I like the whole sound of it, and how the vibraphone floats over the sonic matter

Among the fly ashes and flame’s fulcrum, the origin and destination's nuances are lost into shade's shaping. Meaningless are the relationships between indoor and outdoor world. A plural noise faces the expanse of embers.

Tra le ceneri volanti e il fulcro della fiamma, l’origine e la destinazione si riflettono smarrite nell’evolversi della sfumatura. Insignificanti i rapporti tra mondo interno ed esterno. Un suono plurale si affaccia sulla distesa di braci.

Focolai - Carlo Elia Praderio

[Image 'Blue Moon Liminal' by Paul Summers]

Frequency IV

Sindacato

Inspired by this haiku:

Tall trees gently wave
Sending secret messages
Into the Spring breeze

The author John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge.
Haiku by John Hinks https://soundcloud.com/flownblue
Picture by Amanda Mocci https://unsplash.com/@amandamocci
Naviar Haiku: https://www.naviarrecords.com/2022/06/01/naviarhaiku439-tall-trees-gently-wave/

My Naviar Haiku

Existential Geometries (naviarhaiku439)

Marco Lucchi : synthesizers and tape

21 luglio 2022

Rainbowing

Radios. transistors, primitive people, rock'n'roll, intrusions, transitional points, noise of the environment.....
Anthropology and sociology of the contemporary musician in the 60s and 70s.
Unaware actors and protagonists of the last moments of the 20th century avant-garde. 
Before the collapse and the genetic mutation of the listener and the user of the daily / contemporary culture.

INTRUSIONS [disquiet0552]

Intuition

LIVE RECORDING

EXAUDI
Emma Tring (soprano)
Lucy Goddard (mezzo)
Tom Williams (countertenor)
David de Winter (tenor)
Ben McKee, Simon Whiteley (bass)

James Weeks (conductor)

UK premiere
St Paul's Hall, Huddersfield
hcmf//
19 November 2022

recording engineer: Nicholas Moroz

Naomi Pinnock - Landscape (2022)

Elektron

Multlayer performance by Jeff Gburek and Karolina Ossowska. Compositional framework generated by JG -- process derived from feeding a fire place while playing frame drum, cymbals and singing bowls so that the sounds of kindling, shovelling ash and other actions blend with the playful dance or organizing the burn. Karolina Ossowska improvised 3 violin tracks to accompany the stem sounds. These violin sounds (col legno battuto, flageolets, pressurized bow-drags) were reconfigured, splintered with various time-line offsets but remain organic and never subjected to any granular convolutions. Sounds from shortwave radio SDR create a kind of cantus firmus reflecting yet again the ionosopheric morphing layers of the planet in geomagnetic warped transitions as expressed by signals bounced into open radios tuned between stations on the floor. Work in progress/regress, clearly. I am reminded of a recent conversation whereine I paid homage to the nature mystic and great Romanian-born architect of chaos theory music, Iannis Xenakis.

Witch Hazel Gathering

Elissa Poole, Baroque flute
Douglas Perry, viola
Richard Sacks, vibraphone

The Disposition of the Forms in Space

I compose concert music including solo works, chamber music and orchestral pieces.

The Disposition of the Forms in Space

Linda Catlin Smith

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