The Silent Song

The Living Dead

WITHER AND WARP

Ridicule

In Space

Another Year

Fugue In Twilight (Instrumentals)

Rooftop (Instrumental)

Rindert Lammers - "Thank You Kirin Kiki"

On their first new album in a decade, Anglo-Australian indiepop quartet Allo Darlin’ return with "Bright Nights" -- marking the return of their smart, beautiful pop music. "My Love Will Bring You Home" is a gorgeous country-tinged song that ably exhibits songwriter and vocalist Elizabeth Morris Innset's melodic flair and lyrical gifts. It's a joyous and infectiously uplifting tune that, like the rest of "Bright Nights," wraps you in a warm and comforting musical embrace.

Bright Nights

pre-order

Allo Darlin' - My Love Will Bring You Home

"Waves of Fear" by Pissed Jeans, out now on Sub Pop Records.
Pre-Order & Listen Now: https://music.subpop.com/pissedjeans_wavesoffear

Pissed Jeans: https://www.whitedenim.com/pissedjeans
Bandcamp: https://pissedjeans.bandcamp.com
Facebook: https://www.facebook.com/pissedjeans
Instagram: https://www.instagram.com/realpissedjeans
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Spotify: https://open.spotify.com/artist/6FTONkEJQsCSpoDHqaAP1V?si=olsbzbVrSJWwiC-5UKBIww
On Tour: http://www.subpop.com/tours/pissed_jeans

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Podcast: http://subpop.fm

Waves of Fear

Pissed Jeans - Waves of Fear

Hey, goodbye
So walk with me from night
I don’t like the way you talk to me, girl
You wanna be 
The screen
You sing about me
I don’t rethink
The thoughts you wanna be

And when you walk away
There’s nothing left to sing about me
There’s time to think about the one you love

You wanna be
The screen
You sing about me
I don’t rethink
The thoughts you wanna be
And it’s time to think
There’s nothing left to sing about me
Anyways
Anyways
It’s all mistakes
You feel things
That you said you wanna be
It’s honestly a pain
That you notice now
And it’s not about
It’s all mistakes
You feel things
That you said you wanna be
Anyways
Anyways

Tim Burton's Tower

Carving The Stone

No Quiet

Almost completely unknown in the west, Masahiro Sugaya has been composing and producing music since the 1980s in an exceptionally wide range of fields and practices. From arrangements for musical acts like the acoustic guitar duo Gontiti to acousmatic diffusion at spaces like Paris’s Groupe de Recherches Musicales (GRM), Sugaya's reach is almost exhaustive in its breadth, but it was in the 80s bubble-era kankyō ongaku scene that he first found his musical voice. Horizon, Volume 1 presents a window into these works, culled from Sugaya’s early scores for experimental Tokyo theatre group Pappa Tarahumura. 

As a teenager, Sugaya would visit the avant garde hub of record/book shop Art Vivant run by Satoshi Ashikawa of Sound Process, guided by Ashikawa’s recommendations into the worlds of experimental composition, jazz and ethnographic music. It was there he also met musician Yoshio Ojima—the two would become close friends and contemporaries, working within a circle of Tokyo musicians that also included Midori Takada, Hiroshi Yoshimura and Satsuki Shibano. Ojima, an early adopter of new musical technology, would introduce Sugaya to the possibilities of composing with computers, synthesizers and samplers, which would become a trademark in Sugaya's early works. Surprisingly, the sound sources on Horizon are entirely digital, showcasing Sugaya’s ability to organically recreate complex musicianship approaches via keyboard using hyper-realistic samples. Much like Ojima and Yoshimura’s work, the results eschew electronic music’s usual coldness for something more warm and inviting, the feeling of a human in deep conversation with technology.

Flourishing within the boom of experimental theatre subsidized by corporations during the bubble economy, Pappa Tarahumura forged a unique dream-like style that merged performance art, modern dance and fantastical installation-like stage sets. Sugaya fashioned multiple soundtracks for their productions in collaboration with director Hiroshi Koike, the first two of which, The Pocket Of Fever (熱の風景) and Music From Alejo (アレッホ - 風を讃えるために), he self-released in 1987 on cassette, handing them out at Tarahumara performances. The third, The Long Living Things (Zoo Of The Sea) (海の動物園) followed in 1988 as a CD on Yukio Kojima’s ALM records. Aside from his brief inclusion on Light in the Attic’s Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990 (compiled by Empire of Signs’ Spencer Doran), Horizon presents this work outside of Japan for the first time.

Available exclusively via Light in the Attic: https://lita.fanlink.to/Sugaya

International Press Contact: Gamall / Backspin Promotions - g@backspinpromo.com

Horizon Vol. 1

Masahiro Sugaya - "Future Green" (Horizon, Vol. 1)

Tim Burton's Tower

Laveda