Deep House Volume 7 – Smooth Departure weaves jazzy textures, warm chords, and a refined groove into a timeless listening experience. This collection flows with elegance and ease – blending chill-out lounge vibes, late-night sophistication, and classic deep house elements. It’s the soundtrack to a stylish escape, a smooth farewell to the ordinary. Perfect for long drives, rooftop evenings, or introspective moments alone.

Red Lights, Blue Notes

DR LOVE

This is my new African House song A House 

A House

"Actually, I'd describe it more as future-jazz..."

Cursed Sounds For Lovers

Having had holiday fun and perils, everyone is back again. This piece slightly hints at the darker time of the year without being too nefarious.

Subsidizing Intuitive Thoughts to Aerodynamics

Bandcamp

Jimi Heinrich Orchestra - Subsidizing Intuitive Thoughts to Aerodynamics - (200814 JHO - Cut 02)

Sad Tone For The Truly Alone

Pangaea Ultima (2020)

Music, instruments, recording, mixing, and album cover - Dmitri Koteshov
Field recordings: jittels, agim.

September 29, 2020.

Pangaea Ultima

My cat and I hunt at night

Message Trouble

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

This one’s for Dad. It was inspired by the poem “Heavy” by Mary Oliver:

That time
I thought I could not
go any closer to grief
without dying

I went closer,
and I did not die.
Surely God
had his hand in this,

as well as friends.
Still, I was bent,
and my laughter,
as the poet said,

was nowhere to be found.
Then said my friend Daniel,
(brave even among lions),
“It’s not the weight you carry

but how you carry it –
books, bricks, grief –
it’s all in the way
you embrace it, balance it, carry it

when you cannot, and would not,
put it down.”
So I went practicing.
Have you noticed?

Have you heard
the laughter
that comes, now and again,
out of my startled mouth?

How I linger
to admire, admire, admire
the things of this world
that are kind, and maybe

also troubled –
roses in the wind,
the sea geese on the steep waves,
a love
to which there is no reply?

Lament (Heavy)

A slow one, having a reflective sort of day.

Message Trouble

Lastmode