Okay.. So Gogetta was born an raised in Colorado Springs was yung but really gettin it if yadidiai Getdown Ya Boy Fix an a couple othas we were always rappin gettin it in me n Getty started off freestyling den moved up to a ghetto laptop . i went away alot doin a gang of time here an there but most importantly i learned a set of beliefs that ive lived by SAFE workin on my music i also learned to ba a magician soundz funny but itz real i blow my main focuse on magic was doing shows for kids its great the reactions you get out of people.haaa, an met up wit da cutty Getdown an hopped back on tha beatz now my boi makin worldwide beatz and tracks professional level Now its Time To get paid. Im tryna touch the world amd change the game or idustry with some of my hits . Music has a lot of influence on a lotta people in my belief wit my hitz  and being a Genious I like to call it . MY MAIN MOTIVATION IS MY SON IDC BOUT THE MONEY I MEAN A LITTLE BUT HE DESERVES IT .IM GONNA WORK MY ASS OFF EVEM OF ITS 1 DOLLAR DOWNLOADS IT WILL GET THIS STARTED PLEASE DOWN LOAD ANY THAT ARE AVAILABLE BEFORE TODAYan a Few others wecharge my way to tha top so hataz watch out that ean Shotz out 2 da fanz an all tha fam , Goonz N turfsharks that make it happen ------------CHECK Tha music n comment -------------GRIND N GET IT ENT



A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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