Gizeh Records is an independent label based in Manchester, UK. Founded by Richard Knox in Leeds, 2004 and focusing on a fiercely DIY ethic, Gizeh has grown with it's artists over the years to form a strong community of musicians and artists from around the world, most of them collaborating together over the years across various projects, helping the label and those involved progress and evolve in an organic, inspiring and galvanising way.

It is our aim to conduct ourselves with modesty and humility in an ever changing industry. We put love, care and passion into our records and our artists and continue to push our ideals and our collective as far as we can within the means that we have. We have no care for genres or pigeon-holes - simply the noise of harmony and the harmony of noise and the inspiration and spirit of the people who are making that noise.

LCR releases so far:
Norman Westberg +++ Mia Zabelka +++ Mark Harris & JOHN 3:16 +++ Brave Timbers +++ We Mythical Kings +++ Hypnodrone Ensemble +++ Black Walls +++ PJ Philipson +++ A.R.C. Soundtracks +++ BLK w/BEAR

Last Harbour press:

SUNDAY TIMES: "This album sounds magnificent."
ARTROCKER: "The final frontier of funeral pop."
UNCUT: “With their gothic archness and deathly strings, Last Harbour offer chilly, semi- orchestral comforts from the same tangled patch of briar as The Bad Seeds and Tindersticks.”
CLASH: “A dark and dusty mood, perfectly realised.”
RIFRAF (BE/NL): "An intense listening experience."
MAGIC (FR): "Dark and mysterious, for fans of Tindersticks and Arab Strap."
JALOUSE (FR): "Roadmovie music with no destination - listen at twilight."
DROWNED IN SOUND: “Rich and foreboding, tracing a thread back to the post-industrial landscapes of Joy Division.” 
PLAN B: “Swooning dustbowl baroque, blackly turbulent like Sixteen Horsepower or Lift To Experience.”
METRO: “Classic outback brooding.”

Shield Patterns is the Manchester-based duo of Claire Brentnall and Richard Knox (A-Sun Amissa / The Rustle of the Stars / Glissando). Together they create intensely emotive music full of light and shade that's both melodic and incredibly detailed. It's a sound that is at once accessible and exploratory and ends up as a triumph of dreamily surreal contemporary music.

The Stool Pigeon is a free, fully independent, UK-wide music newspaper based in London

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Touch and Go Records / Quarterstick Records

Last Harbour is following