the sounds have an extraordinary plasticity !! very nice success !!

I’m curious as to your overall process.. many unique and intriguing sonic explorations.

tummelplatz

Tummelplatz 14.12.18

as a part of https://unline.bandcamp.com/album/ishi-part-3

amazing cover art by Natalie Luss
https://ello.co/organicdetropia

Born call

cut of a live improv session installation:
WIEKANNEMANNUR at Artlake Festival 2019

recorded 08.08.-10.08.19 at Bergheider See, Finsterwalde

WIEKANNEMANNUR is an audiovisual collaboration with Bennos Dias

Es gibt da diesen UN-Report in welchem geschrieben steht, dass nur 20% der jährlich weltweit anfallenden Menge von ca. 50 Millionen Tonnen Elektronikschrott geordnet wiederverwertet werden.
'Ja wie kann er denn eigentlich nur, dieser Mensch?' haben sich zwei von eben jenen - namentlich Wiemann und Kannemann - gefragt und setzen sich folglich in künstlerischer Zunftzusammenkunft mit der analogen Nutzbarmachung von Elektronikschrott auseinander (um die Wiederverwertungsquote nach oben zu treiben). Bei dieser audiovisuellen Installation bietet sich dem Besucher die Möglichkeit manipulativ mit Projektion und Geräusch zu interagieren. Frei nach der Wechselwirkung 'Mensch moduliert Geräusch moduliert Projektion moduliert Mensch moduliert Projektion moduliert Mensch' soll (zumindest temporär) ausnahmsweise ein geschlossener Kreislauf in Bewegung geraten und dann eventuell zum Nachdenken anregen. WIEKANNEMANNUR?

WIEKANNEMANNUR will screen again at

- Galerie Pfund & Dollar, Stockmeyerstr. 43, Hamburg
- Reeperbahnfestival 2019

Cover Artwork by Bennos Dias
(-> www.instagram.com/bennos_dias/?hl=de)

|sssns| wiemann

eniac

Title extract : Thirumoolar (Temporal Field #3)

Temporal Fields & Delocalised Recordings
 LP : HAK Lo-Fi Record ‎/ Tünel Records /Middle Eight Recordings (2019)
200 ex

Full LP on Bandcamp (listen ... and buy ?!!) :
https://middleeightrecordings.bandcamp.com/album/temporal-fields-delocalised-recordings-aaba-15


-  Hopek Quirin > Bass, Tape [Diktaphone], Percussion, Field Recording
– Cisco C. > Cello, Synthesizer 
– Gabriel Lemaire > Clarinet, Alto Saxophone, Baritone Saxophone 
– Ayato > Guitar, Charango, Drum Machine, Tape [Cassettes] 
– Anton Mobin > Other [Prepared Chamber], Percussion, Field Recording 
– Julien Chamla > Percussion, Drums 
– Monobloc Sound Fidelity > Sampler, Electronics 
– Rome > Voice

Compositions concept ideated by Hopek Quirin. 

Project initiated by Anton Mobin and realized from 24 to 29 September 2017
 at La Ferme Ta Gueule, in Olivet, France.

Thirumoolar : from LP  Temporal Fields & Delocalised Recordings

paaapii

backstab

Appears on the 2020 compilation Raw and Obscure nr 1 by Sellout Tapes and Recordings

Orkney Dub

Better Than Nothing

17 Aout Iii

from https://oberlin.bandcamp.com/album/live-in-a-corridor

Live In A Corridor

Market Song (album-dl see info)

Another experiment with electric guitar loops. The main difference between today's and yesterday's (https://soundcloud.com/disquiet/passing-waves) is that yesterday's was recorded serial, so anything coming from the first loop also appeared in the second loop. That gave it a certain density, but, well, it also gave it a certain density. This was recorded in parallel, meaning whichever looper was recording at a given moment was only recording what was being played by the guitar, not what happened to be coming out of the other looper. This means the density took quite a while longer to achieve, but also that the individual segments are much more distinct, even after density has accrued. Also, the loops are quite a bit longer. Recorded from stereo speakers into a phone (yesterday was from a mono amp), though I'm not sure if the separation is particularly apparent. Major noise reduction in Adobe Audition, and a tiny amount of reverb.

Born call

Snezhana Reizen

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