Come Lay Back

[Verse 1]  
Wrapped in the warmth of a cozy night,  
A little hammy in soft, golden light,  
Fingers tapping on a phone so bright,  
In the quiet of a world so right.  
Fluff and warmth, the gentle glow,  
A peaceful moment, the time moves slow,  
Every text, a soft hello,  
In the world outside, the winds may blow.
  
[Chorus]  
Come lay back, take a breath, just sigh,  
The world can wait, no need to fly,  
In this moment, no need to try,  
Just a warm blanket, you and I. 
 
[Verse 2]  
Curled up tight with dreams to keep,  
Whiskers twitch, and eyelids creep,  
The stars above, a secret to sleep,  
In the silence, memories seep.  
A world so wide, yet here we stay,  
In this little space, we drift away,  
With every moment, the night will play,  
Wrapped in comfort 'til the break of day. 
 
[Chorus]  
Come lay back, take a breath, just sigh,  
The world can wait, no need to fly,  
In this moment, no need to try,  
Just a warm blanket, you and I.
  
[Bridge]  
Gentle whispers, sweet and low,  
A heart at peace, the warmth will flow,  
Wherever you go, let the softness show,  
In this cozy space, let your worries go. 
 
[Outro]  
Soft as a feather, light as the air,  
A hammy's joy, no care to spare,  
Under the blanket, we're safe right here,  
A moment to cherish, no need to fear.  

Come Lay Back

Little Sun

Welsh noise-pop experts Seazoo launch newest quirky indie bop ‘The Pleasure’.

Following acclaimed lead single ‘Throw It Up’, with its swaggering, anthemic qualities, and sparkling follow-up ‘Heading Out’, the indie five-piece continue to edge further into the spotlight with each offering from their forthcoming record, mixing unbridled positivity with their trademark charisma to sublime effect.

The Pleasure

Static in Verona is the work of Chicago musician Rob Merz, creating dreamy power pop weaved in an eclectic mixture of experimental, electronic and rock. A towering mass of sound built around uplifting, emotionally powerful choruses and epic arrangements.

All Static in Verona's music is available as a name-your-price (even free) downloads on Bandcamp at http://staticinverona.bandcamp.com and on all streaming and download platforms.

Sometimes You Never

The Sparrow

Lyrics & Composition by Soricah
Produced by Daniel Doherty & Soricah
Acoustic Guitar by Soricah
Cello by Gary Molloy
Electric guitar, Drums & Bass by Daniel Doherty

Single Artwork by Valerie Pezeron
www.valeriepezeron.com

Mix by Daniel Doherty
Master by Pete Maher

©Soricah 2020

Back To Him

Taken from the debut album 'A Life Extinct' released on Culture War Records. 12" Silver Vinyl available here https://crosswires.bandcamp.com/album/a-life-extinct

Recorded at Kluster Rooms in Limehouse, East London and produced by Rory Attwell.

State Funeral

100 miles away
200 miles away
300 miles away
400 miles away
I’d walk it, I’d walk it

I’d sell my soul in a second if it meant that I could be stood right beside you
I’d do unspeakable things just get to you and explain why I had to.. I had to

I would go anywhere
I would do anything
You could be anywhere
So why choose to be there, away from me

I’d crash a car cause I can’t drive but I’d try it to get up to you 
I’d hitch a ride and blow the guy who takes me all the way up to you — I’d suck his dick

Last night I dreamt I was in Rhyl
I was on the beach
There was a big lighthouse
There were a lot of people on the beach
I was pursued by a girl without a face
And then the next thing I know
There came a tidal wave... and killed us all

However Many Miles

same song different guitar (slightly different lyrics)

lyrics:

We were lying by the highway
Staring bleakly at the stars
You swore you heard the ocean
In the passing of the cars

There was nothing I could say
To make us more that what we seem
As I looked at you beside me
You were caught up in your dream

And you said to me, it all seems normal now
Said we'd get away from this somehow
I never would have guessed how far we'd fall
And with nothing left to lose, we lost it all

There a kettle in the corner
Full of water turned to rust
Your silver spoon is polished
While the guitar gathers dust

There's a fracture in the window 
That we covered up in tape
On the first night that we slept here
We were dreaming of escape

We had parties in the living room
Ran barefoot down the hall
And the night you said you loved me
Left a wine stain on the wall

We used to dream of better days when we were living them
I used to wonder, if I'd stay but now I know
You're out of lies, and I am tired of forgiving them

There is no second act that could redeem this show
There is no second act that could redeem this show
There is no second act that could redeem this show

You were gathering your breath
But there was nothing left to say
And you turned to me a moment
It was then I turned away

You say I never knew you
That I chose to let you go
I could wonder what's become of you
But I don't need to know

Now it's colder on this highway than before
In the echo of an ocean with no shore
Till I find myself forgetting you somehow
But I guess these days it all seems normal now

NOTE: I was at a gas station and some weird stuff happened but the clerk said "it all seems normal now." It inspired me. Also, I used to sit on a hillside by a highway and it really did sound like the ocean (if you haven't seen the ocean recently and are starting to forget).

Normal Now

first song i ever wrote, excuse the exceptionally shit mix and some weird sound choices

i can feel my past dictating 
what earthly beauty im validating
valet to thoughts that betray me 
there’s no nurture there I’m intimating 

gutter thoughts, intimidation 
i wonder where my minds been lately 
the light that breaks on water
betrays truth plainly 

she says we laid poison groundwork 
demons in this scorched church
ahe slits her wrists at the window 
evaline in the evening dirt 
    
there’s no stars where she’s waiting
the cemetery gates illuminating  
i save space, I burn the photos 
irrelevance preserved in retro

gutter thoughts, illumination
recently my backs been breaking 
the light that breaks on water 
derides truth vainly 

she says we laid poison groundwork 
lifeless is this scorched birch 
her flames lick at the window
evaline in the evening dirt
evaline in the evening burns 
oh

evaline (1st draft)

"Behind Bar // Sword" were recorded during the Mirror LP sessions with Jack Shirley at the Atomic Garden in 2016.

For now, digital sales of this release will be directed to CCF Wildfire Relief Fund.

Thank you for listening.
Jared, Michael, John
credits
released September 1, 2020

Balms are Jared Padovani, Michael Ascunsion & John Kolesnikow • All Songs Written by Balms • Recorded by Jack Shirley at The Atomic Garden, East Palo Alto, CA • Mixed by Justin Gerrish at Hook & Fade Studios, Brooklyn, NY • Mastered by Justin Weiss at Trakworx, San Francisco, CA • Album Art by Naveed Ahmad

Behind Bars

441 E 12th St 45

hello humans and bots.
lofi rock and acoustic stuff
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lyrics are posted on the song pages.
track art/photos are all pictures that I took myself unless otherwise noted. Weird little clay sculptures in the pictures were also probably made by me. 
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(profile photo by Samantha Brenstein)

Normal Now

Laura Lied