MOONBOOTICA

"I can sell out Madison Square Garden masturbating." 
—Mike Tyson


MOONBOOTICA saves lives. MOONBOOTICA guarantees the fun of excess. A great gift to mankind. Without fun, this world would recede into clouds of grey. And who wants that? With MOONBOOTICA, everybody has the freedom to say no to grey. On one condition: fun has to be discovered and used to full effect, with every sinew stretched. Once you’ve got that far, things begin to relativize, delusions of grandeur seem as easy as ABC, thanks to MOONBOOTICA. The powers that be strive for greatness, growth, expansion? MOONBOOTICA rise up to the challenge twice over! Composure through relativization, at the end of the day, MOONBOOTICA always have more in the tank. This calming influence comes courtesy of the “bigger than life” mindset, the classic Funkadelic lesson succinctly stated: “Free your ass and your mind will follow.”

As a DJ and production team, MOONBOOTICA has represented maximum torsion since 1999. But endurance is merely one of the Hanseatic duo’s most distinguished qualities. Together they represent a bulwark against inconstancy and are nevertheless always ready to smash borders. Including their own. There are two of them, after all. A two-headed unity IS MOONBOOTICA, and that’s what it’s all about, IS: double-loaded, twice as focussed, twice as big. The double greatest. Even when Kowe Six or Tobi Tobsen should tread the boards alone,the format remains the same. Each of them is double MOONBOOTICA. And vice versa.

MOONBOOTICA’s unique lack of respect in the interests of wildstyle is both a virtue and a call to arms. If refinement of taste should run the risk of imploding, there’s no better tonic than a dose of MOONBOOTICA. The antithesis to light and minimal dictates. It couldn’t be any easier or more effective. A track, an album, a set – well-being is just a question of the right dose. In case of doubt: more is more. Whilst somehow, the love of a grand pose notwithstanding, remaining the same, in appearance and reality. Without resorting to trickery, ironic dissociation or in-jokes, MOONBOOTICA offer themselves up to the audience. As vulnerable as they are sure of victory, the duo has everything a good, open drama needs. Only that everything does not end up in pools of blood.   

When others reach for anabolics and pimp their track to the limiter with everything they can get their hands on, Kowe Six and Tobi Tobsen simply rely on where they came from. Style was laid in their cradle like a golden curb chain. Their musical trajectory, five albums and hundreds of shows prove as much. MOONBOOTICA is, by nature, greater than everything else. Greater than you or I. Greater than Tobi and Kowe even. At which point we finally come to the introductory quote from Mike Tyson -  but we don’t want to explain the fun of excess again. Take a look in the newspaper if you want to know how important it is. Or spend an evening with MOONBOOTICA.   



Official Moonbootica @ Soundcloud
For every request please contact:
info@moonbootique.com
Presscontact: bruno@freelastica.com



Mein Name ist Marius. Ich komme aus Heidelberg. 
Nachdem ich jahrelang nur Drum and Bass gehört habe, entwickelt sich auflegen gerade zu meiner Leidenschaft.

Viel spaß beim durchhören :)

Matthias Heinstein also known as producer MMM is located in Heidelberg/Germany. Since the early nineties, he had been strongly connected to the healthy electronic music scene of his country, although his first contact with electronic music he made in 89 in London during the so called 'summer of love' when acid house hit the clubs. Impressed by the energy and the vibe of this experience he soon desired not only to listen to this music but to make his own tracks. After having tried to create that sound with live instruments his first step into an electronic music career was the purchase of an akai s1100 sampler, a jd800 synth and atari computer running the software cubase. From the creation of his first tracks it was only logical for him to bring his music into the clubs, so he took his chances and soon had bookings in some of the first house clubs in germany like the 'Milk' in Mannheim, the famous 'Dorian Grey' or the 'XS' in Frankfurt and played along with Djs like Paul van Dyke, Sven Vath, Armand van Helden or LTJ Bukem on early raves like Euphoria. MMM produced breakbeat orientated music at that time with strong techno influences under the name of bassline-generation together with his brothers emanuel and alex and his sister yana. First productions were released and distributed by themselves with their labels  'Siren', 'Exodus' or 'Pornobass Records'. During that period MMM made himself a name as a Producer and DJ in the early rave scene in germany. Tracks like Acetate Drums, Crusher or Kool Skool, hit clubs and raves world wide and appeared in sets of djs like Mickey Finn, Randall, DJ SS and other djs of the international DnB scene. Since 1992 about a 100 national and international releases came from MMM under project names such as, DJ Redoo, Skeleton Rock, Bassline-Generation, MMM, Bassdriver Unit and many more. Lablels like Smokin Drum (UCMG), Formation ( UK), Mask (Efa), Downbeat (Warner), Mole (UCMG), Siren (UCMG- UK), Compost, Exodus, MCC-Rec. or Pornobass influenced the drum n bass scene of the mid nineties with mmm´s tracks and remixes for and by Mickey Finn, for KRS ONE, Jam & Spoon, NAS, The Big Punisher, Missy Elliot, Asher D or Earl 16 from Dreadzone. With more house & techno oriented tracks like 'Enter the club' which had been played and  remixed by DJs like Hernan Cattaneo or Steve Lawler he managed to establish himself as a producer of house music.Since 2005 MMM is running a digital music distribution under the label lifetime-records.com together with his sister Yana and releases his music on portals like iTunes and Beatport and on occasional vinyl only releases on their own imprint Lifetime Records. He promotes his an his sisters music mainly with his DJ or Live Sets all over germany and europe. Own club projekts like the 'Unter Uns' or 'DH69' events in Heidelberg helped to develope a strong and independant electronic music scene there and gave many new talents a chance to break through. MMM is also busy as a producer and mastering engineer for succesful vinyl labels like oslo, cecille, all day i dream, ursl, fathers and sons or 8bit. His music which constantly evolved over the years combines influences from minimal, house, dub and techno as well as breakbeat, jazz or even indie sounds. the best way to experience this very special blend is to catch Matthias Heinstein on one of his  Gigs or Live sets.

Bookings Worldwide - Dave.Blackgrove@teamwass.com
Bookings USA: BGreenwood@wmeagency.com

Authentic, fearless, inclusive: that’s SYREETA. A producer. A DJ. A proud British black woman who is shattering glass ceilings one after the other. 
 
A true international talent, SYREETA ‘s global diary shows no sign of slowing down. Marching into 2025 with the unveiling of SYREETA’S first-ever Essential Mx for Radio 1, the announcement of her debuts at Time Warp (GER), Lightning In A Bottle (USA), and Extrema (Bel) and sharing DJ booths with the likes of Skepta and Loco Dice from London’s Koko to Montreal’s Igloofest. 
 
As well as multiple award nominations and being named Carl Cox’s DJ/producer of 2024, SYREETA deservedly took home the Beatport’s People's Choice Award 2024.  A worthy winner who, in addition to residences with HE.SHE.THEY. And ANTS, SYREETA is a regular spinner at iconic parties like Mas Tiempo, Music On, Paradise, Elrow, Circo Loco, and Spain’s epic Brunch series. 
 
SYREETA’s eclectic style and vast crate digging have led to B2Bs with Benn Rodrigues, Cinthie, and Eats Everything, as well as sharing the bill with a who’s who of dance music’s finest, including Carl Cox, Honey Dijon, Marcel Dettmann, FJAAK, Ben Klock, Fisher, Marco Carola, Joseph Capriati, Eric Prydz, Black Coffee, Jamie Jones, The Blessed Madonna, Mall Grab, Midland, Jennifer Cardini, Ewan Mcvicar, Roi Perez, Enzo Siragusa, and Maya Jane Coles. The list is endless. 
 
Indeed, SYREETA has an uncanny ability to read and adapt to a crowd's energy. SYREETA’s sets, drawing on chunky basslines and melodic grooves from a palette of house and techno, have delighted dance floors around the world, alongside mixes and streams for BBC Radio 1, XTRA, HOR, Mixmag, Rinse, DJ Mag, Beatport and brought the heat to Ibiza Sonica Radio with her regular mix series, “SEEK” for the station. 
 
That is why SYREETA is as comfortable playing underground clubs like fabric (UK), Watergate (Ger), Thuishaven (NDL), Hafen 49 (Ger), Input (Spa) and Public Works (USA) as she is in superclubs such as London’s Drumsheds, Tobacco Dock and Printworks in London, Manchester’s Warehouse  Project, or Ibiza’s DC10, Amnesia, Pacha, HI, and Ushuaia.  
 
No stranger to festivals either, SYREETA has racked up appearances all over the globe, such as Glastonbury (UK), CRSSD (USA), Kappa Futur (IT), Creamfields (UK), Arc (USA), Lost Village (UK), Loveland (NDL), Zurich Openair (Sui), Hideout (CRO), Parklife (UK), Piknik Electronique (Can), Sonus (Cro), FSTVL (UK), Reading (UK) Strafwerk (NDL), Saga (Rom) and of course Coachella (USA) where she made her USA debut! 
 
SYREETA is also rapidly becoming as known for her productions as she is a DJ with support from virtually every tastemaker around. Releasing club bangers on the legendary Nervous Records, Idris Elba’s Sound International, Eats Everything’s Edible and HE.SHE.THEY. She has also remixed house heads Inner City and Shermanology as well as techno titans Dense & Pika. 2024 has also seen her own originals be remixed by Hammer and DJ Minx. There’s certainly more where that came from!  
 
SYREETA’s star is unquestionably showing no sign of slowing down in 2025.

Straight outta Karlsruhe!
Based in Leipzig.
Techno!

Fil Houston ist DJ und Produzent aus dem Rhein-Neckar-Kreis. Seit 2017 steht er für druckvollen, düsteren Techno mit treibenden Beats, Vocals und intensiver Atmosphäre. Er spielte bereits in Clubs wie Disco Zwei, 7er Club, Grün&Gold und Villa Nachttanz und veröffentlichte 2025 seine ersten eigenen Tracks.

Als Co-Gründer und Resident von Sequenz prägt er eine der aktivsten Underground-Reihen der Region – von Booking und Technik bis zum Lichtdesign. Sein Sound versteht sich als Fluchtpunkt: Nächte ohne Erwartungsdruck, geprägt von Gemeinschaft und roher Energie. Wo er spielt, steht Ekstase im Mittelpunkt.

> HARDTECHNO/ SCHRANZ Artist
> HARTER MODUS
> BOOKINGS: DM or lorawhard@gmail.com
https://music.beepd.co/card/loraw


LORAW is known for her powerful and uncompromising hard hitting Sound! 
Born and raised in the South of Germany, LORAW developed a passion for electronic music and electric guitars at an early age. She began DJing as a teenager. 
In 2016, her natural talent and dedication quickly caught the attention of the local club scene with her debut at the USB Hardtechno Festival at Butan Club in Wuppertal. Playing at venues like "Das Zimmer" in Mannheim and the "Lehmann Club" in Stuttgart, she soon became a regular fixture at underground events throughout the region and, later, internationally. 
LORAW's music is characterized by its hard kicking drums, relentless percussion, and haunting sequences. Her sets are filled with effects and tricks, blending classic and contemporary sounds to create a unique and thrilling experience for her audiences. In 2023, she successfully graduated with her Advanced Audio Engineering Diploma from SAE and embarked on her first tour of Colombia, playing at several venues, including the renowned Techsound Festival in Bogotá. Despite her success, LORAW remains grounded and focused on her craft. She continues to push the boundaries of Hard Techno, constantly experimenting with new sounds and techniques to keep her music fresh and exciting. A brand-new project worth checking out is her B2B project with talented Brazilian DJ Joanna Coelho, called FERVO. With her talent, passion, and dedication, LORAW is set to become one of the most influential figures in the Hard Techno scene in the years to come.

Percussive groove, melodic eletronic sounds focused
Contact for Remixes or Bookings: andy_koehler@gmx.net

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