The assignment: describe a shadow using sound.

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

throwing shade [disquiet0622]

Electronic music ranging from ambient to experimental.

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

聞いて。。。機女神は話している
Residing at the nexus of shoegaze, dreampop, industrial and electronica. Human and computer vocalists welcome.

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

throwing shade [disquiet0622]

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