This offering means very little in the grand scheme of things, but I urge you to investigate the word ‘theosis’ - it might be more important than you think…

If this track transubstantiates your wafer, then please ‘like’, repost and follow me for more of the same.

Theotic Flux

Video of this being performed here: https://vimeo.com/909526148

Weeks of Songs

L-Amp [disquiet0631]

The Primordial Infinity - Phyrios

More on this 631st weekly Disquiet Junto project, In a Silent Waveform — The Assignment: Take one held tone and make it dance slowly — at: https://disquiet.com/0631/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

Disquiet0631 - 1tone2rulethemall

This week's Disquiet Junto prompt was "Take one held tone and make it dance slowly."

I thought this would be challenging, but really it all came together very quickly!

I thought about what dancing means (motion?) and tried to imagine ways a long held tone could "move" slowly. 

I came up with three main ways:
0:00 - 0:53 - a slowly moving bandpass filter followed by Abletons' stock Echo plug-in (the resonance of the filter immediately introduces an overtone that is not the held note, but hey don't blame me I didn't invent physics)
0:54 - 1:18 - Using a vibrato plug-in at about 50% wet/dry to slowly move the tone and town by cents
1:19 - 2:33 - Using tremolo to add a lot of motion - the tone is doubled, panned L and R, and tremolo'd at different rates to make it dance across the stereo field (the slowness of the dancing is debatable here, but the intent is there!)
2:34 - 2:58 - This is the opening phrase of the piece, but accompanied by an echo blast from the tremolo'd section that fades out

All in all, a ton of fun! I never in a million years would have tried something like, so this was a great experiment.

* * * * * *
More on this 631st weekly Disquiet Junto project, In a Silent Waveform — The Assignment: Take one held tone and make it dance slowly — at: https://disquiet.com/0631/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

"Take one held tone and make it dance slowly." (Disquiet0631)

Your Bullshit

Turning around,
I see my shadow
in the moonlight

by: Sumitaku Kenshin (Tr. Nakaoka Naomi & Kurose Hiroko)

The deadline for this challenge will coincide with the anniversary of Sumitaku Kenshin’s death, so I thought it’d be appropriate to commemorate this remarkable poet with music from Naviar’s community.

Sumitaku Kenshin was a haiku poet who practiced free-form haiku. He started writing poety after being diagnosed with acute myeloid leukemia, and dedicated the last 2 years of his life to haiku, leaving 281 poems, mostly published by the free-form haiku magazine Kaishi.

turning around [naviarhaiku526]

To the beautiful collaboration of @tunelight and@ActorNetwork,https://soundcloud.com/tunelight/disquiet0637-2of3-take5-w-actor-network, I added some electric piano.

turning around [naviarhaiku526]

LazenbeeIndustries

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