone

DR-66 : Christopher Bissonnette - 'The Wine Dark Sea' CD / DL
due out on March, 13th
dronarivm.bandcamp.com

The Wine Dark Sea is Bissonnette’s fifth solo studio album. The album’s title is derived from the writings of Homer, where he oft referred to a rough and stormy sea as “wine-dark”. Homer’s descriptions of colour are devoid of any reference to the colour blue. And any suggested meaning in his description of the sea point to the colour red. This apparent contradiction has brought much speculation about the significance and understanding of colour in ancient Greece. Keeping with the motif of colour, track titles on the album are based on references from contemporary artists and their insights on colour, form and implied meaning.

The album represents a shift for Bissonnette’s work, moving from an exclusively synth-based series of explorations to a hybrid of electronic and acoustic methods. The result is a rolling and slow-moving tide of tones and undulations. The textures are in some passages soft and mollifying but fluently shift to moments of tension and unease. The Wine Dark Sea is an aural allegory to sound and colour and our tenuous understanding of abstract meaning.

Mastered by Porya Hatami
Cover photo by Christopher Bissonnette

Buy CD / DL

CHRISTOPHER BISSONNETTE - See With Eyes Closed (from 'The Wine Dark Sea')

The spellbinding closing track from @blommamusic's eponymous debut record. 

Album out now : https://orcd.co/blomma

BLOMMA is @philipdanielpiano and @jacob-pavek

BLOMMA

Finale

Stream / Buy

BLOMMA - Finale

Last Days' (AKA Graham Richardson) music explores personal themes of stasis and flux, escape and acceptance. Growing up in Northumberland (UK), Richardson pursued music sporadically, before shifting his focus to study graphic design. In February 2006 he was discovered by the n5MD imprint, resulting in the release of Last Days debut album Sea shortly after.
With an approach both abstract and melodic, lo-fi and hi-tech, and despite its largely digital origins, Last Days' music sounds all-together human - n5MD

Albums
Sea (2006)
These Places Are Now Ruins (2007)
The Safety of the North (2009)
Satellite (2013)
Seafaring (2017)
Fragments (2019)
----------------------
Contribution to 'Disquiet Vol.2' charity compilation, curated by Keith & Hollie Kenniff (2017)
Contribution to 'Late Night Tales / Jon Hopkins' (2015)
Contribution to 'For Nihon' (2011)
Self-titled EP as 'St Kilda' (2009) free to download from lastdaysmusic.co.uk

Fading Shore

Last Days

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