Trip

Smooth.

post-manele

ride.

Blublublu

Dom Kennedy - Still Callin' (Get Home Safely)

I don't own theses songs, they are not for sale. They are just here to illustrate my project with music.

Lindsay Lowend - Bath House

Flatbush ZOMBiES - G Tearz

Flatbush ZOMBiES - 222 feat. Bridget Perez

Huzur - Salma (feat  Arapaima)

Lead Single off of, "It's All A Matter of Perspective EP"

Produced By: The Architect
Mixed By: Leon Kelly & The Architect
Additional Vox: Yasmin
Bass Gtr: Mitch


Available on iTunes

ILOVEMAKONNEN ~ Tuesday Feat. Drake

Utopia

Nu Ma Vede Ginerica (2011 mix)

CST009: A Silver Mt. Zion - He Has Left Us Alone But Shafts Of Light Sometimes Grace The Corner Of Our Rooms (2000) Track 03

A SILVER MT. ZION MEMORIAL ORCHESTRA • "Stumble Then Rise on Some Awkward Morning"

Sunday Blues (Rrose Remix) - ARTS Collective005

Exploring Ukraine's Underground Rave Revolution | CXEMA
https://www.youtube.com/watch?v=P4G1r2u8m9g
After the i-D movie about Схема my mailbox was tottaly crashed. I have received a lot of messages asking me to release this track. For two years I waited until one rather famous label fooling my head and as a result - it simply did not release my record.
Today I decided to release this track through my bandcamp.
So, the track that you have been waiting for
 https://koloah.bandcamp.com/track/amplification

Amplification

Renegade

blue

HUZUR x Arapaima - Florin Salam & The Machine

Jale

Lele Dale

Preorder: https://stroboscopicartefacts.com/shop/roar-satotem002/

Stroboscopic Artefacts is releasing its latest addition to the forward leaning edge of electronic music with the Totem series, unfurling as a chain of transparent 10” vinyl, each of them having their own subtly divergent takes on the aesthetic space defined by techno and club culture. The Totem series continues investigations previously established by Stroboscopic Artefacts, namely the relation between sound and material object, spatiotemporality and the architecture of music. The Totem series aims collapse the artist, their intention and resonance with the public into one object, an artifact of beauty and functionality, the transparent 10-inch which becomes an emblem. In choosing a less common format for the Totem series, Stroboscopic Artefacts aims to reinforce the cognition that each of these pressings is a unique object, carrying a message that will develop as the record’s existence moves through space and time.

The second release to be pressed into Totem’s slabs of 10-inch vinyl is from techno impresario Luke Slater’s L.B. Dub Corp moniker. Slater has been operating as a pioneer, with a full deck of aliases, throughout the genre’s many corners since the days when techno was a newborn phenomenon. The stripped back sounds of L.B. Dub Corp’s last releases on the imprint have resounded naturally within the psychotropic space carved out by Stroboscopic Artefacts. The “Roar EP” injects a carefully measured dose of dance floor adrenaline, getting a gradual rolling start with its A-side “Roar”. A hypnotically simple drum machine pattern lulls us into a state of quivering vulnerability where Slater’s tweaking of the reverb and decay on the one spare saw-toothed synth element creates a kind of minimal rapture that’s enveloped by an unforeseeable boiling of tape delay and ambient space. The B-side reserves the best of what makes dub and techno friends-with-benefits. “Hard Wax” is a hard- nosed amalgamation of a hand full of dirty analog sounds that Slater deftly weaves in and out of each other. The track’s ovular syncopation of machine grit and off-beat accents give the feel of an AI drum circle rising from tomorrow’s post-industrial ashes. B2, “Sure Step Dub”, keeps the machine minimalism rolling, while living up to its name as a guaranteed dance floor spinner. Once the track’s 808 wood block and clap staple the tracks template to the listeners’ skull, the hi-hat and wobbling synth create the parameters of what becomes a bubbling party soundscape – complete with hooting vocals and a sudden ecstasy rush of strings. Full of surprises and eloquent minimalism, L.B. Dub Corp’s Totem release is going to give listeners plenty to ponder when imagining what’s to come next from the series.

All tracks (w)&(p) by Luke Slater AKA L.B. Dub Corp
Mastered @ Artefacts Mastering Studio, Berlin
Graphic concept by Ignazio Mortellaro [OA]
℗ & © Stroboscopic Artefacts 2018
Cat. No SATOTEM002 – all rights reserved
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Preorder

L.B. Dub Corp - "Roar" [SATOTEM002]

Stroboscopic Artefacts returns with another strong addition to its Totem series, a unique set of releases pressed on transparent 10” vinyl, capturing the essence and effusiveness of multidimensionality of club culture. Bridging the gap between the worlds of sound and material objects, Totem is a series that aims to meld the artistic resonance of each forthcoming release into an emblematic representation of the sounds that are to be presented, clearly within the grooves seen and heard on the 10”. Stepping up for the third release in the series is Berlin legend Efdemin — bringing a three-track journey that is unequivocally enduring and flexible for journeys on-and-off the dancefloor.

While each track shares the same title, the textures and traits are different — with the A1, “Circles” setting things up with pertinent percussion and staccato synth lines; as Efdemin sways towards another side with “Left” — a heady, hedonistic thumper with exuberant melodic bursts; followed by a therapeutic sequel with “Right” — closing out the release with a melange of spacious efficacy, something the Berlin-based producer has been known for throughout his near-two-decade career. Between releasing for the likes of Ostgut Ton, Curle, Dial, and his own imprint Naïf; Efdemin takes on the challenge of Totem’s conceptual subjugation and subverts it with his emotionally honest take on a stimulating and subdural sonic experience within three parts. Narratively dense and expertly-paced, the Totem series carries on with another outer-worldly insertion to its catalog. 

All tracks (w)&(p) by Phillip Sollmann
Graphic concept by Ignazio Mortellaro [OA]
℗ & © Stroboscopic Artefacts 2018
Cat. No SATOTEM003 – all rights reserved
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Pre-order

A1 - Efdemin - Wrong Movements (Circles) [SATOTEM003]

Cu dedicatie speciala ptr.cumnatul NELU de la ITALIA si ptr.varu RADU de la BELGIA si ultima dedicatie ptr cumnatul jr.de la BRESCIA ITALIA fara numar multa FERICIRE

Huzur - Salma (feat Arapaima)

Löu System