Recorded live with an Arp Odyssey, processed into an Eventide Eclipse, whole tune was reversed then after.

ODE TO IAN

Tuomas Salmela, hailing from sunny old Finland, has been working the European dance music underground for quite some time now. You may be familiar with his slammin' releases on 20:20 VISION, MOODMUSIC, POKER FLAT or even the late Chicago giant GUIDANCE. Well, how about his own label then, PHONOGENIC AUDIO, one of the coolest new labels to come out of Scandinavia. 

In 2007 Tuomas released quite a few dope Phonogenic 12”s on such labels as Moodmusic (“Orange Leaves”), KICKBOXER (“Rooma”), DANCE ELECTRIC (“Swedish Taboo”). The überhot Dubfire (Ali of Deep Dish fame) has included Phonogenic “Space Hooker” on his November 2007 Mixmag cover CD. Late 2007 saw the first Phonogenic 12” release on Sven Väth’s Cocoon Recordings, titled “The Last Beer on Earth”. The release has seen a lot of support from some of the biggest DJs around and the title track was featured in BBC Radio One Essential Mix by John Digweed. 

Tuomas has also been collaborating with his long time friend Jori Hulkkonen on a brand new project signed to GET PHYSICAL MUSIC. As DISCEMI they took their groove experteaze and soundscaping professionalism to a next level for the acclaimed "Tango Or Cash EP". And like that wasn't enough, the follow-up titled “Data Sapiens” was released on the sizzling hot UK imprint REKIDS. Also included is a scorching remix by the Rekids head honcho Radio Slave.

© guillaume alarm

°Analog synthesizers ~ playing all together°

https://guillaumealarm.bandcamp.com

This page features a recent series of jams from TCCP, (a placeholder name consisting of the first initials of participants first names), jams and unreleased albums from SPACEBRANE, a core duo project featuring Crystal Awareness and myself; THE PRAIRIE PROJECT, featuring Tim Gennert, Timmin Murray and Wain Hewlett and myself along with occasional others; and GAMMA QUADRANT featuring Yarrow Mahko, Justin Beck, Kirana Peyton and myself along with an endless assortment of sitters in... plus some SOLO MATERIAL of mine from the 80s up to the present. 
 
I Ama visual artist, not a musician - my love of electronic music goes back to the 1950s where it appeared in certain fi movie soundtracks like Forbidden Planet, then in the sixties there was Carlos' Switched On Bach and Subotnik's Silver Apples of The Moon - by the time I heard Tangerine Dream and Klaus Schulze and Jarre and others in the 1970s I decided to try my hand at doing electronic soundscapes. 
  Paul

1964 vu sur les haut de seine
Pavis vois le jour en banlieue parisienne
Mélomane depuis son premier cri
A 5 ans il interprété déjà les POPPYS
Pour quelques pièces "les roses blanches"
Passion musicale et innocence
Pour la suite c'est l'école buissonnière,
Le chant des oiseaux, le bel air.

1984 animateur sur les ondes
Pavis voit la musique qui l’inonde
son ouïe fine qui s'affine
ses premières lignes qui s'alignent
des idées engagées qui défile
et une inspiration encore plus docile
Prenant pour référence AL JARREAU,
STEVIE, MARLEY ou encore NOUGARO.

1994 la famille comme un accord
lui offre une basse ses première accords
Joue des air de vieille chanson
jusqu'au jour de la première composition
jeu de mot dans le titre
mélodie et parole magnifique
additionne des texte biographique 
rythmique et certain féerique

2004 entre notes et inspiration
Pavis accumule les coopérations
s'autoproduit, passe à la radio
crée 3 albums dont deux électro
il donne du rêve et des émotions
se dévoile dans certaines chansons
"anamour" preuve d'une rédemption
mélange hommage et innovation

Pavis est fait pour ça c'est un poète
un troubadour, un compositeur, un interprète

"SaS"

Giving life to my art, giving heart to your (t)ears ...

Ambient stuff mostly. A lot of unfinished one take synth noodling on here, that I should work on, some day

ODE TO IAN

Laurent Collat aka Elegia