Special thx to beolost, ghost youth, and on and on...

Tea in the desert.   Forever.

Revenant Desert #9: May 2021

LF-Q

mixed up pt 9

white white

ONI - Orpheus

My debut single, Need you, is a UKG/Future Garage style track. It's a little different to what I normally produce but I liked the chilled vibes and soulful vocals in this one. I hope you enjoy :)
Out now on Steaming and online stores!

Need You

DREAMERS DIE FIRST

MAYDAY

RADIUS

03 Memory

Lewis Capaldi - Forget Me (Norman Remix)

A Winged Victory for the Sullen - 'ATOMOS'
Double-Vinyl/CD/Digital out on Erased Tapes/Kranky on October 6, 2014

PRE-ORDER the album now!

Worldwide (excl. North America):
via Erased Tapes: www.erasedtapes.com/store/index/ERATP061
or via iTunes: http://snip.ftpromo.net/atomositms

In North America:
via Kranky: www.kranky.net
or via iTunes: https://itunes.apple.com/us/album/atomos/id894692856

TOUR DATES: 
https://www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.  

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.  

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie  

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES:  awvfts.com · erasedtapes.com · kranky.net

Atomos VI

Check me out on YouTube, I've been most active over there: https://www.youtube.com/channel/UCUZig788vzmYdzMphveBp8g

The Fog Ahead

NOW That’s What I Call Music! 119

NOW That’s What I Call Music! 119 [UNMIXED]

from 'Blossoms In Red' [CD|LP|DIGITAL]
Denovali Records · den243
available on all formats at [http://denovali.com/ensembleeconomique]

Based in Californian Humboldt County, Brian Pyle wanders the world on his countless travels. Far from being restless, he has his very own Pylesque way of travelling. Much like a Lynchian version of Hemingway, he has an eye for the thin layer between restlessness and relaxation, gloom and serenity. Wherever he goes, he ardently absorbes these nuances, rarefies them and moulds them into a seamless array of glimmering styles, from drone and ambient to shoegaze and post-wave, giving birth to yet another creation of his prolific Ensemble Economique project.
On his by now eleventh album and fourth Denovali release "Blossoms In Red", Pyle combines and perfects elements of his previous output into a cohesive narrative. The opener "From The Train Window, Red Flowers On The Mountain" is a surprisingly scarce ambient piece, which feels like an almost infinitely stretched precious moment of time. Despite being austere, it is warm, sublime and incredibly captivating and after listening to its full 8 minutes, one cannot help but to rewind and replay. Having barely escaped this seductively infinite loop, one encounters the title track "Blossoms In Red" featuring Portland electronic duo Soft Metals. Starting off with a characteristic sluggish programmed beat, one is immediately overpowered by the onset of the towering combination of a warm bassline and a shimmering synth ambience. As the track flows, these elements writhe around each other in a delicately beautiful fashion, absorbing the materialising wailing guitar which almost sounds like an ethereal voice, as well as the occasional melodic and rhythmic accents. The next track sees this guitar return in a rather pure form. "On The Sand", featuring jack-of-all-trades Peter Broderick, is essentially just reduced analogue drums, electric guitar, a simple vibrating bassline and hoarse almost spoken vocals. Slowly and methodically, these constituents form a captivating erotic ritual, much like a beguiling and hypnotic mandala procession of imperturbable blissful individuals on the beach. As proven on numerous occasions, Pyle can easily lead all his trumps in the presence of female lead vocals, and "Blossoms In Red" makes no exception. Indeed, "You, By Candlelight" is easily the best Ensemble Economique track with female vox to date. Pyle manages to embed the vocals just in the right minimal amount of instrumental layers, making the track radiate an elusive tranquility. The fifth and closing track "Nothing Is Perfect" is a classically tinged piano piece with only very little processing and sparse field recording samples. With all pieces of the album, Pyle manages to create tracks which feel like being composed only of two or three layers of sound, that are nevertheless allowed to develop a life cycle which seems incredibly long - track lengths vary from 6:30 to 8:10 - but still feels just right. Thus "Blossoms In Red" is probably Ensemble Economique's most minimalistic album, but at the same time - or maybe just for this reason - his most skilled work.

Blossoms in Red

Ensemble Economique - From The Train Window, Red Flowers On The Mountain

live stereo capture. Oct. 11, 2015.

from Arguments for Trivialism: shastacults.bandcamp.com

CMOS

On The Shore

Scars To Your Beautiful

Scars To Your Beautiful (NOTD Remix)

Submit Your Music to Our Spotify Playlists:
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'Freedom means the opportunity to be what we never thought we would be.'

Support Felix Palmqvist:
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Support Severo:
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<a href='https://theartistunion.com/tracks/e7316d'>Download for free on The Artist Union</a>

Free Download

The Chainsmokers - Don't Say (Felix Palmqvist & Severo Remix)

Tell Me You Love Me

Tell Me You Love Me (NOTD Remix)

Beolost - Plans

SATURAT - GRACE

Beolost - Unrealistic

Beolost - Servants

Beolost - Scan

https://lazarusmoment.bandcamp.com

https://linktr.ee/lazarusmoment

Lazarus Moment - Inner Sanctum EP (Vinyl)
Out 15/12/2023
https://lazarusmoment.bandcamp.com/album/inner-sanctum

Lazarus Moment - The Source LP (Vinyl) (SOLD OUT)
Out 7/05/2021
https://sealtlab.bandcamp.com/album/s39-lazarus-moment-the-source

Exploring the depths of life. Documenting it in the form of sound.


Representing:
https://soundcloud.com/zeropointshow
https://soundcloud.com/sealtlabel
https://soundcloud.com/insight-music
https://soundcloud.com/satellite_era
https://soundcloud.com/smallprintrecordings
https://soundcloud.com/darkheartrecordings

Distrokid 7% discount sign up referral link: https://distrokid.com/vip/seven/1038843

Past shows:

@ Greenworks Bristol 18th October 2024