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Over the course of the last three plus decades, the German born DJ, musician and composer Marc Romboy has become synonymous with a soulful electronic music sound that has taken him all over the world. As well as releasing on only the most influential labels, from Innervisions to Cocoon and Kompakt to Senso Sounds, he is also the sole mastermind behind the influential Systematic Recordings label and has been since 2004.

Nowadays an album specialist, 2006 saw him release his debut album, the captivating „Gemini" whilst in 2017 Marc released his first listening long player called „Voyage de la planète“, a pure electronica album with classical music influence and later, in summer 2017 the live recording of his collaboration with the Dortmund Philharmonic Orchestra called „Reconstructing Debussy“, in cooperation with Boiler Room hit the stores.

Despite being a key player for so long, Marc is still as relevant as ever and remains right at the sharp end of electronic music. Proof of that comes in the form of his DJ schedule, which takes him from Fabric to Womb and Berghain to Rex, as well as to not one but three separate Boiler Room shows. All three proved Marc to be a dexterous performer who never relies on obviousness or gimmicks, instead telling truly musical stories that place dancers right at the heart of the action.

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FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

radiocafé's official mix show
  
  exclusive sets by guest DJ’s from every corner of the country are broadcast every week from Friday midnight to 1 AM Saturday, then up until 6 AM we give you the chance to catch the best sets from the previous weeks.
  
  if you happen to have a burning desire to hear your own DJ-set transmitted to the masses, then get in touch with the editors of the show at one of the email addresses below: 
  
  longtrack@radiocafe.hu
  
  make sure that your set is exclusively produced for Long Track and don’t forget that our “quality control officers” have to give it the go-ahead as well.
  
upcoming shows and infos: myspace.com/longtrack

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