"A wonderfully crafted track with sound design at its core, flowing through shimmering synths and stoned beats before hitting its stride with an upbeat groove and touching vocal chops" - XLR8R

Mastered by Stefano Tucci at Failsafe Editions (Berlin).

Lithium

An electronic music solo project born out of the artist’s innate attitude for scientifically approaching music and a fascination for chemistry and the formulation of nature's laws.

Enquires: lcao@mail.com

Allowed Transitions (vimeo.com/117467788).
LCAO hosts a bi-monthly radioshow (every 1st and 3rd Tuesday, 10:00-12:00 CET) on: rbl.media/en

The scientist's need to use apparently distant languages to successfully describe everyone's everyday material reality coincides here with the electronic musician's need to narrate through the beautiful journey of a digital composition…

LCAO (Linear Combination of Atomic Orbitals) is loosely inspired by the writer Primo Levi and, above all, by his work “The Periodic Table”.

Lush Lab is the moniker of the Berlin based artist Igor Girio.

Active in the Sao Paulo scene since the early  2000's, he gathers experience as DJ, promoter and sound engineer in some of the most exciting spotlights of South America and Europe.

Drawing inspiration from the 90’s ballroom underground, he delivers powerful doses of House and uplifting grooves, being flexible enough to fit different rooms and crowds, always keeping a high and evolving energy.

With a modern approach to mixing and more than 15 years of club experience, he is becoming a regular throughout the Berlin and Sao Paulo’s circuits, with recent presentations at Sisyphos, Else, Renate, Ohm, Khidi, TES and Blum.

For bookings inquiries:  𝗯𝗼𝗼𝗸𝗶𝗻𝗴@𝗰𝗿𝗮𝘃𝗲𝘁𝗮𝗽𝗲𝘀.𝗱𝗲

dropkick from Gokijets, Iwate, Japan.
since 1999.

Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg” when she was just 11. She won several prices playing solo and string quartett ensembles, was part of orchestras like Bayerisches Landesjugend Orchester and Salzburger Junge Philarmonie all over Europe. Always keenly interested in contemporary music, she was part of performing ensembles in lots of world premieres.

In her PhD she investigated the role of sound in robotic rehabilitation. She has been working as Postdoctoral researcher on Music, Machines and the Human hand. She has been working as a futurist, writing books on the 22nd century and future of health. These days she holds a professorship in Digital Health in which she tackles the humane tech-potentials for the silver society.

She loves bridging experimental arts with science to get inspiring output. In current live performances she works with cello and synths.

contact: florina.spethATgmail.com