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Musican,DJ, Producer and creative Artdirector.
Projects: Marc.el, Perchtenjäger, Chanteurs médiévaux et Marc.el, Subkulturist, Cantus Digitaliis 

Marcel Laue is musician, instrumentalist and creative man of passion. He studied at the German pop in Cologne as a music assistant and assistant sound engineer and has worked in the fields of art direction, planning / organizing, managing, producing, mastering / mixing, arranging, composing and orchestrating. He took over the management of numerous projects, such as the digital orchestra "Cantus Digitaliis", his solo project "Marc.el" as well as the re-implementation of the Techno Opera in 1999. In the "Techno Opera 2.0," He is full of energy and wholeheartedly initiator and art director.
Also he worked for the Project "Starting a new day Abschied Despedida Farewell", an Music/Audiobook Production of "Vinicius".
He created 2 Tracks as an Underscoring for The Audiobook CD in this 2 Disc Compilation.
It was released in May 2015.

Also he started with a Minimal- Project called "Subkulturist"

Marcel Laue ist Musiker, Instrumentalist & Kreativmensch aus voller Leidenschaft. Er studierte an der Deutschen Pop in Köln als Musikassistent und Tonassistent und ist tätig in den Bereichen Art Direction, Planung/ Organisation, Management, Produzieren, Mastering/ Abmischen, Arrangieren, Komponieren & Orchestrieren. Er hat die Leitung zahlreicher Projekte, wie z.B. das digitale Orchester "Cantus Digitaliis", sein Soloprojekt "Marc.el" sowie die wieder Realisierung der Technoopera von 1999. Bei dem "Technoopera 2.0" ist er voll Tatendrang und aus vollem Herzen Initiator und Art Director.
Er arbeitete ebenfalls für das Projekt "Starting a new day Abschied Despedida Farewell", eine Musik/ Hörbuch Produktion von "Vinicius".
Er kreierte 2 Titel als Undescoring für das Hörbuch dieser Doppelcd.
Veröffentlichung war im Mai 2015. 

Außerdem startete er ein Minimal- Projekt Namens "Subkulturist"

New Album, 'Starcatcher,' out now: http://gvf.lnk.to/starcatcher  
Listen to ‘The Falling Sky' now: http://gvf.lnk.to/fallingsky

In three years, Greta Van Fleet went from touring the grimy rock bars of Detroit and Saginaw to headlining shows on five continents with audiences triple their hometown’s population. The band that once attracted crowds of teens to improvised forest concerts, have now sold over one million tickets worldwide. Stadiums in Italy are a far cry from a field strewn with pick-up trucks, framed by the canopy of tall coniferous trees, where they learned to love an audience. Colorado’s Red Rocks Amphitheater is a world away from the tiny Midwestern bars where they got their start (before they were even of legal drinking age). From Frankenmuth to a tour bus across America, then their first ever flight to Europe, their newest album The Battle at Garden’s Gate is a reflection of their journey into the present. 

Produced by Greg Kurstin and due April 16, 2021, The Battle at Garden’s Gate has an elegance unlike the band’s previous work. So many have been positioned as the future, we’ve forgotten how to recognize the real thing. Expectations may run high, but Greta Van Fleet is indifferent to opinion. The band doesn’t have to say a certain thing or act a certain way to convince anyone of their capacity. All they have to do is play.

Thanks for passing by! I'm a music composer and vocalist based in Paderborn, Germany.

https://andreaskubler.com

Welcome to the official SoundCloud channel of Nikola G. a.k.a. Quarantine King!

Tune into the latest productions ⬇️

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