I haven't posted in a while.
First of all, I modified the MIDI to the specified scale from EDM or something.
Then I used a Chinese heavy metal guitar plugin to make it sound like that, and connected various effectors to it.

What I wanted to express was the ocean!
The ocean is slow unless it's a tsunami, so it's kind of in line with the theme.
The distortion of the guitar sounds like white noise, which represents the sound of waves.
I remember reading a book once that said that the sound of a ship's engine in the sound of waves means that there is something man-made mixed in with nature, and that is the key to ambient music.
I don't like to listen to man-made sounds too loudly in nature (although I don't mind it when I'm in the city).
But no matter how quiet I output my compositions, if the listener turns up the volume, it is meaningless!
So I made the sound of the waves louder, so that the artificial sound is buried in the waves.

Translated with www.DeepL.com/Translator (free version)

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Disquiet Junto Project 0554: Cage Chord
The Assignment: Riff on a chord by John Cage.

This project is the third of three that are being done in collaboration with the 2022 Musikfestival Bern, which will be held in Switzerland from September 7 through 11. The topic this year is “unvermittelt,” which is a little tricky to translate. Literally it’s “unmediated,” but it can also mean “sudden,” “abrupt,” or “immediate.”

We are working at the invitation of Tobias Reber (@TobiasReber), an early Junto participant, who is in charge of the educational activities of the festival. This is the fourth year in a row that the Junto has collaborated with Musikfestival Bern.

Select recordings resulting from these three Disquiet Junto projects will be played and displayed throughout the festival.

Step 1: Consider this chord:

E5
A#4
E4
D#4
Db3
C3

If MIDI is of use to you, here is a link to the chord in a MIDI file:

https://disquiet.com/0554-midi

Step 2: You might read up a bit about the source of the chord, the piece “Organ²/ASLSP” by John Cage. Cage desired the piece to be played “As Slow As Possible.” Currently it is being performed in Halberstadt, Germany, on a special organ that will play it for a total of 639 years. It’s been going for 21 years so far, and is at this moment playing the above chord. Read up here:

https://www.latimes.com/opinion/story/2022-02-04/john-cage-organ-slow-as-possible-halberstadt-germany

Step 3: Produce a loopable drone (duration between one and three minutes) of your own based on that chord.

Note: Submitted drones will be sequenced into one large drone piece to be played at the Cage Room, a pop-up workshop and exhibition space of the festival at Progr, Bern, Switzerland.

Disquiet 0554 - P

For this week, we were asked to create a drone loop using a chord from John Cage's “Organ²/ASLSP”.

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

caged loop [disquiet0554]

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

Dis Chord Is Hurting Me (disquiet0554)

This track is a loopable drone made Disquiet Junto project 0554 using the chord E5, A#4, E4, D#4, Db3, C3. The Junto project is based around John Cage's “Organ²/ASLSP”, a 639 year long piece that happens to be playing this chord right now.  

Submitted drones will be sequenced into one large drone piece to be played at the Cage Room, a pop-up workshop and exhibition space of the festival at Progr, Bern, Switzerland.

More on this 554th weekly Disquiet Junto project – Cage Chord (The Assignment: Riff on a chord by John Cage) – at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

Cage Chord [Disquiet0554]

I wanted some movement in my part. So I mixed Felt Instrument’s Helenko, Tapes 01 Ensemble, and Slate & Ash Landforms. Well, that was a short and sweet assignment ;-) Really looking forward to all the other contributions. 
_______________________________________________________________

Disquiet Junto Project 0554: Cage Chord
The Assignment: Riff on a chord by John Cage.

This project is the third of three that are being done in collaboration with the 2022 Musikfestival Bern, which will be held in Switzerland from September 7 through 11. The topic this year is “unvermittelt,” which is a little tricky to translate. Literally it’s “unmediated,” but it can also mean “sudden,” “abrupt,” or “immediate.”

We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the fourth year in a row that the Junto has collaborated with Musikfestival Bern.

Select recordings resulting from these three Disquiet Junto projects will be played and displayed throughout the festival.

Step 1: Consider this chord:

E5
A#4
E4
D#4
Db3
C3

If MIDI is of use to you, here is a link to the chord in a MIDI file:

https://disquiet.com/0554-midi

Step 2: You might read up a bit about the source of the chord, the piece “Organ²/ASLSP” by John Cage. Cage desired the piece to be played “As Slow As Possible.” Currently it is being performed in Halberstadt, Germany, on a special organ that will play it for a total of 639 years. It’s been going for 21 years so far, and is at this moment playing the above chord. Read up here:

https://www.latimes.com/opinion/story/2022-02-04/john-cage-organ-slow-as-possible-halberstadt-germany

Step 3: Produce a loopable drone (duration between one and three minutes) of your own based on that chord.

Note: Submitted drones will be sequenced into one large drone piece to be played at the Cage Room, a pop-up workshop and exhibition space of the festival at Progr, Bern, Switzerland.

(…)

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

Stasis  [disquiet0554]

Disquiet Junto Project 0554: Cage Chord
The Assignment: Riff on a chord by John Cage.

I split up the chord into a fistful of Ableton Live tracks, all with (not too) different Kontakt instruments and placed them in space by pan and reverb. Every note had a chance of being played of 50% per 90bpm bar. Some noise was added because I felt it being too clean, accepting that this and too much movement would maybe not correspond with the spirit of Cage's piece. An export was done and the mix happened in Reaper, where a Valhalla Delay with 4 bars lenght on the master track repeated whatever is played to smear the notes into each other. The result was the 8 minute track https://soundcloud.com/winterer/chord-cage. I took a 3 minute part out of this and made it into a loop by adding the beginning to the end to comply with the rules. The Loop version was intended to be a byproduct; after listening to the looped version looping for half an hour while creating the cover I'm not so sure whether I really prefer the long Chord Cage, which works standalone with no context, over the Chord Cage Loop, which can be played virtually endless.

Track cover based on a photo by Federico Lancellotti on https://unsplash.com/photos/YQbENezk720

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

(more disquiet tracks)

Chord Cage Loop [disquiet0554]

This week’s prompt: A John Cage chord (E5 A#4 E4 D#4 Db3 C3) meant to be as slow as possible, in a 3 minute loopable drone, for potential inclusion in a music fest. 

https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/57579/32?u=baconpaul

The chord is strange. Sort of a Cm7b9 with a wrong note voiced in a blatantly hostile fashion. And the idea took me to a place which is not appropriate for a music festival, or looping, or droning, or maybe even human consumption. I’m not sure. This one may be bad. For the first time in a while I’m really not sure whether to hit the upload or the trashcan.

But it calls on a lot of sounds i’ve been experimenting with around synthesis and feedback, instability, and random structure.  And all the voices (voices? sure I’ll go with voices) here have those characteristics. And what the heck. The communities are friendly so toss it out there. 

Mechanics: A stack of 6 or so Surge XT instances in Logic with a lot of patching, a lot of automation, and a bit of compression on the back.

Feedback on Cage's Chord (disquiet0554)

Disquiet Junto Project 0554: Cage Chord

L'accordo musicale completo viene usato dagli strumenti che producono la fascia continua di base. Le singole note dell'accordo servono invece per creare gli elementi ritmici che si sovrappongono a questa base, che sono loops di percussioni/batteria processati da campionatori granulari.

The full chord is used by the instruments that produce the basic continuous sound. The single notes of the chord are used instead to create the rhythmic elements that overlap the base, percussion / drum samples processed by granular samplers.

E5A#4E4D#4Db3C3 (Disquiet 0554)

HJ002-VA – “Friction”

The second release on Hypnotic Journeys brings together emerging Georgian producers and celebrated names from the global techno scene, weaving a story of tension, resistance, and transcendence.

Batumi-based newcomer Grenuy opens the compilation with a debut ambient piece that feels both intimate and expansive, a slow-burning meditation on space and emotion. His work is reimagined by Van Morph, a revered producer and founder of Khoros Records, who drives the track into deeper territory with an old-school, hypnotic groove.

NFNM (formerly Kapa), a young yet distinctive voice in the Tbilisi underground, delivers a piece of textural techno rich with movement and raw emotion. The journey concludes with a powerful remix by Tsott, founder of the forward-thinking Spira Records, whose deep and cerebral approach brings the compilation full circle.

“Friction” is a testament to Hypnotic Journeys’ ethos: uniting generations, sounds, and visions through hypnotic techno as a futurist statement.

Mastered by Van Morph, Verbindung (Tsotne Tabatadze)
Artwork by Ozeki Gagamaru (Gegi Azarashvili))

Distributed by Triple Vision

FRICTION VA

Grenuy - Calypso

I flicked on the Soma Lyra to play, then the Soma Terra for lead, and captured this live from my mixer.

Terra Descent

Played on the Sequential Pro 3 (SE) Synthesizer.

caged loop [disquiet0554]

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