Argentine DJ and Producer
Electronic/Dance Music

Home based 

https://boosty.to/mikhalevdo

https://youtube.com/@ceremonial7?si=0pKLdMxmgITn3wHD

Producer / DJ
SP-Brasil


Playlist produced by Koshhi:

https://open.spotify.com/playlist/3Whn3QHfatP2VQtKa4uCEj?si=5cc48871d1d44a34&nd=1&dlsi=f67fbca708f34756

gustavo.koshikumo@gmail.com
IG /gustavokoshikumo

Singers and composer: let´s make music together and collaborate :) . 
DM me!

DJ ♬ Productor
#funky #deep #house #progressive #tech
• Producción en Artes Electroacústicas (Universidad ORT), conceptos como acústica, psicoacústica, síntesis, efectos, edición y procesamiento de audio. 
• Producción Musical Avanzado en ARJAUS, conceptos como composición, mezcla, teoría musical, técnicas de sampleo, compresión, distorsión, estructuras.
• Producción Musical en Ableton Live con Ulises Labaronnie (Trion/Sophos), conceptos como melodía, armonía, composición musical, synths y estructuras musicales.

Residencias y ciclos:
Gran Bar Danzón (Recoleta)
Casa Babel (Nuñez)
Novecento (Punta del Este)
Rabieta (Hipódromo de Palermo)
Madero Rail Club (Puerto Madero)
Faraday Bar (Palermo)
De Munster Bar (Bélgica)
Johnny B. Good (Puerto Madero)
El Quinto (Las Cañitas)
Joe's Club Bar (Palermo)
Puente Grand Bar (Puerto Madero)
Fridha Club (Palermo)
Puerta Uno Bar (Nuñez)
Loka Club (Palermo)
Youth Olympic Games 2018 (Buenos Aires)
La Rana Club (After Fútbol en Pilar-Tortuguitas)

Feeling life through music. I’ll never forget hearing “The Sign” at 9 years old and was like yep, that’s it. I live for deep dark house (Adrian Hour, Monkeyneck, Dusky, ) as much as the saccharine remixes (Just Kiddin’, Keljet, Riva Starr). 

Lose my shit for Sister Sledge, Naive Melody (Psychmagic remix), anything Pete Heller, WEISS, or The Magician. Also any Oliver Nelson, Oliver Heldens, or Thomas Jack remix is a guaranteed A+ 👌🏼

House, afrobeats, tropical, disco, balearic, tribal, samba… I’m now remembering my first screenname at 10yo and in the music section I put, “anything with a good beat.” Lil me hasn’t changed. If anything, only evolving to love more of the incredible sounds around us (Jorge Ben Jor, Caetano Veloso, Gilberto Gil). One of my first CDs at 10yo was from “The Nature Store” at the mall and featured Australian didgeridoo tunes; the “wtf” looks from family and friends for YEARS didn’t phase me. I was intrigued and that’s all that mattered, and still matters.

Actively looking for a school in Bs As to turn my innate passion - and ear- into something fucking fantastic. Recos welcome 🙌🏼 


A short list of major influences below 🙏🏼😁

Flight facilities 
Purple disco machine 
Klaves
Burna boy
Maleek Berry
Babert
Sneaky Sound System 
Tropical Marimbas (all-time favorite song atm 😎)
Plastic Plates
XYConstant
Le Youth 
Husky
David Penn
Todd Terje 
Hayden James 
Future classic 
Goldroom 
Viceroy 
Hotnatured 
Sumohair 
The Aston shuffle 
Wilki 
Kisch
Foals
Pete Heller
Waterson 
Sebastian Tellier
Air Zaïre
EDUKE
Todd Terje
Cut Copy
The 1975
Oliver Heldens
Mastiksoul
Yuksek
Erick Morillo
Benny Bennassi 
Chalo Correia 
J Balvin
Black Uruhu
Calle 13 
Daddy Yankee
Classixx
Flight Facilities 
Fred Falke 
Daft Punk
RAC
Penguin Prison
Two Door Cinema Club (Sun / Kitsune remix)
Supercat
Defected Records 
Glitterbox Ibiza 
A-Trak
GirlTalk
Chromeo
Sam Feldt
Foals 
Friendly Fires
Panama Cardoon
Reyna Tropical
Mudihohola
Digital Love 
Dream Machine 
Naive Melody 
Rock with Me 
Mind playin tricks on me instrumental 



Tribe
Gorillaz
Years and Years
Gypsy Kings
Manu Chao 
Buena Vista Social Club
People Under the Stairs
Sean Paul
Captain Planet & Chico Mann 
Polo & Pan




Positive upbeat shit 
deep house
Tribal
ItaloDisco
London house 
Steel Pulse 
Thomas Jack 
Sam Feldt 
Kitsuné 
French Express
Nudisco 
Tropical house 
70s disco 
Psychmagic
Colombian Cumbia (SuperSan, Mr. Pauer) // Champeta
DANCEHALL
trap house
tribal (aboriginal music when i was 9)
Amelie soundtrack 


Jorge Ben Jor
Amadou & Mariam
Diana Ross


TALKING HEADS
Traveling Wilburys
Genesis
PHIL FUCKING COLLINS
UB40
Queen
Peter Gabriel
Hall & Oates
Paul SImon
St. Lucia
Thievery Corporation

Leàndro Máttos has established himself as a prominent force in the Brazilian music industry, with his work resonating beyond international borders. His ability to combine Brazilian rhythms with contemporary orchestral and electronic elements yielded collaborations with prestigious artists, such as Shin Rizumu, under the iconic Japanese jazz label P-VINE Records, where Leàndro contributed not only as an arranger, but also as a music producer, author and performer.

One of his remarkable international collaborations includes the creation of string arrangements for guitarist Marcelo Kimura's concert at the renowned Blue Note Tokyo. This project had the participation of the legendary jazz trombonist Iochi Murata, highlighting Leàndro's unique ability to bring Brazilian harmony to the global jazz scene.

Recently, Leàndro's string arrangements have generated admiration and critical acclaim. His arrangements for "Amor Viral" by Serginho Meriti and Camilla Araujo, as well as "Sério pra Caramba," exemplify his sophisticated orchestration techniques, widely celebrated for revitalizing the essence of samba.

Leàndro's influence is also deeply rooted in Brazilian musical history. As a disciple of the great conductor Zé Menezes, he was part of several iconic albums that explored choro, gafieira and camerata music, recording three albums as part of an important initiative to digitize Brazilian popular music. His expertise in the cavaquinho shines in these albums, consolidating his role as a crucial figure in the preservation and evolution of Brazilian sound.

In addition, his contributions to the Berço do Samba de São Mateus project under SESC, and his production of three albums for the celebrated singer Grazzi Brasil, left an indelible mark on Brazil's rich musical tapestry. Each project is a testimony to his mastery, not only in samba, but also in the elevation of Brazilian music to the world stage.

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