Thanks to Cue Tube and Blender Animations for supplying this short film to rescore under Creative Commons license.
Sound effects were not created by me and were included in the original video.

Thanks to the following libraries for making the fantastic software and samples for use in my projects!
Cakewalk Sonar Platinum Pro
Spitfire Audio
East West Quantum Leap
Kontakt
Soundiron
8dio
Best Service

My portfolio can be found on these websites:
https://www.BlueSteerStudios.com
https://thecuetube.com/app/profile/LauraOlson

Spring (original short film Re-score by Laura Olson)

Assimilation (ProjectSAM)

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Twitter: @devinhayes
Instagram: @devinhayes
Snapchat: "devinhayes"

Glen Hansard, Marketa Irglova - Falling Slowly

This is the soundtrack for Roundtable Production's film, 'Last Call' .

https://vimeo.com/282405477

This soundtrack begins very bleakly with dusty pads and a hard-hitting, emotional piano (kudos to Everingham's 'Woodchester'). It then laboriously progresses thru a tense and stirring movement. The second track is one that invokes a feeling of separation. The album finishes with a surprisingly redemptive tone and progressive credits. Evocative vocals in the credits by Allyson Horner.

© Zachary Horner Music 2018

Not Gonna Quit

Earthly Triumph - Christian Henson

Track 6/6 from the original soundtrack I composed for Rewatch Studio's short film "Hunting Caine".

https://www.imdb.com/title/tt8991680/

Aftermath

The next chapter in our bestselling Albion series. Learn more: https://www.spitfireaudio.com/shop/a-z/albion-neo/

Avalanche — Snorri Hallgrímsson

Stratosphere Part I - Christian Henson (contextual)

Coriolis Force — Christian Henson — Contextual

Coriolis Force — Christian Henson — Symphonic Motions Only

I first heard the song "falling slowly" in the movie "once".
It was actually the first movie with the genre "music romance" I really liked. 

So I started to listen to the soundtrack. I was so in love with that song that I still listen to it a lot.

Hope you enjoy my cover!!!!

Glen Hansard - Falling Slowly

My music style is part classical and part synthesized, blending instruments in untraditional combinations.  Instrumentation is always a focal point for me and I spend serious time choosing my "color palette" for each song.  I prefer to use large orchestra, choirs, and sometimes include synthesized ambient sounds, such as ethereal electronics paired with the raw pure sounds of a wordless choir. Sensual dudek and glittering wire-strung harp with Romanian vocals and warm rich strings, are examples enchanting instruments used to evoke far-away places and times.
I prefer to write music that has fully developed melodies and counter-melodies that weave in and out with darkly exotic, and rich harmonies.  But my imagination is not always dark so I include plenty of lighter moments with peacefully soothing or happy rhythms. Driving tribal drums or dainty bell-like pulses all provide rhythmic foundation while changes in moods, keys, and intensity allow events to unfold and spark the imagination of the listener.    I want you to hear places or events that you can imagine just like reading any good story.  Real or invented.