it's impressive how this sounds dreamlike despite its atonality

and of course it's a unique style (similiar to minimalism for the structure)

One of the strangest sound I've heard around :).

Hmmm...  Pointillism...  Order without search?

this is spectacular, unique, and i dig it

pampsychia 011 ~
@kensho_nakamura

out with unique handmade usb-keys !- only 40 pieces -!
https://pampsychia.bandcamp.com/album/llamhigyn-y-dwr

Kensho Nakamura - Gunsei

Rose Petal Place - Francesca Heart on Sub/Neu

Live for Hideous Replica ▪︎ Norwich 12.03.22

Adam Schwarz - “Dangerous Cocaine Adulterants” off “Legalize All Drugs” (ARs Media)
Tim Goss - “Fly I” off Afterfly (Penultimate Press)
Michael Prior - “Czapla’s House” (excerpt) off “Afternoons In January” (Greedy Ventilator)
Sydney Spann - “October 2 at Home” off Oceanic/E.L.M. (Reading Group)
VOSP - “Colorless Dream” off “Pale Shelter” (Anathema Archive)
Zone Nord - “Untitled” (excerpt) off “Recycled” (RRRecords)
Dylan Nyoukis - “Untitled” (excerpt) off Dadgum My Bubblegum (Hanson Records)
Skylark Quartet - “Skylark 2’52”” off “Skylife” (Bánh Mì Verlag)
Darksmith - “Regular Man” (excerpt) off Regular Man / Good Memory (Regional Bears)
T.D. & S.S. - “Fire and Ice” (excerpt) off “Viva! The Down Town Sound” (Staighre)
A.F Jones - A Jurist For Nothing off “A Jurist For Nothing” (Gertrude Tapes)
Theodore Cale Schafer - “It Isn't So Bad To Be Alone” (self-released)
Hour House - “Magenta Mine” off Chiltern (Penultimate Press)
David Behrman “Leapday Night Scene 2” off Leapday Night (Lovely Music)
Nicholas Collins - “Little Spiders” off Going Out With Slow Smoke (Lovely Music)
Madalyn Merkey - “Let Other’s Mouth” off Oranges (self-released)
Pink Floyd - “Time” off “The Dark Side Of The Moon” (Harvest)

APOD0052 Christian Mirande Takeover. Edition Erich Schmid Ep. 28

Nocturne. Re:dream.
for bass flute/flute, bass clarinet, prepared piano, violin, viola, violoncello

Performed by Synaesthesis ensemble. 
Conductor - Karolis Variakojis.


Dreams often take you to the same places. You meet the same people, whether or not you know them. It's as if a dream from some time ago is being replayed. The surroundings are the same, but they are a bit different; we don't really understand what is happening, but we know that we have been here before. Déjà vu of a dream.
Sometimes this feeling comes to us in reality. It seems that it has already happened, and sometimes we realise that we have dreamt about it all before and the place where this feeling came from was once seen in a dream. In this way we find ourselves between reality and a dream, without realising for a second which one we are in now.

Recorded by LRT KLASIKA, 2023 03 07.

Photo by Antoine Porcher

Nocturne. Re:dream.

Duo improvisation
Anaïs Tuerlincks: (piano) strings box, objects
Delphine Dora : voice, effects
Recorded in Berlin, mAY 2023

Delphine Dora & Anais Tuerlinckx Improv

realized i could free up some more space by deleting some private tracks that never got to see the light of day

enjoy

symbiosis B2

"Black Truffle is pleased to announce Tender Membranes, the label’s first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti. Active for a decade in the Finnish underground music scene, in recent years Ahti has developed a distinctive approach to patiently unfolding electro-acoustic constructions, documented on a string of solo releases and collaborative projects with Judith Hamann and her husband Niko-Matti Ahti. Working with concrete and instrumental sounds, field recordings, and electronics, Ahti favours neither disjunctive collage nor monolithic consistency; rather, her work is composed of organically unfolding sequences of details and textures, which, as she says, ‘can stretch out or cut fast as long as they have a sense of inner stillness’, a sense that she connects to moments of heightened attention in everyday life.

Tender Membranes consists of four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world. Ahti’s unhurried pacing encourages this sense of listening as an opening or surrender to sound, which can often create the impression that the listener is moving through a space zooming in on details. The opening Shrine (Aether) exemplifies this aspect of Ahti’s approach: a bell clears the air with a single long tone, followed by the ambience of outdoor spaces, crackling electronics, an archival recording of a horsefly on a windowpane. Dozens of these moments, varying in length, density, and intensity, move past the listener’s attention, momentarily brought into focus then slipping away. Like those of the masters of the French musique concrète tradition, Ahti’s sounds are not often recognisable, though they might suggest proximity or distance, open environments or closed spaces, the urban or rural, day or night. In Ahti’s work, we do not encounter spectacular metamorphoses à la Parmegiani but rather a state of ambiguity where the listener is often unsure what is organic and what is inorganic, where the careful productions of the synthesizer might end and sounds discovered in the environment begin.

What Ahti calls her ‘poetic way of experiencing and organising the familiar and the unfamiliar’ is sustained throughout Tender Membranes, but each piece has its own character. On Dust / Light, human presence is more overt, as what appear to be whispers, singing, and distant speech thread between high frequencies, untraceable drips and pops, and metallic shimmers. In all this there is a melody that you can sing and to which you may dance makes more prominent use of musical instruments, gaining a sombre beauty from half-buried piano chords and organ tones. On the closing Oh Fragrant Witness, a delicate cloud of subtly bending pitches is repeatedly disrupted by a resounding, almost ominous mass of low tones, at once a strange detour from much of what has gone before and an almost classical finale. Arriving in a sleeve reproducing contemporary Finnish photographer Sini Pelkki’s fragmented visions of the everyday, Tender Membranes is a balm to reawaken tired ears."

Released September 29, 2023

Pointillism for sampling various voice No.1

LightCone

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