Bookings: theoryofhybrid@gmail.com

Hybrid Theory are a DJ and Production duo from the cultural hub of the midlands, Birmingham. They have been blazing the UK Bass scene in style since they started now infamous Four40 imprint in 2010.

These guys have taken the UKBass scene by storm with their duty ghost warps, snappy saw’s and the heavy broken beat patten is the winning combination for these guys.

For the Hybrid boys appearances on Diplo's Mad Decent and Norman Cook's Southern Fried Records followed cementing their foothold in the scene as tastemakers in high demand. The guys were most notable so far seeing the release of their much anticipated EP on Champion's genre-bending Formula Records. In 2015 brand new releases will drop first on Jakwob's Boomting Recordings, These guys have a foothold in the music seen now collaborating with some of the top artists in the world. The collaboration with Stanton Warriors had a huge effect on the American breaks music scene, witch lead the guy’s to a 5 state American tour from LA to New York. Not to mention traveling across Europe, to destinations like Germany, Sweeden, Amsterdam, Belguim, Italy, plus many more.

If this kind of output wasn't enough Hybrid have been working tirelessly on preparations for a host of Guest-mixes for BBC Radio 1 and 1xtra following enthusiastic support on the BBC, RINSE FM and KISS, from the likes of Monki, DJ Target, MistaJam, Sian Anderson, Annie Nightingale, TODDLA-T and more (Not to mention other scene heavyweights like DIPLO, ETON MESSY, DJ EZ and ONEMAN)

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

DJ Q isn’t just part of the UKG and Bassline story, he wrote key chapters and now he’s setting the record straight with Foundations, his definitive return to the raw sound that shaped him.
Q is a pioneer whose imprint on UK underground dance music runs deeper than most. Nearly two decades in the game have cemented him as one of the most technically gifted, respected, and versatile DJs in the country full stop.
From the breakout anthems to the charting “You Wot!”, Q brought Northern Bassline to national attention at a time when most of the industry ignored it. He didn’t follow trends, he built them. As a founding member of TQD (alongside Flava D and Royal-T), he helped modernise and globalise UK Garage, showing a new generation what the sound could become.
His 2022 album Est. 2003 featuring legends like Todd Edwards, proved Q’s production legacy stands shoulder to shoulder with his DJing. Q’s influence cuts through multiple eras, scenes, and sounds.
But behind the decks is where he becomes unmistakable. Known for lightning-fast blends, genre-bending selections, flawless 4-deck technique, and an unmatched energy, Q has headlined everywhere from Glastonbury to Boomtown. He’s the DJ’s DJ! The one your favourite DJ watches from the side of the stage.
And now, with his new project Foundations, Q returns to the essence: no gimmicks, no filters just pure Bassline from someone who has lived it since day one. It’s a celebration of the culture he helped build, a reminder of where the sound comes from, and a statement of where it’s going next.
Authentic, uncompromising, and still setting the standard DJ Q remains one of the true pillars of UK club music.

Bookings:
🇬🇧🇪🇺 seth@mbartists.co.uk

Please send all music to: audio@djqmusic.com

'Too Good To Be True' OUT NOW 💎💎💎
https://maybachmusic.lnk.to/TooGoodToBeTrue

Where Have You Been 🎻 OUT NOW 🫶
Pre-save the upcoming album 'Hopeless Romantic': https://too.fm/xrxn0p7

Contact: hari@drinksonmgmt.com

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