Johan Lindvall - Piano

Fredrik Rasten - composition, sine wave programming

Recorded by Marcus Forsgren at Studio Paradiso, Oslo on the 13th of January 2021

Mixed by Espen Reinertsen in Oslo on the 14th of January 2021
Mastered by Giuseppe Ielasi


Full album:

https://fredrikrasten.bandcamp.com/album/four-parallel-rivers

aerodynamic (from album 'four parallel rivers')

Emma Grace
CRAVINGS OF PEGASUS
The third album, October 2021
A journey between organic and artificial soundscapes,
between verbal and non verbal sounds, with mythological guides and impulsive language. 

“Pegasus is the body that does not follow words, it is the one who doesn’t need to behave, the one who plays hide and seek when you’re not able to fall asleep. It is the urge to speak another language.
It’s there. When you finally trust yourself and the world around you.
It’s that voice that asks you to play in the mud, 
to sing,
and just be. ”

Composed and recorded by Emma Grace
Mastered by Capitano Merletti at Studio Garp
Video by Furio Ganz
Released by Pipapop Records

Album cover by Furio Ganz
Portraits by Alice Malingri
Made in Leccolimoni

Coda

When I was writing and checking this track, I felt that it sounded like some kind of creature, so I gave it this title.
What kind of creature do you imagine from this sound?
It is also a track that challenges my own "form of incorporating noise into music".

Thank you for listening!! :)

Made by Max8 and MBP Mid 2012

Imaginary Artificial Creature 1

new releaaaaaaaaaaaase hier https://alterkrankermann.bandcamp.com/album/rostefe

rostefe

11 oteresf by aLTERkRANKERmANN

For solo cello with curved bow. Composed in 2002.
Live performance by Anton Lukoszevieze at the Kintai Festival, Lithuania, on 20 August 2022.

Raimondas Rumsas

first and second studies in collaboration with Sarah Saviet and Joseph Houston, created during Fall 2022

piano harmonically aligned with the open violin tuning

realized by Sarah and Joe

recording is taken from the live concert recording, December 2nd, 2022, KM28, Berlin

violin/piano study 1 & 2 for Sarah and Joe (by Catherine Lamb)

L'emprunte d'Encyclie

Euangelion

Recorded on a portable Lindholm harmonium from 1937 in the countryside of Cévennes, France.

l'Harmonium

Pointillism for sampling various voice No.1

becoming sounds - 30 objects 10 minutes is a book and sound project.
http://www.rienakajima.com/becomingsounds.html

becoming sounds - 30 objects 10 minutes

Epitaph (for Theo Calis 1960 - 2020)

Martin Hoogeboom: guitar/loop station
Marlon Wolterink: mastering

Theo and I have worked on countless music projects over the past 40 years. I have learned a lot from his stubborn and headstrong views and methods of recording and mixing music. His influence on my soundscapes is immense. In 2014 we both enjoyed working on “Where Do We Go From Here?” (2014 - Etched Traumas - ET77) which became also part of the soundtrack of Australian short movie “Grid Face”. Pieces for acoustic guitar and loop station.

In 2017 I worked on a sequel, the guitar suite "Licht". 
“Epitaph (for TC)” is originally a demo version of one of the pieces but unused in the “Licht” version as it appeared on CD (2018 “LIght / Well” - Thirsty Leaves Music - TLM019). Due to Theo’s health problems it was not possible to collaborate on this project but he appreciated the sober minimal guitar pieces for what they were.

I will remember Theo with great respect for the rest of my life.

Martin

Raimondas Rumsas

Laurence Crane

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