See also <a href="spotify:playlist:2LhIfc3F0GRtoSLEbyZ1Ys">Intro</a>, <a href="spotify:playlist:6lTqLDdcZ6tOi2YVZEC5eA">Pulse</a>, <a href="spotify:playlist:0yFw1Qgvfqy1qho9dLwi6I">Edge</a>, <a href="spotify:playlist:7vTpvFaJw1IgBD4GAsPz15">♀Filter</a> 

The Sound of Freak Folk

Banging Pots

playlist 1  2023-2024-2025 roadtrips Brest-Bristol-London-Köln  achat Behringer Monopoly  paraphonie

Your Mix 1

Freeform DJ set made for personal use. Includes jazz, soul, electronic, minimal, synth, sitar, psychedelic, shoegaze, garage rock, punk, oink, krautrock, library, pop. Dutch, Italian, French, Welsh, Spanish, pop, bubblegum, African, Latin, reggae, etc. etc. etc.

Music to fertilize by

Lau Nau: Poseidon

mellow pop etc 9

７さい

Vashti Bunyan - Hidden

Beatles Cover!
Available on my new covers record Aftertouch which is being pressed on limited hand numbered vinyl.

http://lilchiefrecords.storenvy.com/products/18143207-aftertouch-vinyl

And I Love Her (Beatles Cover)

Track originally made for the Pavel Brejacha's fashion show "Faeries".

Isemifopix

Ceremonial County Series Vol.VI - Cornwall | South Yorkshire

After the album Calques recorded live during a concert, Novembre returns with Encore, a double studio album,
the result of a long maturation in terms of form, composition and playing. As they have been doing for more than ten years, Romain Clerc Renaud and Antonin Tri Hoang have constructed a complex poetic form, made up of multiple back-and forths between simple and gentle themes (Encore, Petit Matelot) or very fast ones (LetCo, Klaxon); between very short pieces (Miniatures) and large developments (Continuum). Everything is arranged by the play of contrasts and resonances: a piece is interrupted to be continued later (Please wait), a motif is metamorphosed by dint of repetition (Encore), a piece is played again, but as quickly as possible (Letco Flash). The second CD of the album illustrates another side of the art of montage. Marc Baron recorded Novembre while they were working on Encore, using the most varied materials and techniques (tape recorder, hydrophone, boom box, spring, tape loops). With this harvest he has constructed an electroacoustic piece that diverts, amplifies and transforms the music of Novembre.

---

CD1

Compositions by Romain Clerc-Renaud and Antonin- Tri Hoang
Recording: Antony - July 2021
Engineering and mixing: Erwan Boulay
Mastering: Pierre Luzy, Music Unit

CD2
Electro-acoustic piece by Marc Baron, produced in the studio in the summer 2018 from recordings of the band Novembre.
Design: Galilée Al Rifai

UMFR-CD42 - Novembre Encore "Onii - San"

First single from the new Woods album, City Sun Eater In The River Of Light, out April 8, 2016.

WOODS
CITY SUN EATER IN THE RIVER OF LIGHT
LABEL: WOODSIST
CD / LP / CS / DL
Street Date: April 8, 2016

"Woods have always been experts at distilling life epiphanies into compact chunks of psychedelic folk that exists just outside of any sort of tangible time or place. Maybe those epiphanies were buried under cassette manipulation or drum-and-drone freakouts, or maybe they were cloaked in Jeremy Earl’s lilting falsetto, but over the course of an impressive eight albums, Woods refined and drilled down their sound into City Sun Eater in the River of Light, their ninth LP and second recorded in a proper studio. It’s a dense record of rippling guitar, lush horns, and seductive, bustling anxiety about the state of the world. It’s still the Woods you recognize, only now they’re dabbling in zonked out Ethiopian jazz, pulling influence from the low key simmer of Brown Rice, and tapping into the weird dichotomy of making a home in a claustrophobic city that feels full of possibility even as it closes in on you. City Sun Eater in the River of Light is concise, powerful, anxious—barreling headlong into an uncertain, constantly shifting new world." -Sam Hockley-Smith


WOODS - SUN CITY CREEPS

For Record Store Day Iko Chérie is releasing a very limited blue glitter cassette which will be available at their Paris Rough Trade show exclusively. Covering dream songs from the Beach Boys, Elia Y Elizabeth, The chiffons and Roky Erickson. All songs were recorded on tape at home by James Hoare (Ultimate Painting, Veronica Falls).
>>>>                                                                                                        <<<<
Pour RSD Iko Chérie sort une cassette couleur de nuit à paillettes en édition très limitée de 100 qui sera disponible pour leur concert sur la scène Rough Trade au Point Ephémère. Des Beach Boys à Roky Erickson en passant par Elia Y Elizabeth et The Chiffons, ce sont 4 reprises dédiées au rêve enregistrées par James Hoare (Utltimate Painting, Veronica Falls) à la maison sur un magnéto à bandes.

Dream, Dream, Dream - The Chiffons cover by Iko Chérie

Taken from the album 'taking into account only a portion of your emotions' released as CD and Download

taking into account only a portion of your emotions

pinkcourtesyphone 'Reference Point Intermission 1' (EMEGO 236)

TERANGA BEAT proudly presents YISHAK BANJAW on his first international release. YISHAK BANJAW is a composer and keyboard player from Addis Ababa known to his country for his innovative compositions and unique sound. His ability to transform traditional Ethiopian songs into spacey Minimal-Wave gems creates an ultra hypnotic and psychedelic atmosphere, a sound that you have never experienced before.  

Love Songs Vol.2 was recorded in 1986 at Yishak’s house, while he was working for the Police Band in Eritrea. It was released by an Eritrean label on cassette and was also distributed in Ethiopia. However, due to the shaky political situation, Yishak was forbidden to travel anywhere outside his country, including Ethiopia. Consequently Love Songs Vol.2 remained a very obscure and neglected musical experiment. Until now Yishak has released 7 albums on cassette but, unlike many Ethiopian musicians, has never managed to reach a wider and international audience. 
 
On this album Yishak Banjaw chose to play everything on a small Casio PT, “a keyboard for kids” as he proudly mentions. He recorded the whole album live, directly to his tape recorder. Although his main instrument was a Godwin keyboard, he actually preferred to rent the Casio from a friend, as he was blown away by the way it sounded. This choice alone reveals a genuine talent that dared to beyond what his colleagues were doing at that time.

The LP version of the album is a Deluxe Edition and comes with a gatefold cover, a printed insert and an MP3 download code. The CD version includes a booklet with photos and liner notes outlining the story of this unique musician who carried the long tradition of Ethiopia into another level.

Love Songs Vol.2

Fikrehoy Temekeri

YISHAK BANJAW - Fikrehoy Temekeri

Elk river (six organs of admittance cover)

Sometimes I Sit And Think, And Sometimes I Just Sit

Elevator Operator

This is the first four minutes of this 22 minute piece...enjoy!

"Fields Were the Essence of the Song is a site-specific soundtrack for a film which does not exist, one which is created by the ever-changing relationship of the listener, formed by their self-steered journey, around the environment. An emotional landscape, shot through with abstract suggestions of narrative, is created by the soundtrack; the rest is up to you. Unlike most soundwalks, there are no instructions. There are no specific places to be at specific times, or actions to perform. You can wander the grounds of Cuckoo Farm freely; you can find a spot and sit and listen. The music and text were written as a response to the site, but Fields is about your individual reaction to both the work and the environment.
To experience Fields wait until you are away from the main building before pressing play on the track. It lasts approximately twenty minutes during which time please feel free to explore or rest as you like. The work makes reference to aspects and features of the environment, so you may wish to move from place to place as it progresses. There are chairs scattered in the grounds if you want to sit and listen. Please feel free to move these if you want. They are just suggestions of places you may want to sit. How long you sit for, how long you move for, whether you remain still or continue to explore the site – these are all up to you. Fields is best experienced alone, away from others.  Fields Were the Essence of the Song is an attempt to create a déjà vu where it never existed, to create ghosts and set them to wander
Someone has been here before, in this space. Their traces linger in occasional traces of voice, a response to the unknown specifics of their time here. The music creates a mood, a sense of their feelings and thoughts. Your exploration of the site during the piece creates a unique subjective experience where the themes and symbols may shift according to your own perspectives and movements.
The ambient noises of the environment are overlaid by music and voice, which may or may not inspire a certain configuration of interpretation, a certain navigation. Unlike the road, with its linearity, its inference of beginning and end, the work invites you to wander. A sense of lost past is created, prompting an engagement with the illusion of permanence of the trappings of the present, set against a landscape which is both forever changing and that will outlast any interventions by man. The machine, the defining mode of engagement with the world of the present, is exposed as a fleeting ghost, a temporary visitor to deeper time. The transient nature of existence and the inability to ever truly know one individual’s response to life and nature, despite the promises of technology, lie at the heart of the work."

Jessica Curry

Jessica Curry   "Fields Were The Essence Of The Song"

Mug Museum

Are You with Me Now?

Destroyer's Rubies

Painter in Your Pocket

Kun lyhdyt illalla sytytetään ne eivät sammu koskaan

Release date October 20. 2017 / Beacon sound & Fonal records, distributed by Forced Exposure

Poseidon

X y z å

Elina

Caligari

Lush - Last Night

Jessica Curry - All The Earth

VA: Indie Top 20 Vol. 3

The Motorcycle Boy - Big Rock Candy Mountain

A Film Not Yet Made

Julien Boulier, "A Film Not Yet Made"... Arcane Septime

Palindrome Hunches, the follow-up to Halstead’s acclaimed sophomore solo effort Oh! Mighty Engine finds the Cornwall, England-based musician continuing to craft moody and endlessly mesmerizing folk-infused songs. This time around, Halstead teamed up with producer Nick Holton and members of Wallingford’s Band of Hope (including Ben Smith on violin, Drew Milloy on double bass, Paul Whitty on piano, and Tom Crook on guitar) to achieve a sound that’s both remarkably rich and piercingly intimate.

Spin The Bottle

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

Nyt vedetään!

Me ollaan kaikki valehtelijoita

Artist: Masayoshi Fujita & Jan Jelinek
Album: Bird, Lake, Objects
Label#: faitiche03
Format: LP/DL

Vinyl repress of faitiche03 & 13 available on July 17th 2020!

Queried on his favourite word in the German language, Masayoshi Fujita will pick ‘getragen’ – without a sliver of hesitation. Further questioning will reveal that he loves the term’s semantic signifiers, its inherent sense of “expansive, deep, quiet and sombre.” And yet, ‘getragen’ leaves plenty of room for interpretation: depending on context, it might also indicate wearing apparel or the state of being carried – two more mundane interpretations that I would rather keep from him.
Does Masayoshi’s own definition, however, apply to Bird, Lake, Objects? Only to a limited extent. Compared to previous Faitiche releases, Bird, Lake, Objects is certainly the most ‘getragen’ of them all. Nevertheless, this is by far not the first association that comes to mind. From a distance, these tracks seem rather introspective, cautious even – and reflect the recording situation: deliberately pared down, reduced to a single microphone in space and a separate track for all other instruments, each movement and action is chronicled by the treacherous mike. This confronted me with some unexpected and unfamiliar problems. For example, we had to swap out the seating in the studio as my favoured chair had a characteristic creak. Other, external influences proved to be beyond our control: fire engine klaxons, street noise and footfall became part of the recordings and their improvisatory nature. Each movement required careful orchestration, fully aware of its irrevocable nature. Space itself was always present and an audible entity, except on "Stripped to RM" (recorded without a microphone or vibraphone track). After extensive deliberations, we decided to forgo the vibes on this piece – a very similar version had already been released in 2008 (on the compilation Enjoy The Silence, Mule Electronic, 2008).

Masayoshi Fujita & Jan Jelinek:  I'll Change Your Life

The debut EP of the blackened hardcore band Surut from Tampere, Finland. All songs written and performed by Surut. Mixed and produced by Oula Maaranen. Mastered by Dan Swanö.

01 - Vihollinen

Turvapaikkaa - Master3.1

Float against the time

Lyrics:

(Saint)
A line has been drawn in the sand 
We’re talking human rights, this is the people’s land
Futures are built off past revolutions 
(Say it) I will not lose, now that’s retribution 
So we draw a line in the sand
We’re talking human rights, this is the people’s land
Futures are built off past revolutions 
(Say it) I will not lose, now that’s retribution 

(Emskee)
Brainwashed bullies with a uniformed thinkin is a pattern and wild and further out there than Saturn,
Immune to feelings of real things in meeyanmaar who forms a coup against the peaceful true just tryin to vanish the old days of ways for the better performing the protests, the peeps band together- 
Bravin’ the rhetoric restrict-on-resources and 
harm caused by the police and armed forces 
Punks with no power tryin to show who the boss-is but runnin for whoever’s on top like race horses 
A lotta young have fear the futures unclear, 
But many choose to be present and face the real here 
They want the freedoms of the optional choices and not stuck tryin to breathe with no voices
Small dictators tryin to flex in the big ways 
Will never get the the play when competing with solidarity 

(Saint)
A line has been drawn in the sand 
We’re talking human rights, this is the people’s land
Futures are built off past revolutions 
(Say it) I will not lose, now that’s retribution 
So we draw a line in the sand
We’re talking human rights, this is the people’s land
Futures are built off past revolutions 
(Say it) I will not lose, now that’s retribution

(Emskee)
We send a strength to meeyanmaar in the power of music, it’s proven there’s a force in the groove that spawns movement, 
And inspiration to continue the fight the wrong power that’ll break in ya light and strong insight 
And try to keep you in the dark and cancelled 
With your hands full struggling daily to find answers, but in the truth there is always a candle, that when ya find and bring it to light they can’t handle 
You gotta press on for yours, and bear the pain of the claws digging’ in to ya cause, it ain’t easy being right fighting the spite of an evil, 
Tryin play you for the punk and deceive you 
The Good people in the world we see you 
And hope you’re energized from the energy that we feed you because a prayer is just a shot in the air thing kinda thing is kinda going on everywhere 

(Saint)
A line has been drawn in the sand 
We’re talking human rights, this is the people’s land
Futures are built off past revolutions 
(Say it) I will not lose, now that’s retribution 
So we draw a line in the sand
We’re talking human rights, this is the people’s land
Futures are built off past revolutions 
(Say it) I will not lose, now that’s retribution