Kisean Anderson, best known by the stage name Sean Kingston, is a Jamaican-American reggae fusion rapper and songwriter. Known for his dark lyrics, Kingston won the 2007 MOBO award for Best Reggae Act and a Teen Choice award for Best R&B track. Born in Florida, Kingston grew up in Jamaica with his grandfather, reggae producer Lawrence “Jack Ruby” Lindo. In 2007 at the age of 17, Kingston was discovered on Myspace by Tommy Rotem, of Britney Spears and 50 Cent fame, who signed Kingston with Beluga Heights Records. In a joint venture between Sony, Epic Records and Koch Records, Kingston released his first single, “Beautiful Girl”. It was an instant success, reaching number one on Billboard’s Hot 100 and topping international charts. His next single, “Me Love”, released at number one in Australia. Later that same year, Kingston toured with Gwen Stefani and Beyoncé as an opening act. The collection of singles was released as his self-titled first album later that year. In 2009, Kingston released his second album, “Tomorrow” with Lady Gaga, produced by RedOne. The single “Fire Burning” debuted at #5 on Billboard while “Face Drop” climbed to #61. In 2010, he joined the UK group Sugarbabies to record “Miss Everything” and was featured on Bow Wow’s single “For My Hood”. Over the next two years, Kingston released multiple singles featuring guest appearances from T-Pain, Nicki Minaj, Kanye West, Akon and Dr. Dre. He appeared on Justin Bieber’s single “Eenie Meenie” and his cover of “Pretty Boy Swag” and “Billionaire”. In 2011, Kingston released his free online mixtape “Kings of Kong” which featured Akon, Soulja Boy and Justin Bieber. His most recent album, 2012’s “Back 2 Life”, peaked at number 33 on the R&B Album charts and #52 on Billboard’s Hot 100. The single “Beat It” with Chris Brown and Wiz Khalifa reach number 17 on Hot R&B charts.

"GIVE IT TO ME" OUT NOW! : https://miguel.lnk.to/giveittome

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

Grammy-nominated reggae/hip-hop/alternative artist. The new self-titled album, Matisyahu, is out now on vinyl, digital and CD.

FIREFLIES - New Album Available Now on Easy Star Records:

➲ JBB store (CD / vinyl / merch): http://geni.us/FirefliesJBBStore
➲ iTunes: http://geni.us/FirefliesiTunes
➲ Amazon: http://geni.us/FirefliesAmazon
➲ Google Play: http://geni.us/FirefliesGP

Tour Dates: http://johnbrownsbody.com

Epitaph Records is an independent music label founded in Los Angeles by Bad Religion guitarist Brett Gurewitz. Early releases from a variety of punk heavyweights spawned what became known as the 90s punk explosion. 

Along the way Epitaph proudly launched its sister label ANTI-, representing unique and distinguished acts. From the beginning Epitaph’s mission has been to serve the musicians on its diverse and creative roster - an artist-first model, radical twenty years ago, and much imitated today. 

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