One Day of December

james

MEOW

Ambient

Ambient & Postrock

jeanne hessee

Rock

Available to download July 23
http://www.afireinside.net/
https://www.facebook.com/afireinside
https://twitter.com/afi
http://www.youtube.com/afireinside

Burials

I Hope You Suffer

'Dorian' is taken from Agnes Obel's second album 'Aventine'. Available here: http://www.agnesobel.com

Aventine

Dorian

مد ايدك يا صديق. انتشلني من الوحل.

للتحميل:
http://www.mediafire.com/?p864c1oce3u6hq8

ايه بعد البؤس ده؟

Neon Man

This is our very first EP and it's out today 29th of January 2014 for FREE
FREE DOWNLOAD ---  FREE DOWNLOAD 
Much much thanks to Urielle Calloc'h, Denis Marquette, Romain Renou for helping us putting this together.
Huge thanks to Lionel Boutang our sound man, who recorded and mixed this EP.
S/O to Marwan Belaid who did the artwork !

http://hijacked.bandcamp.com/


Breaking words

Paperblock

Achat de WOOTBALL 2014: ww2w.fr/produit/11-wecord-wootball-2014/

MiNUS! est un one-man band discret qui compte à son actif un truc comme trois concerts et un ep.

Ses chansons ont un côté bricolo très humain.

Sur scène, on le situerait entre Rémy Bricka et Gablé… En gros, il fait tout tout seul, on va de surprise en surprise et on est émus.

Crédits
© Fabian Docagne, 2014.
Fabian Docagne : Percussions, voix, guitares, programmations, samples. 
La voix sur l’extrait sonore est celle de Victor Hugo Morales.

MiNUS! - Mano De Dios

GRAVE118 - Whirr 'Sway' out 9/23/14 on CD/LP/Tape/Digital (pre-order here: http://www.graveface.com/graveface-catalog.html)

When Sway begins, you might at first press pause, reaching for your headphone wire or peeking behind your speaker cables to make sure nothing has come undone. The blister of distorted guitar that opens the album comes only from the right channel, howling and hanging there in irascible isolation until it seems that something must be wrong.
But be patient: After a dozen seconds, the rest of Whirr—a five-piece of blanketing rock focus and comforting pop finesse—pours in from the left channel. They meet the guitar in the middle, together racing headlong into a short section that’s heavy as metal but pliable enough to be the springboard for the galloping shoegaze beauty that soon arrives.
For the next 36 minutes, you need not worry again about lost connections, split channels or anything else, really. More than any Whirr release to date, Sway creates a definitive sense of immersion, sculpting an environment that breathes you in instantly and breathes you out only when the record snaps into silence.
That bifurcated start is an appropriate image for Whirr in 2014. Last year, the band headlined a tour with the Philadelphia group and fellow admirers of heaviness and harmony, Nothing. Not only did the crews become fast friends, but their respective founders—Whirr’s Nick Bassett and Nothing’s Dominic Palermo—decided to start a group of their own, Death of Lovers. When the shared tour was finished, Bassett headed to Philadelphia for a month of writing and recording. He’s never really left. He calls Philadelphia home now, so Whirr has become a bicoastal band.
In Philadelphia, Bassett worked on Death of Lovers’ debut for Deathwish Inc., toured as the bassist for Nothing and steadily composed new material for the next Whirr album, their first full-length for Graveface. Back in Oakland, the rest of Whirr had committed to the project full-time, too, so the West Coast contingent wrote and rehearsed new material without Bassett. Joey Bautista took the lead on two songs, Loren Rivera on three.
Indeed, against most odds, Bassett’s move made for a more democratic Whirr. In their salad days, Bassett had written most of the material and built the bulk of the arrangements, too, using the support only to enrich and enliven them. After a slew of splits and singles and EPs, Sway is the second Whirr LP, but it is only the first to be rendered by a fully functional rock band, having shaped the songs slowly and over some distance.
Before the quintet entered Oakland’s Atomic Garden to work with longtime producer and collaborator Jack Shirley, they reworked the contributions of all three writers, massaging the material into a cohesive dynamo. Rivera, for instance, rewrote the words for Bassett’s material, folding his songs into the album’s presiding sense of dusky melancholy.
“It’s not conceptual, entirely, but it’s intended to ebb and flow in a certain way—one song being aggressive, then dropping out and being pretty but devastating,” Bassett says. “We tried to create an atmosphere, where you listen and get vibed into one tone. ”
That rhythm presides over Sway, tying its distinct parts into a seamless unit. The restless “Heavy” churns somewhere between Godflesh and Gish, its lumbering beat and foreboding guitar buoyed by a melody that feels like a secret hymn for which you’ve long searched. Gorgeous and sprawling, “Sway” floats through luxuriating guitars and pillowed vocals, offering an impressionistic but intoxicating inversion of Whirr’s typical propulsion. Even here, during the record’s prettiest moment, Whirr maintains a righteous minimalism, emblematic of members who met one another as skateboarding high-school kids.
“The aesthetic of the band is more aimed at mature punk rather than alternative rock,” Bassett confirms. “There are these more aggressive punk elements—noisy feedback, a snare roll that just goes into super-punchy, driving songs.”
“Clear” brilliantly paints its lyrical quest for lucid communication—“I want words/to understand you,” runs one plaintive, surging bit—in music that takes up the same challenge. Whirr pushes past a pastel instrumental haze into a hangdog march, with near-whispered vocals bruised by Devin Nunes’ drums and Eddie Saldago’s orotund bass line. But as the end approaches, the band builds together, the riffs and the rhythm colliding into one triumphant, redemptive crest.
And that’s the victory of Sway, too, an album written by five people on two coasts but executed with the force and splendor of, at last, a fully unified Whirr.
Graveface will release Sway on CD, LP and digitally September 23.

Whirr - Mumble

Find Gin Wigmore's on iTunes and Google Play http://smarturl.it/GetGinWigmore

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Holy Smoke

Oh My (Album Version)

لينا شماميان - لما بدا يتثنى

The first version of this song. The better version by my opinion. :)

The Witching Hour by My Heart To Fear

Beautiful world

Have You Found Home?

After a lengthy incubation, the very first album of Saul, a one man Post-Rock project from Suzhou, China! We already heard a lot about grief, rapture and tranquilness, but Saul still touches our heartstring. This is a lonely musical journey of Saul's. Alone he walked through rain and snow, thunder and mist, summer and winter, then he composed beautiful stories by all the sceneries he's seen. Single authoring didn't make these works monotonous, on the contracy, manifold, colorful, rich melodic instruments and samplings can be heard in this album. One record is a footnote of a journey, maybe the new travel is around the corner.



Saul - Summer Ends

a very very old song (circa 2003/4) that i just decided to play around with, and finish really. long before i took a more ambient/modern-classical bend i pretty much just wrote straight forward instrumental rock/emo/whatever stuff. 

this was fun, i may take a bunch of my really old material and give it a good once over. 

No Longer Waiting

first track off the soon-to-be-released "do they still make lighthouses?" record. 

Back and Fill

song written during a blizzard, to kill the time. 

Hello Storm

Rim Banna - Revelation of Ecstasy and Rebellion 2013
ريم بنا - عجبت منك ومني- البوم تجليات الوجد والثورة 2013
عجبت منك ومني- الحلاج

Astonished By You And Me ريم بنا-عجبت منك ومني

demo, needs editing. most definitely a work in progress

The Last Place You Looked

Buy on iTunes

One Day of December - Point of Beginning

One Day of December - Middle of Nowhere

One Day of December - Station of Broken Dreams

One Day of December - Cold In All of Us

One Day of December - The End of Eternity

From my EP When Fog Dissipates. Download here https://18seconds.bandcamp.com

After The Storm

One Day Of December - Emptiness

Méons debut LP is an abstract concept album trying to captivate all escaped noise, emotion and beautiful ambiance escaping our ears in our day to day life.

Get it from http://meonsmusic.bandcamp.com/ as a pay your own price deal

Méon - Soundless Days - 04 Painting a Void With Words of Hope

lasthopewindow formed as an idea to make a conceptual musical project, that will take it self somewhere else then ordinary music.